Exclusive: Disney General Entertainment Content has revealed the 13 individuals for its 2021 writing program and has named the recipient of Disney Channel’s Eunetta T. Boone Comedy Writer’s Scholarship, which was established last year in honor of the late writer/producer for diverse and aspiring comedy writers.
Created in 1990 with the WGA West, Disney Creative Talent Development & Inclusion’s one-year writing program offers advanced professional development with the primary goal of helping to secure participants’ first staffing assignment via Disney General Entertainment Content series.
Now in its 30th year, the program is held in high regard, with a nearly 100% hiring rate for more than a decade. This makes the program an ideal launching pad for talented writers and their careers — and with Disney no less.
“The Creative Talent Development & Inclusion team is proud to launch this extremely talented group of writers into the next phase of their career,” said Tim McNeal,...
Created in 1990 with the WGA West, Disney Creative Talent Development & Inclusion’s one-year writing program offers advanced professional development with the primary goal of helping to secure participants’ first staffing assignment via Disney General Entertainment Content series.
Now in its 30th year, the program is held in high regard, with a nearly 100% hiring rate for more than a decade. This makes the program an ideal launching pad for talented writers and their careers — and with Disney no less.
“The Creative Talent Development & Inclusion team is proud to launch this extremely talented group of writers into the next phase of their career,” said Tim McNeal,...
- 1/14/2021
- by Dino-Ray Ramos
- Deadline Film + TV
Writer-director Brad J. Silverman’s “Selfie Dad” is a pleasantly predictable faith-based dramedy that has been scheduled and marketed for family viewing over Father’s Day weekend on VOD platforms. As it turns out, however, the timing of its release might actually serve to expand the film’s appeal slightly beyond the usual target audience for similar fare. Indeed, in the context of recent real-life events and Black Lives Matter protests, certain elements of Silverman’s narrative give his film, if only inadvertently, a slightly sharper edge than even he likely intended.
Christian standup comic Michael Jr. plays, credibly and creditably, Ben Marcus, an editor at an Los Angeles production house who, several years earlier, walked away from a promising career as a comedian. The movie begins with a snippet from one of his decades-earlier routines, in which Ben, a Black man, recalls how easily he rattled an older white...
Christian standup comic Michael Jr. plays, credibly and creditably, Ben Marcus, an editor at an Los Angeles production house who, several years earlier, walked away from a promising career as a comedian. The movie begins with a snippet from one of his decades-earlier routines, in which Ben, a Black man, recalls how easily he rattled an older white...
- 6/18/2020
- by Joe Leydon
- Variety Film + TV
The La Skins Fest, a Native American film festival, has selected the fellows for its Native American TV Writers Lab.
The TV scriptwriters workshop is held in partnership with Comcast NBCUniversal, The Walt Disney Company, HBO, and Kung Fu Monkey Productions. It is designed to prepare Native Americans for writing careers at major television networks. Fellows take part in a five-week curriculum curated by seasoned writing executives.
The lab was created to expand the amount of Native Americans working behind the camera, and as a way to increase fair and accurate portrayals of Native Americans on television. During the 2013-14 television season, Native Americans composed only 0.1% of writers staffed on TV shows, according to the 2015 Writers Guild of America-West TV Staffing Brief.
Between 2008 and 2014, the number of employed Native American television writers declined 60 percent, from 10 to just 4 writers. Native Americans were the most underrepresented in sector employment by a factor...
The TV scriptwriters workshop is held in partnership with Comcast NBCUniversal, The Walt Disney Company, HBO, and Kung Fu Monkey Productions. It is designed to prepare Native Americans for writing careers at major television networks. Fellows take part in a five-week curriculum curated by seasoned writing executives.
The lab was created to expand the amount of Native Americans working behind the camera, and as a way to increase fair and accurate portrayals of Native Americans on television. During the 2013-14 television season, Native Americans composed only 0.1% of writers staffed on TV shows, according to the 2015 Writers Guild of America-West TV Staffing Brief.
Between 2008 and 2014, the number of employed Native American television writers declined 60 percent, from 10 to just 4 writers. Native Americans were the most underrepresented in sector employment by a factor...
- 4/5/2019
- by Bruce Haring
- Deadline Film + TV
Grey Skies is a science fiction horror film from director Kai Blackwood (Cupcake) and writer Mark Reilly, who is a veteran of the sci-fi/horror genres with participation in The Matrix and The Strangers; the film will show at an exclusive showing in Hollywood June 29th. Fans of the macabre will appreciate the blending of these two genres as an early trailer for the film builds suspense by sharing the screams of the stalked, the tortured, and the antagonized.
The full trailer for Grey Skies here:
"The film follows a group of old college friends who reunite to relive their glory days by renting a beautiful cabin in the woods. As the bonding begins, a surprise arrival of mysterious antagonistic alien creatures (brilliantly created by Burman) forces the group to ban together and outwit them in order to survive. In addition to Reilly’s exceptional script, the character relationships lend...
The full trailer for Grey Skies here:
"The film follows a group of old college friends who reunite to relive their glory days by renting a beautiful cabin in the woods. As the bonding begins, a surprise arrival of mysterious antagonistic alien creatures (brilliantly created by Burman) forces the group to ban together and outwit them in order to survive. In addition to Reilly’s exceptional script, the character relationships lend...
- 5/19/2010
- by 28DaysLaterAnalysis@gmail.com (Michael Ross Allen)
- 28 Days Later Analysis
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