Após um acidente na baía de Tóquio, uma criatura gigante chamada Godzilla aterroriza todo o Japão.Após um acidente na baía de Tóquio, uma criatura gigante chamada Godzilla aterroriza todo o Japão.Após um acidente na baía de Tóquio, uma criatura gigante chamada Godzilla aterroriza todo o Japão.
- Prêmios
- 13 vitórias e 10 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesDirector Hideaki Anno told the actors to speak faster than usual so that they would resemble actual politicians and bureaucrats, citing A Rede Social (2010) as a reference and warning he would cut the take if they spoke too slowly.
- Erros de gravaçãoThe drug that the government uses to kill Godzilla is described as something that will "disable his internal cooling system". After the drug is used at the end, Godzilla freezes. If the drug was supposed to disable his internal cooling system, it would have overheated him, not frozen him. But it's a bit more complex than that... In fact, in the movie the drug actually does manage to disable Godzilla's cooling system, but in stead of overheating him this triggers a SCRAM-shutdown (=Safety Control Rods Activation Mechanism) as a kind of involuntarily overreaction-thus freezing him in the procedure. By freezing himself temporarily, Godzilla is able to survive this potentially critical trauma.
- Citações
Hiromi Ogashira, Deputy Director of Nature Conservation Bureau: Man is more frightening than Gojira.
- Cenas durante ou pós-créditosThe Toho logo appears as the 1950s color version to homage Godzilla (1954)'s era.
Godzilla's stomping and roar is heard, which also happened in Godzilla (1954).
- Trilhas sonorasPersecution of the Masses
Written by Shirô Sagisu
Lyrics by Mike Wyzgowski
Soprano vocals performed by Catherine Bott
Alto and Mezzo-Soprano vocals performed by Deborah Miles-Johnson
Tenor vocals performed by Andrew Busher
Bass vocals performed by Michael George
Orchestra by London Studio Orchestra
Avaliação em destaque
If you are expecting a stereotypical monster movie you will be disappointed. This film is definitely much more of a political thriller than a monster flick.
The movie is filled with plain and mostly forgettable characters, however, collectively they make the real protagonist of the film: Japan. The film critiques and parodies a dysfunctional bureaucracy, allowing for some not so subtle irony and other comedic moments using techniques such as extreme close-ups, quick changes in POV's, rapid-fire dialogue to reinforce these while still allowing for suspense when needed. Its overly fast pace is a bit jarring at times, making it hard to concentrate with its many fast and transitionless cuts.
Shin Godzilla feels very much like a documentary, with convincing this-is-really-happening atmosphere. The filmmakers really make you feel like a participant and witness to the events happening throughout the film engrossing you into the universe and adding a huge sense of realism which adds to the political side of the film and the impact of the destruction.
Godzilla himself is also amazing, the combination of puppeteering, animatronics and digital effects create such a unique portrayal of the monster evoking terror and intrigue. Though, the cgi isn't always perfect, but this can be overlooked.
The ending is also a mixed bag, it has a great message of collaboration and ends with an interesting introspection on who the bigger monster is: humanity or Godzilla. However it did feel too cheap and easy which kinda diminished the realistic tone set by the film.
The movie is definitely not perfect but its multi layered symbolism and message are so interesting I couldn't help but be invested throughout the whole thing.
The movie is filled with plain and mostly forgettable characters, however, collectively they make the real protagonist of the film: Japan. The film critiques and parodies a dysfunctional bureaucracy, allowing for some not so subtle irony and other comedic moments using techniques such as extreme close-ups, quick changes in POV's, rapid-fire dialogue to reinforce these while still allowing for suspense when needed. Its overly fast pace is a bit jarring at times, making it hard to concentrate with its many fast and transitionless cuts.
Shin Godzilla feels very much like a documentary, with convincing this-is-really-happening atmosphere. The filmmakers really make you feel like a participant and witness to the events happening throughout the film engrossing you into the universe and adding a huge sense of realism which adds to the political side of the film and the impact of the destruction.
Godzilla himself is also amazing, the combination of puppeteering, animatronics and digital effects create such a unique portrayal of the monster evoking terror and intrigue. Though, the cgi isn't always perfect, but this can be overlooked.
The ending is also a mixed bag, it has a great message of collaboration and ends with an interesting introspection on who the bigger monster is: humanity or Godzilla. However it did feel too cheap and easy which kinda diminished the realistic tone set by the film.
The movie is definitely not perfect but its multi layered symbolism and message are so interesting I couldn't help but be invested throughout the whole thing.
- estaugas
- 2 de mar. de 2020
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Godzilla Resurgence
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 1.918.403
- Fim de semana de estreia nos EUA e Canadá
- US$ 458.342
- 16 de out. de 2016
- Faturamento bruto mundial
- US$ 78.053.145
- Tempo de duração2 horas
- Cor
- Proporção
- 2.39 : 1
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