After four years and three films, David Gordon Green's "Halloween" sequel trilogy has finally come to an end. One year after Michael's 2018 rampage throughout Haddonfield, Corey Cunningham (Rohan Campbell) is a nice, if slightly nerdy, young man who's babysitting a child named Jeremy (Jaxon Goldenberg). While playing a prank, Jeremy accidentally dies, and the town turns against Corey. With Michael Myers (James Jude Courtney) nowhere to be found, he essentially becomes Haddonfield's new boogeyman. The majority of "Halloween Ends" follows Corey three years later as he struggles to move on with his life. In the week leading up to Halloween, Corey begins a relationship with Laurie Strode's granddaughter, Allyson (Andi Matichak), and runs afoul of Michael Myers, who sends him down a dark path of murder and revenge.
"Halloween Ends" fulfills the promise of its title and provides both a definitive death for Michael and a happy conclusion to Laurie's story.
"Halloween Ends" fulfills the promise of its title and provides both a definitive death for Michael and a happy conclusion to Laurie's story.
- 10/19/2022
- by Jenn Adams
- Slash Film
This article contains minor spoilers for "Halloween Ends."
Corey Cunningham (Rohan Campbell) is the name on every horror fan's lips right now. He's the surprise, breakout character of David Gordon Green's final chapter in his reboot trilogy, "Halloween Ends." Sure, Green's trilogy might be an uneven, thematically inconsistent set of films, but Green certainly deserves some brownie points for taking large risks in his attempts to innovate the "Halloween" franchise.
In "Ends," the huge risk is centering its story away from just Laurie Strode (Jamie Lee Curtis) and Michael Myers (James Jude Courtney), and exploring Haddonfield's festering anger through a new conduit. Laurie sees something in Corey's eyes, something dark and distant, something evil — not unlike her boogeyman before him. Green makes a large effort to portray Corey's descent into evil through visual parallels with Michael Myers. He stands by the bush and stares at Laurie the way Myers did all those years ago,...
Corey Cunningham (Rohan Campbell) is the name on every horror fan's lips right now. He's the surprise, breakout character of David Gordon Green's final chapter in his reboot trilogy, "Halloween Ends." Sure, Green's trilogy might be an uneven, thematically inconsistent set of films, but Green certainly deserves some brownie points for taking large risks in his attempts to innovate the "Halloween" franchise.
In "Ends," the huge risk is centering its story away from just Laurie Strode (Jamie Lee Curtis) and Michael Myers (James Jude Courtney), and exploring Haddonfield's festering anger through a new conduit. Laurie sees something in Corey's eyes, something dark and distant, something evil — not unlike her boogeyman before him. Green makes a large effort to portray Corey's descent into evil through visual parallels with Michael Myers. He stands by the bush and stares at Laurie the way Myers did all those years ago,...
- 10/17/2022
- by Tyler Llewyn Taing
- Slash Film
This article contains major spoilers for "Halloween Ends."
In the span of just one weekend, it became clear that the conversation around whether "Halloween Ends" is an abysmal finale or a bold subversion of lofty expectations has no intentions of slowing down anytime soon. The moment those blue credits showed up, it sent a signal that this was going to be something different than more Michael Myers rampage, and it largely works.
As the final film in director David Gordon Green's divisive trilogy, "Halloween Ends" could have gone the safest route possible, but instead decided to show a different side to The Shape's legacy through the people of Haddonfield, even more so than in "Halloween Kills." Michael's infection of evil spread throughout the town until it led to the death of a mentally ill man and countless more of their own dead. With "Ends," the brunt of Michael's silent...
In the span of just one weekend, it became clear that the conversation around whether "Halloween Ends" is an abysmal finale or a bold subversion of lofty expectations has no intentions of slowing down anytime soon. The moment those blue credits showed up, it sent a signal that this was going to be something different than more Michael Myers rampage, and it largely works.
As the final film in director David Gordon Green's divisive trilogy, "Halloween Ends" could have gone the safest route possible, but instead decided to show a different side to The Shape's legacy through the people of Haddonfield, even more so than in "Halloween Kills." Michael's infection of evil spread throughout the town until it led to the death of a mentally ill man and countless more of their own dead. With "Ends," the brunt of Michael's silent...
- 10/17/2022
- by Matthew Bilodeau
- Slash Film
Warning: This article contains spoilers for "Halloween Ends."
Despite Halloween being the favorite holiday of horror fans, everyone loves a good Easter egg hunt. John Carpenter's original "Halloween" from 1978 is filled with little moments that in hindsight have become a treasure trove for horror fanatics, the most obvious examples being the William Shatner "Star Trek" mask serving as the base for Michael Myers' face and little Tommy Doyle (Brian Andrews) and Lindsey Wallace (Kyle Richards) watching "The Thing From Another World" while being babysat by Laurie Strode (Jamie Lee Curtis). The latter has become a favorite trivia fact to pull out at parties by horror fans, as John Carpenter would obviously go on to direct a remake of the film, his 1982 masterpiece "The Thing."
Horror movies often sneak in their favorite horror films within the story's universe, usually to serve as additional visual storytelling. 1996's "Scream" contains a memorable...
Despite Halloween being the favorite holiday of horror fans, everyone loves a good Easter egg hunt. John Carpenter's original "Halloween" from 1978 is filled with little moments that in hindsight have become a treasure trove for horror fanatics, the most obvious examples being the William Shatner "Star Trek" mask serving as the base for Michael Myers' face and little Tommy Doyle (Brian Andrews) and Lindsey Wallace (Kyle Richards) watching "The Thing From Another World" while being babysat by Laurie Strode (Jamie Lee Curtis). The latter has become a favorite trivia fact to pull out at parties by horror fans, as John Carpenter would obviously go on to direct a remake of the film, his 1982 masterpiece "The Thing."
Horror movies often sneak in their favorite horror films within the story's universe, usually to serve as additional visual storytelling. 1996's "Scream" contains a memorable...
- 10/15/2022
- by BJ Colangelo
- Slash Film
Click here to read the full article.
Is David Gordon Green trolling us? The director rescued John Carpenter’s game-changing slasher classic from the dumpster of disposable sequels by going back to the core mythology in 2018’s Halloween. He then sacrificed any goodwill that reboot earned by sidelining Jamie Lee Curtis and abandoning narrative coherence for random, unimaginative mayhem in 2021’s witless Halloween Kills. The conclusion of his trilogy, Halloween Ends, which promises the final faceoff between Laurie Strode and her psycho stalker Michael Myers, just seems to throw its hands in the air and surrender.
What starts out with a clever refresher steadily descends into self-serious trash, with laughable dialogue and plotting. But as with the last round, that’s unlikely to deter the series’ completists when the new film opens in theaters and simultaneously begins streaming on Peacock this Friday.
Screenwriters Paul Brad Logan, Chris Bernier, Danny McBride...
Is David Gordon Green trolling us? The director rescued John Carpenter’s game-changing slasher classic from the dumpster of disposable sequels by going back to the core mythology in 2018’s Halloween. He then sacrificed any goodwill that reboot earned by sidelining Jamie Lee Curtis and abandoning narrative coherence for random, unimaginative mayhem in 2021’s witless Halloween Kills. The conclusion of his trilogy, Halloween Ends, which promises the final faceoff between Laurie Strode and her psycho stalker Michael Myers, just seems to throw its hands in the air and surrender.
What starts out with a clever refresher steadily descends into self-serious trash, with laughable dialogue and plotting. But as with the last round, that’s unlikely to deter the series’ completists when the new film opens in theaters and simultaneously begins streaming on Peacock this Friday.
Screenwriters Paul Brad Logan, Chris Bernier, Danny McBride...
- 10/13/2022
- by David Rooney
- The Hollywood Reporter - Movie News
Alice Trailer — Krystin Ver Linden‘s Alice (2022) movie trailer has been released by Vertical Entertainment. The Alice trailer stars Keke Palmer, Common, Gaius Charles, Jonny Lee Miller, Gaius Charles, Madelon Curtis, Kenneth Farmer, Natasha Yvette Williams, Jaxon Goldenberg, Craig Stark, and Alicia Witt. Crew Krystin Ver Linden wrote the screenplay for Alice. Byron [...]
Continue reading: Alice (2022) Movie Trailer: Keke Palmer Escapes from Jonny Lee Miller’s Plantation in Krystin Ver Linden’s Film...
Continue reading: Alice (2022) Movie Trailer: Keke Palmer Escapes from Jonny Lee Miller’s Plantation in Krystin Ver Linden’s Film...
- 2/12/2022
- by Rollo Tomasi
- Film-Book
Krystin Ver Linden’s “Alice” is a righteous fable about a Black woman (Keke Palmer) who escapes from an isolated Georgia plantation that’s enslaved her, her husband (Gaius Charles) and her family for generations, and discovers a wonderland just outside the property line: 1973 America, where she learns she’s been emancipated for a century. “I never told anyone they had to stay,” her Bible-thumping captor Mr. Paul (Jonny Lee Miller) sputters by way of cheap justification. “I just never told them they could go.”
First, Alice sobs; then, she’s furious. All this time — through all this suffering — freedom was just a few miles away. The curvaceous yellow typeface of the opening titles promises that Alice will get her Blaxploitation-inspired revenge on the white family still imprisoning 11 of her loved ones. She even watches “Coffy” for motivation, staring up at Pam Grier with the awe of seeing her inner goddess strut the earth,...
First, Alice sobs; then, she’s furious. All this time — through all this suffering — freedom was just a few miles away. The curvaceous yellow typeface of the opening titles promises that Alice will get her Blaxploitation-inspired revenge on the white family still imprisoning 11 of her loved ones. She even watches “Coffy” for motivation, staring up at Pam Grier with the awe of seeing her inner goddess strut the earth,...
- 1/24/2022
- by Amy Nicholson
- Variety Film + TV
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