Geoff Klein(I)
- Editor
- Editorial Department
- Director
In 2017, Geoff Klein was nominated for "Best Editor" at the Canadian Screen Awards for his work on CBC's ground-breaking television show "Interrupt This Program", which follows the lives of artists in oppressed, war-torn countries.
Klein's road to the CSA's started in 2010 when he was hired to edit the indie feature film "Long Gone Day", a poignant drama that chronicles the last days of a young rock star dealing with depression and drug abuse. The following year, Klein edited the award-winning feature film "Pinup Dolls on Ice", which he also co-directed with, Melissa Mira. Klein's editing work on the film earned him the "Best Editor" award at the ShockFest Film Festival in Los Angeles. By 2013, Klein was editing various docu-series for the likes of Discovery Channel and the History Channel, which led him to edit an episode for the acclaimed series FrontLine for PBS in 2018.
In 2019, Klein jumped back into the realm of fiction with Jeremy Torrie's "The Corruption of Divine Providence", which was nominated for "Best Feature" at the Whistler Film Festival, and then followed that up in 2020 with the slow-burn "Woodland Grey", followed by the endearing "Pink Lake" by Emily Gan and Daniel Schachter.
Klein's road to the CSA's started in 2010 when he was hired to edit the indie feature film "Long Gone Day", a poignant drama that chronicles the last days of a young rock star dealing with depression and drug abuse. The following year, Klein edited the award-winning feature film "Pinup Dolls on Ice", which he also co-directed with, Melissa Mira. Klein's editing work on the film earned him the "Best Editor" award at the ShockFest Film Festival in Los Angeles. By 2013, Klein was editing various docu-series for the likes of Discovery Channel and the History Channel, which led him to edit an episode for the acclaimed series FrontLine for PBS in 2018.
In 2019, Klein jumped back into the realm of fiction with Jeremy Torrie's "The Corruption of Divine Providence", which was nominated for "Best Feature" at the Whistler Film Festival, and then followed that up in 2020 with the slow-burn "Woodland Grey", followed by the endearing "Pink Lake" by Emily Gan and Daniel Schachter.
