The world is melting but fear not: Amazon’s satirical sketch show The Moth Effect is here to repeatedly flap and bump into humanity until all our problems go away.
Created by Nick Boshier and Jazz Twemlow, the Bunya Entertainment series features some of Australia’s best and funniest performers as they punch up and punch themselves, tackling everything from climate change and reality TV to the military industrial complex and time travel paradoxes.
Stars include Bryan Brown, Vincent D’Onofrio, David Wenham, Jack Thompson, Miranda Otto, Ben Lawson, Peter O’Brien, Kate Box, Zoe Terakes, Miranda Tapsell and Jake Ryan alongside Mark Humphries, Nazeem Hussain, Zoe Coombs Marr, Jonny Brugh, Lucinda Price, Dave Woodhead, Louis Hanson, Steen Raskopoulos, Tim Franklin, Sam Cotton, Christiaan van Vuuren, Sarah Bishop, Sam Campbell, Megan Wilding and Brooke Boney.
The Moth Effect is directed by Craig Anderson and Gracie Otto. Produced by Lauren Elliott and Jordana Johnson,...
Created by Nick Boshier and Jazz Twemlow, the Bunya Entertainment series features some of Australia’s best and funniest performers as they punch up and punch themselves, tackling everything from climate change and reality TV to the military industrial complex and time travel paradoxes.
Stars include Bryan Brown, Vincent D’Onofrio, David Wenham, Jack Thompson, Miranda Otto, Ben Lawson, Peter O’Brien, Kate Box, Zoe Terakes, Miranda Tapsell and Jake Ryan alongside Mark Humphries, Nazeem Hussain, Zoe Coombs Marr, Jonny Brugh, Lucinda Price, Dave Woodhead, Louis Hanson, Steen Raskopoulos, Tim Franklin, Sam Cotton, Christiaan van Vuuren, Sarah Bishop, Sam Campbell, Megan Wilding and Brooke Boney.
The Moth Effect is directed by Craig Anderson and Gracie Otto. Produced by Lauren Elliott and Jordana Johnson,...
- 7/21/2021
- by The IF Team
- IF.com.au
Katrina Barber and Julianne Ryan. (Photo: City of Mandurah).
Screenwest and Carers Wa have awarded Perth-based production studio Rhythm Content a $50,000 production grant to produce 12 disability-led short projects and provide mentoring to four filmmakers with a disability.
The funding has been awarded under the Different Lens initiative, a partnership between Screenwest and Carers Wa designed to offer screen skills development opportunities for disability diverse screen practitioners, produce local disability-led content, build capacity within the local screen sector to be more inclusive, and promote visibility of disability diverse on screen talent.
Rhythm Content is a creative production studio founded in 2018 by Adam and Gemma Rule. The Different Lens initiative will be facilitated by Rhythm and a cohort of filmmakers who will act as mentors.
“When this opportunity was presented to us we jumped at the chance to work with and support a group of storytellers and filmmakers, led by Screenwest and Carers Wa,...
Screenwest and Carers Wa have awarded Perth-based production studio Rhythm Content a $50,000 production grant to produce 12 disability-led short projects and provide mentoring to four filmmakers with a disability.
The funding has been awarded under the Different Lens initiative, a partnership between Screenwest and Carers Wa designed to offer screen skills development opportunities for disability diverse screen practitioners, produce local disability-led content, build capacity within the local screen sector to be more inclusive, and promote visibility of disability diverse on screen talent.
Rhythm Content is a creative production studio founded in 2018 by Adam and Gemma Rule. The Different Lens initiative will be facilitated by Rhythm and a cohort of filmmakers who will act as mentors.
“When this opportunity was presented to us we jumped at the chance to work with and support a group of storytellers and filmmakers, led by Screenwest and Carers Wa,...
- 7/23/2020
- by jkeast
- IF.com.au
Taryne Laffar.
Taryne ‘Pinky’ Laffar has officially launched her own production company, Pink Pepper, boasting a diverse slate that includes a full docuseries based on Our Law, a comedy web series created by Clarence Ryan, feature film Red, and a six-part TV drama.
A descendant of the Bardi and Jabbir Jabbir nations, Laffar – who has worked variously as a writer, director, producer and in casting – has started the new venture with the aims of working with Indigenous and diverse creatives across documentary and drama.
Pink Pepper will also specialise in casting Indigenous and diverse talent, with Laffar also available as a freelance producer, writer, director, mentor and workshop facilitator.
The company’s debut project is documentary Our Law, following Australia’s first and only Indigenous-run police station, which recently screened in Sydney Film Festival and airs tonight on Nitv as part of Karla Grant Presents.
‘Our Law’.
With Periscope Pictures,...
Taryne ‘Pinky’ Laffar has officially launched her own production company, Pink Pepper, boasting a diverse slate that includes a full docuseries based on Our Law, a comedy web series created by Clarence Ryan, feature film Red, and a six-part TV drama.
A descendant of the Bardi and Jabbir Jabbir nations, Laffar – who has worked variously as a writer, director, producer and in casting – has started the new venture with the aims of working with Indigenous and diverse creatives across documentary and drama.
Pink Pepper will also specialise in casting Indigenous and diverse talent, with Laffar also available as a freelance producer, writer, director, mentor and workshop facilitator.
The company’s debut project is documentary Our Law, following Australia’s first and only Indigenous-run police station, which recently screened in Sydney Film Festival and airs tonight on Nitv as part of Karla Grant Presents.
‘Our Law’.
With Periscope Pictures,...
- 6/22/2020
- by jkeast
- IF.com.au
Screenwest CEO Willie Rowe.
Screenwest has announced 11 projects will share in $156,000 of script development funding via its latest Small Screen Scripted Development round.
The fund is aimed at getting scripted television or web projects ready for market, and is split into two stages – the first being concept development, followed by series development
Two projects – yet to be announced – that were previously funded through stage one will move through to stage two this round.
Screenwest head of screen investment and strategic projects Matthew Horrocks said: The popularity of this initiative is growing. The progression of two projects funded in the inaugural round to stage two demonstrates the opportunity provided to really ensure scripts can undergo a rigorous development process and ultimately deliver high‐quality screen projects ready for market.”
Screenwest CEO Willie Rowe said: “Now, more than ever it is important to ensure the Wa screen sector is developing stories from a unique Western Australian perspective.
Screenwest has announced 11 projects will share in $156,000 of script development funding via its latest Small Screen Scripted Development round.
The fund is aimed at getting scripted television or web projects ready for market, and is split into two stages – the first being concept development, followed by series development
Two projects – yet to be announced – that were previously funded through stage one will move through to stage two this round.
Screenwest head of screen investment and strategic projects Matthew Horrocks said: The popularity of this initiative is growing. The progression of two projects funded in the inaugural round to stage two demonstrates the opportunity provided to really ensure scripts can undergo a rigorous development process and ultimately deliver high‐quality screen projects ready for market.”
Screenwest CEO Willie Rowe said: “Now, more than ever it is important to ensure the Wa screen sector is developing stories from a unique Western Australian perspective.
- 5/11/2020
- by jkeast
- IF.com.au
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.