AVALIAÇÃO DA IMDb
7,3/10
1,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA story about a broken-hearted girl who meets a boy in a not so normal way. Together, they go to places and find out "where do broken hearts go?".A story about a broken-hearted girl who meets a boy in a not so normal way. Together, they go to places and find out "where do broken hearts go?".A story about a broken-hearted girl who meets a boy in a not so normal way. Together, they go to places and find out "where do broken hearts go?".
- Prêmios
- 4 vitórias e 18 indicações no total
Kristine Joi A. Bayan
- Passenger
- (as Joi Bayan)
Marjarey Kasel Politico
- Passenger
- (as Marj Politico)
Enredo
Você sabia?
- Cenas durante ou pós-créditosThe end credits of the film includes a message stating:
"Any resemblance to real persons, living or dead, is purely coincidental, but not entirely surprising. Hindi lang ikaw ang tanga sa mundo." (You are not the only idiot in the world)
- ConexõesSpoofed in That Thing Called Tanga Na (2016)
Avaliação em destaque
I have to admit that I don't watch a lot of Philippine movies, and the willingness is even lower when it comes to the romance genre. In that department, they tend to follow the same formula over and over; and generally, it's not hard for them to be tagged "cheesy". Finally, after a period of hibernation towards watching Filipino movies in their theatrical release, we have decided to watch a Filipino film. We came up with a shortlist, but then a rather cheesy title took the number one spot. All right, let's try this one if we can bear it. But then, it turned out to be an irony because it was rather refreshing to watch. Yes, it's enjoyable and memorable.
What stood out is the insightful and introspective take on rather mundane things about relationships and life in general. The film even reminded me of Linklater's Before Sunrise and Before Sunset. Just like these films, the driving force is the dialogue, and in many occasions, the writing is smart and funny. The film's prevailing tone is a fun and thoughtful joyride. Aside from literally traveling with the characters, you become part of the protagonist's soul-searching after her failed long-term relationship. You're in for a treat with interesting characters, engaging dialogue, and some breathtaking scenery. Worth mentioning is the Sagada trip, which showcased impressive directorial shots. In terms of the performances, it felt like Angelica Panganiban took the wheel, and her partner played the role of a passenger reacting to her driving skills. They were put together in a fateful encounter, and the combination rather worked out well given the risk of being contrived. It worked best when the dialogue is minimal.
Although it was not devoid of cheesy conversations and perhaps ineffective jokes, it contained several well-paced scenes, just like in Coppola's Lost In Translation, that allow us to contemplate about the truths that the film has brought up rather indirectly. In fact, certain scenes, just like the one on the streets of Baguio about 'the heart' and 'the arrow', were reminiscent of the creativity of Gondry's Eternal Sunshine of the Spotless Mind. Also, the guitar background music has set a similar tone. If the film's rough edges were polished, it had some striking qualities of a film widely considered by international critics as a masterpiece. However, in itself, it is already a refreshing turn in the direction of Philippine cinema. If you're looking for a film to enjoy under the turf of quality storytelling, this film will definitely deliver.
What stood out is the insightful and introspective take on rather mundane things about relationships and life in general. The film even reminded me of Linklater's Before Sunrise and Before Sunset. Just like these films, the driving force is the dialogue, and in many occasions, the writing is smart and funny. The film's prevailing tone is a fun and thoughtful joyride. Aside from literally traveling with the characters, you become part of the protagonist's soul-searching after her failed long-term relationship. You're in for a treat with interesting characters, engaging dialogue, and some breathtaking scenery. Worth mentioning is the Sagada trip, which showcased impressive directorial shots. In terms of the performances, it felt like Angelica Panganiban took the wheel, and her partner played the role of a passenger reacting to her driving skills. They were put together in a fateful encounter, and the combination rather worked out well given the risk of being contrived. It worked best when the dialogue is minimal.
Although it was not devoid of cheesy conversations and perhaps ineffective jokes, it contained several well-paced scenes, just like in Coppola's Lost In Translation, that allow us to contemplate about the truths that the film has brought up rather indirectly. In fact, certain scenes, just like the one on the streets of Baguio about 'the heart' and 'the arrow', were reminiscent of the creativity of Gondry's Eternal Sunshine of the Spotless Mind. Also, the guitar background music has set a similar tone. If the film's rough edges were polished, it had some striking qualities of a film widely considered by international critics as a masterpiece. However, in itself, it is already a refreshing turn in the direction of Philippine cinema. If you're looking for a film to enjoy under the turf of quality storytelling, this film will definitely deliver.
- gercs
- 7 de fev. de 2015
- Link permanente
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- How long is That Thing Called Tadhana?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 50 minutos
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By what name was That Thing Called Tadhana (2014) officially released in Canada in English?
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