As Screenlife storytelling transitions into the livestream era, movies like Michelle Iannantuono’s Livescreamers have me most excited. Early Screenlife films like Unfriended and The Den read like one-takers but are computer-set events like someone recorded their computer monitor or laptop screen. What Livescreamers offers — or examples like Spree, Deadstream, and #chadgetstheaxe — is the propulsive energy of a continuous stream devolving into chaos. Creators who put on celebrity identities face dreadful realities, not the protective online bubbles they’ve built where their antics draw millions of views. Livescreamers cherrypicks elements of Stay Alive, House on Haunted Hill, Unfriended, and cringy video game playthrough streams to create something horrifying that both sells its chills and comments on the vulnerable current state of livestream culture.
Low-budget restraints might hold back specific effects, and the film’s narrative throughline is a little wonky in spots, but what Iannantuono accomplishes comes from a place of authenticity.
Low-budget restraints might hold back specific effects, and the film’s narrative throughline is a little wonky in spots, but what Iannantuono accomplishes comes from a place of authenticity.
- 4/2/2024
- by Matt Donato
- bloody-disgusting.com
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