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Five years after the remarkable success of “Uncle Boonmee Who Can Recall His Past Lives” that won the Palme D'Or at Cannes in 2010 and many more festival awards, director and eclectic Thai video artist Apichatpong Weerasethakul presented “Cemetery of Splendour”, another imaginative and enigmatic work that elaborates on the author's fascination with the act of sleeping as a means of accessing deeper layers of consciousness and understanding.

Cemetery of Splendour is screening at Metrograph

In order to be enchanted by the director's imaginative and hypnotic world you need to unlock a certain receptiveness towards a non-traditional narrative, a storytelling that is more stratified than linear. The film takes place in the town of Khon Kaen, Isan province, Northwest of Thailand where the director grew up, and more than a story, there are many places and many stories. There is a former school transformed into a small country hospital in a...

The recent deluge of top-tier genre fare emerging from Thailand has been a joyous sight to behold for horror fanatics as the country has positioned itself quite nicely in the past years as a major player in the market. From the found-footage supernatural nightmare in The Medium, ghost movies in Inhuman Kiss, Cracked, and Ghost Lab to the giant monster throwback Leio, the country's output has allowed them to rise significantly in the crowded Asian scene with plenty looking for Japan, South Korea, and to a lesser extent Indonesia and China for their film output. Now, fresh on the heels of his recent hit The Maid, Lee Thongkham teams up with Aqing Xu for a new monster movie called The Lake which is now available through Epic Pictures.

Living in a remote Thai village, Lin (Suchar Manayang) is distraught when her younger sister May (Wilawan Chatborirak) discovers a giant lizard...