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Two brothers return to Pinamar off-season to scatter the ashes of their mother and sell the family apartment. There, they are received by Laura, a beautiful young local who was Miguel's childhood friend. Among music, drinks and games, she awakens the desire of the brothers and turns what seemed like a trip that revolves around death into an adventure that connects them to the memory of those summers. A story as melancholy as it is luminous that builds itself almost imperceptibly, and in which feelings aren't transmitted rapidly-it may take the entire running-time for that latent chemistry to manifest itself. Pinamar expresses itself exclusively in cinematic terms, and gives a feeling of pleasure that floats around the story from the first minute and is worthy of cherishing as one of the great moments in film.

This is the story of Ariel Lambert, a twenty year old, who is advised to rest in a quiet place after a psychiatric episode. He moves together with his mother and sister to Villa Mar, small seaside resort, which is practically deserted at that time of the year. Slowly, Ariel discovers that children go into a house nearby, (which is supposed to be derelict) and they never come out again. Is this happening for real? Or is it only a figment of Ariel's sick mind? There will be only one way to find out: Ariel will have to go into the house himself