A woman leaves a nightclub and, over the objections of her brother-in-law, insists on taking the subway home alone. On the train platform she witnesses an incredible event: an overly well-dressed man with a decidedly albino cast to his features walks on air and levitates above the subway track, peering down the tunnel to see if the train is arriving. He turns, walks back to the platform, and smiles at the woman.
The next day, a crooked police officer is found dead in the same subway station, and one by one, all the associates of the woman disappear or are murdered. She herself begins to witness surreal visions which increase in frequency when she befriends a small girl she suspects to be a victim of sexual abuse.
This movie had the makings of an intriguing plot, as the story expands and we learn more about the various characters and how they are, or may be, related. Unfortunately, the makings of a plot do not equal a plot itself, and this is never more so the case than when the studio edits the film to try to create suspense and mystery that should have been inherent in the original screenplay. The endless flashbacks, vision sequences, and out-of-chronology scenes add nothing to the film but confusion and, oddly enough, tedium. They take a better-than-average premise and turn it into a mess of a movie, saved primarily by the few nuggets of genuine creativity in the plot and the looks and acting of Ana de Armas and the cast who portray her family members.
I gave this film 6 stars, solely because I felt the current consensus of 4.2 is absurdly low. A realistic rating would be in the 5.2 to 5.5 range, in my opinion. As the film is only 90 minutes, you won't waste much time watching it if you happen to disagree.
