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Often regarded as the feature which ignited what ultimately was titled the Taiwanese New Way, Edward Yang’s “That Day, on the Beach” set the tone for his works and was also the logical next step from his short films, both in terms of narration and aesthetics. As the feature has recently been restored and screened in many international festivals, together with his other works such as “Yi Yi” and “A Bright Summer Day”, audiences can experience for themselves how the themes of this director expanded over time, and also his keen eye on developments, on the political, social and economic level, which would shape the lives of many people, even outside Taiwan. Given the pressures on young people to become mature even quicker nowadays in the age of digitization, Yang’s nostalgic and often skeptical look at his country perhaps has become increasingly relevant, besides being a showcase of...