November 2024, Criterion Channel is set to deliver an exceptional lineup of films that will excite cinephiles and casual viewers alike. The month promises a rich exploration of genres, featuring a strong selection of Coen Brothers classics such as Blood Simple (1984) and The Big Lebowski (1998), along with their more recent works like A Serious Man (2009) and Inside Llewyn Davis (2013). Noir and crime enthusiasts will revel in an array of titles, including The Maltese Falcon (1941), Gilda (1946), and The Big Heat (1953), showcasing the genre’s iconic narratives and stylistic depth. International cinema also shines through with compelling French dramas like Fat Girl (2001) and Dheepan (2015), highlighting diverse storytelling from around the globe.
The lineup doesn’t shy away from classic drama, featuring timeless films like On the Waterfront (1954) and Seven Samurai (1954), which continue to resonate with contemporary audiences. Additionally, viewers can look forward to a variety of documentary and experimental films, including Wild Wheels...
The lineup doesn’t shy away from classic drama, featuring timeless films like On the Waterfront (1954) and Seven Samurai (1954), which continue to resonate with contemporary audiences. Additionally, viewers can look forward to a variety of documentary and experimental films, including Wild Wheels...
- 10/23/2024
- by Deepshikha Deb
- High on Films
With Janus possessing the much-needed restorations, Catherine Breillat is getting her biggest-ever spotlight in November’s Criterion Channel series spanning 1976’s A Real Young Girl to 2004’s Anatomy of Hell––just one of numerous retrospectives arriving next month. They’re also spotlighting Ida Lupino, directorial efforts of John Turturro (who also gets an “Adventures In Moviegoing”), the Coen brothers, and Jacques Audiard.
In a slightly more macroscopic view, Columbia Noir and a new edition of “Queersighting” ring in Noirvember. Gregg Araki’s Teen Apocalypse trilogy and Miller’s Crossing get Criterion Editions, while restorations of David Bowie-starrer The Linguini Incident, Med Hondo’s West Indies, and Dennis Hopper’s Out of the Blue make streaming debuts; and Kevin Jerome Everson’s Tonsler Park arrives just in time for another grim election day.
See the full list of titles arriving in November below:
36 fillette, Catherine Breillat, 1988
Anatomy of Hell, Catherine Breillat,...
In a slightly more macroscopic view, Columbia Noir and a new edition of “Queersighting” ring in Noirvember. Gregg Araki’s Teen Apocalypse trilogy and Miller’s Crossing get Criterion Editions, while restorations of David Bowie-starrer The Linguini Incident, Med Hondo’s West Indies, and Dennis Hopper’s Out of the Blue make streaming debuts; and Kevin Jerome Everson’s Tonsler Park arrives just in time for another grim election day.
See the full list of titles arriving in November below:
36 fillette, Catherine Breillat, 1988
Anatomy of Hell, Catherine Breillat,...
- 10/16/2024
- by Nick Newman
- The Film Stage
In Constance Tsang’s feature-length directorial debut, Blue Sun Palace, silence speaks volumes. The film traces the bonds forged by a trio of Chinese immigrants who work and live in Flushing, Queens. When tragedy strikes, those bonds are reconfigured and become even more important. Blue Sun Palace’s tale is filled with quiet spaces, and the way the texture of this quiet changes over the course of the film is a testament to its power.
Tsang’s feature debut begins with Didi (Xu Haipeng) and Cheung (Lee Kang-sheng) having dinner together at a small Chinese restaurant. Cinematographer Norm Li’s camera bobs lazily between them as their conversation flows from trivial matters, like their feelings about fried chicken, to more significant ones, like their feelings about each other. The way Cheung reaches out to dab sauce off Didi’s cheek, the way they let the silence hang between them when...
Tsang’s feature debut begins with Didi (Xu Haipeng) and Cheung (Lee Kang-sheng) having dinner together at a small Chinese restaurant. Cinematographer Norm Li’s camera bobs lazily between them as their conversation flows from trivial matters, like their feelings about fried chicken, to more significant ones, like their feelings about each other. The way Cheung reaches out to dab sauce off Didi’s cheek, the way they let the silence hang between them when...
- 8/12/2024
- by Ross McIndoe
- Slant Magazine
The Polite Stuff: Lu Searches for Redemption Through the Walking & Talking Cure
In the strangely alluring The Shadowless Tower, (Bai Ta Zhi Guang) the fourteenth feature from Korean-Chinese filmmaker Zhang Lü, a handful of characters search for a more authentic way of living, even if they can’t quite articulate this struggle to themselves or others. A middle-aged divorcee with a somewhat irregular living situation suddenly finds himself on the precipice of redefining his role in life as a father, a son, an ex-husband and, if he’s lucky, a new boyfriend to a much younger woman.
Traumas from the past and familial estrangement suggest an inherent invisibility to both themselves and maybe others, weaved together into the metaphorical subtexts of the film regarding shadows as the kind of baggage we carry but also as conduits of substance, objects taking up space while moving about the world.…
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In the strangely alluring The Shadowless Tower, (Bai Ta Zhi Guang) the fourteenth feature from Korean-Chinese filmmaker Zhang Lü, a handful of characters search for a more authentic way of living, even if they can’t quite articulate this struggle to themselves or others. A middle-aged divorcee with a somewhat irregular living situation suddenly finds himself on the precipice of redefining his role in life as a father, a son, an ex-husband and, if he’s lucky, a new boyfriend to a much younger woman.
Traumas from the past and familial estrangement suggest an inherent invisibility to both themselves and maybe others, weaved together into the metaphorical subtexts of the film regarding shadows as the kind of baggage we carry but also as conduits of substance, objects taking up space while moving about the world.…
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- 3/12/2024
- by Nicholas Bell
- IONCINEMA.com
Zhang Lu has been a festival-favorite director for some time, with his somewhat European art-house approach finding much resonance throughout the West. This approach finds one of its zeniths in his latest work, “The Shadowless Tower” a film that functions as an unusual road movie, inspired by the concept of the White Pagoda, a 13th-century Buddhist temple in Beijing, whose construction makes it rather hard to see its shadow.
Shadowless Tower is screening at Singapore International Film Festival
Gu Wentong is a relatively successful film critic, whose life, however, is not in its higher point. His daughter Smiley, a rather smart and humorous child, is living with his sister Wenhui and her husband Li Jun after his divorce, with him more visiting than actually raising her. Gu's mother has recently died, while the reason for her own divorce with his father, due to an accusation of molestation on a...
Shadowless Tower is screening at Singapore International Film Festival
Gu Wentong is a relatively successful film critic, whose life, however, is not in its higher point. His daughter Smiley, a rather smart and humorous child, is living with his sister Wenhui and her husband Li Jun after his divorce, with him more visiting than actually raising her. Gu's mother has recently died, while the reason for her own divorce with his father, due to an accusation of molestation on a...
- 11/27/2023
- by Panos Kotzathanasis
- AsianMoviePulse
“Auto-bio Pamphlet,” a Marathi-language film that is both a love story and a rage against class divisions, will open the 18th edition of the Jogja-netpac Asian Film Festival later this month. The festival will close with the world premiere of spy thriller “13 Bombs in Jakarta.”
Jaff run Nov. 25 – Dec. 2 and include 205 films from 25 countries and territories across Asia-Pacific.
Directed by Angga Dwimas Sasongko, “13 Bombs in Jakarta” (aka “13 Bom di Jakarta”) tells of a group of terrorists who launch their attack with the threat of bombs scattered throughout the Indonesian capital. Sasongko is also the founder of local studio Visenema, which has four films at the festival.
“As the opening film for this year’s edition, we choose something light-hearted, which is ‘Autobio Pamphlet’ from India. Its coming-of-age story will be perfect to set the festival’s spirited and entertaining mood,” said Alexander Matius, Jaff program director. The film had...
Jaff run Nov. 25 – Dec. 2 and include 205 films from 25 countries and territories across Asia-Pacific.
Directed by Angga Dwimas Sasongko, “13 Bombs in Jakarta” (aka “13 Bom di Jakarta”) tells of a group of terrorists who launch their attack with the threat of bombs scattered throughout the Indonesian capital. Sasongko is also the founder of local studio Visenema, which has four films at the festival.
“As the opening film for this year’s edition, we choose something light-hearted, which is ‘Autobio Pamphlet’ from India. Its coming-of-age story will be perfect to set the festival’s spirited and entertaining mood,” said Alexander Matius, Jaff program director. The film had...
- 11/11/2023
- by Patrick Frater
- Variety Film + TV
Leaff 2023 brings a diverse programme from East and Southeast Asia, including international and UK premieres. This year, our programme will be showcased through these strands: Retrospective: Director Chung Ji-Young, Leaff’s Official Selection, Competition, Stories of Women, Halloween Horror Special, Cherish the World, Lgbtqia+ and Classics Restored. The festival will open and close at Odeon Luxe Leicester Square. Other screenings and Q&As will take place at Odeon Luxe West End and the Cinema at Selfridges.
For more information about tickets, please visit: https://www.leaff.org.uk/2023tickets
Here is the full programme:
Opening Gala
The Boys + Q&a with the Director | Dir. Chung Ji-Young | Korea | 2023 | 124 mins
Closing Gala
Concrete Utopia + Q&a with Director, Actor Park Bo-young | Dir. Um Tae-hwa | Korea | 2023 | 130 mins
Leaff Official Selection
The Breaking Ice | Dir. Anthony Chen | Singapore | 2022 | 97 mins
Dan Dan | Dir. Song Chuan | China | 2022 | 103 mins
Hidden Blade | Dir. Cheng Er | Hong Kong | 2022 | 128 mins
In Broad Daylight | Dir.
For more information about tickets, please visit: https://www.leaff.org.uk/2023tickets
Here is the full programme:
Opening Gala
The Boys + Q&a with the Director | Dir. Chung Ji-Young | Korea | 2023 | 124 mins
Closing Gala
Concrete Utopia + Q&a with Director, Actor Park Bo-young | Dir. Um Tae-hwa | Korea | 2023 | 130 mins
Leaff Official Selection
The Breaking Ice | Dir. Anthony Chen | Singapore | 2022 | 97 mins
Dan Dan | Dir. Song Chuan | China | 2022 | 103 mins
Hidden Blade | Dir. Cheng Er | Hong Kong | 2022 | 128 mins
In Broad Daylight | Dir.
- 10/15/2023
- by Adriana Rosati
- AsianMoviePulse
Films Boutique, the Berlin-based company behind “Pacifiction” and “The Burdened,” has come on board three international movies slated for the Cannes Film Festival. These include a pair of films set for Cannes’ Un Certain Regard, “Terrestrial Verses” and “The Buriti Flower,” as well as “Tiger Stripes” which will bow at Critics’ Week.
“Terrestrial Verses,” directed by Alireza Khatami and Ali Asgari, is the sole Iranian film premiering in the Official Selection. The movie marks the first collaboration between these two critically acclaimed directors.
Khatami previously wrote and directed “Oblivion Verses” which won best screenplay and the Fipresci prizes at Venice in 2017. Asgari, meanwhile, previously directed “Until Tomorrow” which premiered at Berlin last year, and presented two shorts at Cannes, “More Than Two Hours” in 2013 et “Il Silenzio” in 2016.
While the plot remains under wrap, the film’s title is a reference to a poet by famed Iranian Poet Forugh Farrokhzad.
“Terrestrial Verses,” directed by Alireza Khatami and Ali Asgari, is the sole Iranian film premiering in the Official Selection. The movie marks the first collaboration between these two critically acclaimed directors.
Khatami previously wrote and directed “Oblivion Verses” which won best screenplay and the Fipresci prizes at Venice in 2017. Asgari, meanwhile, previously directed “Until Tomorrow” which premiered at Berlin last year, and presented two shorts at Cannes, “More Than Two Hours” in 2013 et “Il Silenzio” in 2016.
While the plot remains under wrap, the film’s title is a reference to a poet by famed Iranian Poet Forugh Farrokhzad.
- 4/26/2023
- by Elsa Keslassy
- Variety Film + TV
Good afternoon Insiders, Max Goldbart here. It’s Oscar noms week, and we’d be rude not to bring you the latest headlines and analysis from the Academy and beyond. Read on.
And The Nominations Are In
Everything Everywhere all at the Oscars: Zac Ntim here reporting after an Oscar noms week in which A24’s multiverse epic Everything Everywhere All at Once scored a leading 11 nominations, while there was plenty to digest on the international side. The film’s haul included Best Picture, Best Director, and Best Actress for Michelle Yeoh, who became the first actress of Asian descent nominated in the category. Writer-directors Daniel Kwan and Daniel Scheinert originally created the role for Jackie Chan. The A24 pic has leapt from plucky underdog to awards frontrunner in a matter of weeks, collecting impressive hauls at BAFTA and numerous others. A nomination for Best Supporting Actress Stephanie Hsu, who...
And The Nominations Are In
Everything Everywhere all at the Oscars: Zac Ntim here reporting after an Oscar noms week in which A24’s multiverse epic Everything Everywhere All at Once scored a leading 11 nominations, while there was plenty to digest on the international side. The film’s haul included Best Picture, Best Director, and Best Actress for Michelle Yeoh, who became the first actress of Asian descent nominated in the category. Writer-directors Daniel Kwan and Daniel Scheinert originally created the role for Jackie Chan. The A24 pic has leapt from plucky underdog to awards frontrunner in a matter of weeks, collecting impressive hauls at BAFTA and numerous others. A nomination for Best Supporting Actress Stephanie Hsu, who...
- 1/27/2023
- by Max Goldbart
- Deadline Film + TV
Berlin Film Festival artistic director Carlo Chatrian and executive director Mariëtte Rissenbeck unveiled the International Competition and Encounters lineups on Monday for the festival’s 73rd edition, running February 16-26.
“It’s quite an eclectic selection,” Chatrian told the press conference in Berlin this morning. “You will see we tried to include as many genres and cinematic forms as possible.”
Related Story Berlin Film Festival Lineup: Sean Penn, Philippe Garrel, Margarethe Von Trotta & Christian Petzold In Competition — Full List Related Story Sean Penn Documentary On Ukraine And Volodymyr Zelenskyy To Debut At Berlin Film Festival Related Story Berlin Film Festival: Watch Competition Lineup Revealed Live
The International Competition features 18 titles, 15 of them world premieres, involving 19 different territories. Encounters, the Berlinale’s equivalent of Un Certain Regard which was launched in 2020, will showcase 16 films.
Chatrian has stuck with his love of mixing established names, including Philippe Garrel (The Plough), Margarethe von Trotta...
“It’s quite an eclectic selection,” Chatrian told the press conference in Berlin this morning. “You will see we tried to include as many genres and cinematic forms as possible.”
Related Story Berlin Film Festival Lineup: Sean Penn, Philippe Garrel, Margarethe Von Trotta & Christian Petzold In Competition — Full List Related Story Sean Penn Documentary On Ukraine And Volodymyr Zelenskyy To Debut At Berlin Film Festival Related Story Berlin Film Festival: Watch Competition Lineup Revealed Live
The International Competition features 18 titles, 15 of them world premieres, involving 19 different territories. Encounters, the Berlinale’s equivalent of Un Certain Regard which was launched in 2020, will showcase 16 films.
Chatrian has stuck with his love of mixing established names, including Philippe Garrel (The Plough), Margarethe von Trotta...
- 1/23/2023
- by Melanie Goodfellow
- Deadline Film + TV
The 25th edition of Tallinn Black Nights Film Festival is about to kick off, and between 12-28 of November the audience will have the oportunity to watch a great number of films from Asia, strewn across festival’s various program sections, including all competition segments. We went through the complete program and counted no more or less than 69 films from the broader Asian region.
Quite surprising is the amount of competition titles in the main selection, with three world premieres, four international. Lu ZHang’s “Yanagawa” will have its European premiere at PÖFF.
Yerzhanov returns to Tallinn a year after he presented two films at the festival, the main competition title “Ulbolsyn” about a woman who comes to a Kazhak village to “steer trouble”, and the oddball comedy “Yellow Cat” screened in the Current Waves program. Kirill Sokolov is also back two years after the premiere of his critically acclaimed...
Quite surprising is the amount of competition titles in the main selection, with three world premieres, four international. Lu ZHang’s “Yanagawa” will have its European premiere at PÖFF.
Yerzhanov returns to Tallinn a year after he presented two films at the festival, the main competition title “Ulbolsyn” about a woman who comes to a Kazhak village to “steer trouble”, and the oddball comedy “Yellow Cat” screened in the Current Waves program. Kirill Sokolov is also back two years after the premiere of his critically acclaimed...
- 11/10/2021
- by Marina D. Richter
- AsianMoviePulse
China’s Pingyao International Film Festival got under way on Tuesday with the gala screening of Zhang Lu’s new drama film “Yanagawa.” The festival will unspool Oct. 12-19 with a familiar package of competition screenings a work in progress section, a film lab, a project market and a tribute section dedicated to Tsui Hark.
Organizers announced an ambitious twelve-title competition section (“Crouching Tigers”) for first second and third films from around the world.
These include: “Amparo,” directed by Simón Mesa Soto; “As Far As I Can Walk,” directed by Strahinja Banovic; “Feathers,” directed by Omar El Zohairy; “Mama, I’m Home” directed by Vladimir Bitokov (Russia); “Pedro” directed by Natesh Hegde (India); “Playground” (Un Monde) directed by Laura Wandel (Belgium); “Prayers for the Stolen” (Noche de Fuego) directed by Tatiana Huezo; “Rehana” (Rehana Maryam Noor) directed by Abdullah Mohammad Saad; “The Tale of King Crab” (Re Granchio) directed by...
Organizers announced an ambitious twelve-title competition section (“Crouching Tigers”) for first second and third films from around the world.
These include: “Amparo,” directed by Simón Mesa Soto; “As Far As I Can Walk,” directed by Strahinja Banovic; “Feathers,” directed by Omar El Zohairy; “Mama, I’m Home” directed by Vladimir Bitokov (Russia); “Pedro” directed by Natesh Hegde (India); “Playground” (Un Monde) directed by Laura Wandel (Belgium); “Prayers for the Stolen” (Noche de Fuego) directed by Tatiana Huezo; “Rehana” (Rehana Maryam Noor) directed by Abdullah Mohammad Saad; “The Tale of King Crab” (Re Granchio) directed by...
- 10/13/2021
- by Patrick Frater
- Variety Film + TV
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