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“Game of Thrones” composer Ramin Djawadi was honored with the BMI Icon Award at Broadcast Music Inc.’s 40th annual Film, TV and Visual Media Awards Wednesday night in Beverly Hills.

The Emmy-winning, Grammy-nominated composer was acknowledged for his “memorable scores and themes inspiring future generations of composers,” BMI president-ceo Mike O’Neill said in presenting the award.

Djawadi’s music for “Game of Thrones” became a sensation during the HBO fantasy series’ eight-season run, which concluded in 2019. He won two Emmys, for his music in the seventh and eighth seasons, and later conducted it with symphony orchestras and choirs during world tours in 2017, 2018 and 2019.

His other television credits include “Westworld,” “Prison Break” and the current fantasy and sci-fi series “House of the Dragon,” “3 Body Problem” and “Fallout.” Among his film credits are “Iron Man,” “Eternals,” “A Wrinkle in Time,” “Clash of the Titans” and “Pacific Rim,” and he has...

Netflix’s official trailer for Outer Banks confirms season three will be the show’s most action-packed to date. The nearly three-minute trailer shows the Pogues are gearing up for what series creators and executive producers Jonas Pate, Josh Pate, and Shannon Burke call the granddaddy of all treasure hunts.

Season three stars Chase Stokes as John B., Madelyn Cline as Sarah Cameron, Madison Bailey as Kiara, Jonathan Daviss as Pope, and Rudy Pankow as JJ. Austin North plays Topper, Drew Starkey is Rafe, Carlacia Grant is Cleo, and Charles Esten stars as Ward Cameron.

The cast also includes Cullen Moss as Shoupe, Julia Antonelli as Wheezie Cameron, Caroline Arapoglou as Rose Cameron, E. Roger Mitchell as Heyward, Charles Halford as Big John, Elizabeth Mitchell as Limbrey, Andy McQueen as Carlos Singh, and Lou Ferrigno Jr as Ryan.

The 10-episode third season premieres on February 23, 2023.

Carole Sanders Peterman and Aaron Miller serve as producers,...

Exclusive: Deadline has an exclusive track recorded for Netflix’s Russian Doll, which is set for digital release on a Seasons 1 & 2 soundtrack tomorrow via Gardener Recordings, as the show returns for its second season.

In its first season, debuting in 2019, Russian Doll introduced viewers to a woman named Nadia (Natasha Lyonne), who is caught in a time loop as the guest of honor at a seemingly inescapable party, one night in New York City. She dies repeatedly, and always restarts at the same moment at the party, as she tries to figure out what is happening to her.

Season 2 is set four years after Nadia and her fellow looping human Alan (Charlie Barnett) discover a time portal that sends them both on an era-spanning adventure through the past. Now, once again, the two must search for a way out of the loop together. Wong’s latest soundtrack release features dream-like...

Exclusive: One of the few titles up for sale at TIFF this year was Phillip Noyce’s thriller Lakewood starring Naomi Watts, and Vertical Entertainment and Roadside Attractions have landed North American rights to the the female-driven thriller.

The movie, which was co-financed by Boies Schiller Entertainment and Limelight, deals with the sensitive subject of a high school lockdown, but from a mother’s p.o.v. from a distance. In the feature, written by Buried and Greenland‘s Chris Sparling, Amy Carr (Watts) is desperately racing against time to save her child Noah (Colton Gobbo) as authorities place her small town on lockdown due to an active shooter incident.

Lakewood is scheduled for release during the first quarter of 2022. The movie was shot on location in the North Bay of Ontario, Canada and made its world premiere at the Toronto International Film Festival two weeks ago.

Vertical’s Peter Jarowey...

Providing atmosphere, lending emotion and propelling the action, an orchestral score adds much to a TV series, so when the coronavirus threat shut down Hollywood five weeks ago, composers faced a quandary: How to retain that special sound if musicians can no longer record together in the same studio?

The answer, as heard in Tuesday night’s “Empire,” next week’s “American Dad!” and in upcoming episodes of FX’s “Mrs. America,” among others, is to record remotely. Like the millions mandated to quarantine at home, individual musicians are continuing to work and making technology work for them.

With the help of skilled engineers, separate tracks are assembled into a seamless blend, synched and locked. “In the rock world, this is nothing new,” says “Empire” composer Fil Eisler. “We do remote sessions every day. In fact, it’s how I used to make a living, when I first came to...

The shutdown of production was devastating to Los Angeles’ music community, just as it has been for every aspect of TV- and movie-making. But creative thinking is putting some studio musicians back to work.

John Acosta, president of Local 47 of the American Federation of Musicians, projects that lost wages due to the cancellation of live performances and studio recording dates could range from $2 million to $4 million, “just for the month of March.” Scuttled scoring dates amounted to half of that total, with last-minute cancellations of music for Fox’s “Family Guy,” Netflix’s “Umbrella Academy” and Peacock’s upcoming “Brave New World,” among others, prompting the Warner Bros., Sony and Fox scoring stages to close their doors within days of the city’s mandate that all nonessential businesses do so.

“Everything ground to a total standstill,” says composer Fil Eisler, who was gearing up to score the four remaining...

Bmi is announcing its annual programs at the Sundance Film Festival, with a substantially packed composer/director panel set for the afternoon of Sunday, January 26 and a “Snowball” headlined by singer Lisa Loeb two nights later.

The Sunday “Music & Film: The Creative Process” roundtable will include nine filmmaker/scorer pairs with movies at the festival, with moderating duties handled by Sundance Institute Film Music Program director Peter Golub and Bmi’s primary liaison to the film world, VP of creative relations Doreen Ringer-Ross.

Happening at Sundance for the 22nd year, the panel will bring together composers and directors from these festival entries: “Uncle Frank” (composer Nathan Barr and director Alan Ball; “Four Good Days” (Ed Shearmur and Rodrigo García; “The Night House” (Ben Lovett and David Bruckner); “Shirley” (Tamar-kali and Josephine Decker); “Promising Young Woman” ( Anthony Willis and Emerald Fennell); “Boys State” (T. Griffin and Amanda McBaine; “Us Kids” (composer...

Movie and TV composers are in greater demand than ever for, surprisingly, new music for the concert hall.

For decades, concert commissions for film composers were few and far between. The increasing popularity of John Williams’ film music, and his visibility as conductor of the Boston Pops in the 1980s and ’90s, led to his writing a number of concert works, but Williams was, for the most part, the exception to the rule.

That is changing, some composers say, because orchestra managers are reaching the belated conclusion that film music communicates immediately to audiences, and the current trend of live-to-picture concerts of movie hits (everything from “Star Wars” to “Lord of the Rings”) is bringing in big bucks. As a result, adventurous programmers are seeking new works by established film composers in hopes that audiences have developed a thirst for similarly melodic, even exciting, music by names they recognize even...

Two major performance-rights organizations announced this week the launch of workshops designed to aid up-and-coming film and TV composers: Ascap, for film scoring; and Bmi, for conducting.

Both are multi-week events for which hundreds apply annually, and the two will culminate in live recording sessions at Los Angeles area studios later this month.

Ascap began its 30th annual Film Scoring Workshop today, with Emmy-winning composer Richard Bellis as mentor and Ascap film and TV executives Michael Todd and Jennifer Harmon producing.

It’s a comprehensive, four-week program that has proven a launching pad for many composers in the past, including Jim Dooley (“Pushing Daisies”), Rob Duncan (“Castle”), Matthew Margeson (the “Kingsman” movies), Cliff Martinez (“Drive”), Mateo Messina (“Juno”) and Austin Wintory (“Journey”).

This year’s 12 composers — chosen from nearly 400 applicants — include Shaun Crawford of Cape Town, South Africa; Damien Lane of Cambewarra, Australia; Kyle Laporte of Playa Del Rey, Calif.

Forty-four were invited to join the music branch of the Academy of Motion Picture Arts & Sciences, including Kendrick Lamar, whose contributions to the “Black Panther” soundtrack are riding high on the album charts; songwriter Melissa Etheridge, who won an Oscar for her song for “An Inconvenient Truth”; and recent Oscar nominees Dustin O’Halloran and Hauschka (“Lion”), Sufjan Stevens (“Call Me By Your Name”), Carlinhos Brown (“Rio”) and Benoit Charest (“The Triplets of Belleville”).

Wendy Melvoin and Lisa Coleman, whose work with Prince catapulted them into the limelight and who have gone on to do films (“Dangerous Minds”) and considerable television, were also invited, as were composers Jeff Beal, Fil Eisler and Sharon Farber, whose best-known feature-film credits are in the documentary arena.

Classical composers Osvaldo Golijov and Joanna Bruzdowicz are on the list, as are other composers from England and the Continent: Daniel Pemberton (“Steve Jobs”), Eric Serra (“The Fifth Element...

A total of 145 scores were recently announced as being eligible for this year’s Academy Award, with everything from perceived frontrunner “La La Land” (Justin Hurwitz) and “Jackie” (Mica Levi) to outliers like “Sausage Party” and “Elle.” The final five will be nominated on January 24. In the meantime, avail yourself of this Spotify playlist featuring selections from 110 of the eligible scores — as well as the full list of every eligible score.

Read More: Oscar Best Score Contenders: The Inside Story of Creating 5 Diverse Frontrunners

Read More: Oscars 2017: Listen to 70 Songs Eligible for This Year’s Academy Award

The Abolitionists,” Tim Jones, composer

“Absolutely Fabulous The Movie,” Jake Monaco, composer

“The Accountant,” Mark Isham, composer

“Alice through the Looking Glass,” Danny Elfman, composer

“Allied,” Alan Silvestri, composer

“Almost Christmas,” John Paesano, composer

“American Pastoral,” Alexandre Desplat, composer

“The Angry Birds Movie,” Heitor Pereira, composer

“Anthropoid,” Robin Foster, composer

“Armenia, My Love,...

The Academy of Motion Picture Arts and Sciences today announced that 145 scores from eligible feature-length motion pictures released in 2016 are in contention for nominations in the Original Score category for the 89th Academy Awards.

The eligible scores along with their composers are listed below, in alphabetical order by film title:

“The Abolitionists,” Tim Jones, composer

“Absolutely Fabulous The Movie,” Jake Monaco, composer

“The Accountant,” Mark Isham, composer

“Alice through the Looking Glass,” Danny Elfman, composer

“Allied,” Alan Silvestri, composer

“Almost Christmas,” John Paesano, composer

“American Pastoral,” Alexandre Desplat, composer

“The Angry Birds Movie,” Heitor Pereira, composer

“Anthropoid,” Robin Foster, composer

“Armenia, My Love,” Silvia Leonetti, composer

“Assassin’s Creed,” Jed Kurzel, composer

“Autumn Lights,” Hugi Gudmundsson and Hjörtur Ingvi Jóhannsson, composers

“The Bfg,” John Williams, composer

“Believe,” Michael Reola, composer

“Ben-Hur,” Marco Beltrami and Buck Sanders, composers

“Bilal,” Atli Ӧrvarsson, composer

“Billy Lynn’s Long Halftime Walk,” Mychael Danna and Jeff Danna,...

The Academy of Motion Picture Arts and Sciences (AMPAS) has announced the 145 scores eligible in the Best Original Score category, includeing work from “Jackie” and “La La Land.” The latter film, a musical directed by “Whiplash” helmer Damien Chazelle, picked up the Los Angeles Film Critics Association’s award for Best Music earlier this month; “Jackie” was the category’s runner-up. Notably absent, meanwhile, are “Arrival” (which just landed a Golden Globe nod), “Manchester by the Sea” and “Silence.”

Read: ‘La La Land’: Emma Stone and Ryan Gosling’s ‘City of Stars’ Duet Will Sweep You Off Your Feet – Listen

Justin Hurwitz composed and orchestrated the “La La Land” score, while “Jackie” marks “Under the Skin” composer Mica Levi’s second silver-screen effort. Decades after becoming one of the world’s most renowned film composers, Ennio Morricone won last year’s Oscar for his work on Quentin Tarantino’s “The Hateful Eight.

Wamg is giving away three prize packs for the film, How To Be Single. Winners will receive the soundtrack download from WaterTower Music, Hollywood Movie Money (good through March 10, 2016) to see the film and swag.

Available both digitally and on CD, the soundtrack features an eclectic mix of music from the film – including songs from Fifth Harmony, Peaches, Charli Xcx, Avicii, The Arcs, Hailee Steinfeld and more – that perfectly reflects the attitude of this fresh and funny look at the contemporary single life in New York City.

“How To Be Single: Original Motion Picture Soundtrack” is available now at iTunes. Order the soundtrack here: https://www.amazon.com/gp/product/B01B2H7ZRA?ie=UTF8&keywords=how%20to%20be%20single%20soundtrack&qid=1455125178&ref_=sr_1_1&sr=8-1

The track list is as follows:

Worth It Fifth Harmony feat. Kid Ink

Come Baby Come K7

This Is A Game Nick Waterhouse...

There’s a right way to be single, a wrong way to be single, and then…there’s Alice. And Robin. Lucy. Meg. Tom. David. New York City is full of lonely hearts seeking the right match, be it a love connection, a hook-up, or something in the middle. And somewhere between the teasing texts and one-night stands, what these unmarrieds all have in common is the need to learn how to be single in a world filled with ever-evolving definitions of love. Sleeping around in the city that never sleeps was never so much fun.

How To Be Single stars Dakota Johnson, Rebel Wilson, Damon Wayans, Jr., Anders Holm, Alison Brie, Nicholas Braun, Jake Lacy, with Jason Mantzoukas and Leslie Mann.

Check out the first trailer now.

Christian Ditter (“Love, Rosie,” “The Crocodiles”) directed the comedy from a screenplay by Abby Kohn & Marc Silverstein (“The Vow,” “He’s Just...

“Obviously, a lot of this show is sort of predicated on the songs,” admits composer Fil Eisler during our chat (listen below) about his work on “Empire.” This hit Fox freshman series chronicles the Shakespearian struggles of a music mogul (Terrence Howard) to choose a successor from his three sons while dealing with his ex-wife (Taraji P. Henson). With a great deal of the show’s success due to its hip-hop infused soundtrack, how did Eisler, whose previous credits include “Shameless” and “Revenge,” make his own work stand out? -Break- He reveals how co-creator and executive producer Lee Daniels approached the score. “(He) had a very strong idea of what the score should be,” he says, “and that was really a sort of juxtaposition to the songs. He wanted to have something that was almost operatic and sort of played more like a movie than a TV show. So that...