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The 2024 Cannes Film Festival was officially closed yesterday, on May 25, 2024, as the prizes for the movies and the actors were awarded at the closing ceremony. It was a very exciting and content-filled event, and we have also reported on numerous movies that had their premiere at Cannes, some of which were received well, while others… not so much. But, naturally, everyone wants to know who won and who lost at Cannes, and that is what we are going to report about in this article.

The article will be divided into two main sections. The first one will list all the juries at Cannes, since they are the ones who chose the winners at the film festival, so we think that it is only fair that you know who picked the winners. After that, we are going to list all the winners in each of the categories.

As we have said,...

French TV festival Series Mania started out playfully with a slew of humorous digs directed at its starry guests during the opening ceremony, including Brian Cox, back in town to hold a masterclass and introduce the latest episode of his smash hit “Succession.”

“I didn’t have time to watch Season 3. I have to see my children grow up, Brian!,” exclaimed host Daphné Bürki, before introducing this year’s opening show “Greek Salad” by Cédric Klapisch: “A prequel to ‘Norwegian Omelette,’ always starring Romain Duris,” Bürki joked.

Series Mania general director Laurence Herszberg joined in on the fun, giving a shoutout to “Emily in Paris’s” Philippine Leroy-Beaulieu, attending with co-star Arnaud Binard: “She became a symbol of a Parisian woman. I hope there isn’t too much weight on your shoulders, Philippine!”

Jumping from stage onto the screen, Herszberg also starred alongside artistic director Frédéric Lavigne in...

Event closes with Anna Winger’s Netflix series Transatlantic.

Series Mania will kick off its 2023 event with Cédric Klapisch’s Amazon French Original series Greek Salad before serving up 32 world premieres, an industry Forum, and closing with Anna Winger’s Netflix series Transatlantic.

The International Competition of the annual television festival and industry event includes Franco-Belgian Arte series Grace of Heaven, Apple TV+, France Televisions and Hulu Japan’s Drops of God, Paramount+’s Spanish Fleeting Lies, Reshet 13’s Israeli series Red Skies, Viaplay’s Norwegian The Fortress and Prime Video’s US series The Power. Among the titles from...

The world premieres of Cédric Klapisch’s Amazon Prime Video show “Greek Salad” and Anna Winger’s Netflix series “Transatlantic” will open and close the 2023 edition of Series Mania.

The event will feature masterclasses with “Succession” star Brian Cox, “Westworld” producer Lisa Joy, who also will preside over the international competition jury, Klapisch and renowned French actors Cécile de France (“Lost Illusions”) and Philippine Leroy-Beaulieu (“Emily in Paris”).

Series in the international competition this year include Arte’s “Grace of Heaven” (France/Belgium); Apple TV+, France Télévisions, Hulu Japan’s “Drops of God” (France/U.S./Japan); Paramount+’s “Fleeting Lies” (Spain); Mega TV’s “Milky Way” (Greece); Reshet 13’s “Red Skies” (Israel); Filimo, Namava’s “The Actor” (Iran); Viaplay’s “The Fortress” (Norway); and Prime Video’s “The Power” (U.S.)

The international jury, which also includes French actor Emmanuelle Béart, British showrunner-screenwriter Chris Chibnall (“Broadchurch”), French-British singer-songwriter and actor Lou Doillon,...

Running Jan. 13-Feb. 13, this year’s MyFrenchFilmFestival, an online fest organized by France’s film-tv promotional body Unifrance, will mark its 13th edition with an emphasis on debut features and dynamic new voices.

Showcasing star power, animated auteur fare and award-winning documentaries – all subtitled in 15 languages – the 12 features and 17 shorts of this year’s selection will reach home viewers via 70 partner platforms as well on MyFrenchFilmFestival.com, where all the shorts will be available to screen free of charge.

In an effort to cast as wide a net as possible, this year’s competition will feature projects that run the gamut from Alice Diop’s breakthrough documentary “We” – which finds connections in the lives of immigrants, lovesick teens and retirees all connected by a commuter rail line north of Paris – to Jean-Christophe Meurisse’s satirical sketch comedy “Bloody Oranges,” which shreds polite society with anarchic glee.

In between are everything...