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The title of Julia Marchese’s testimonial documentary on the history of Los Angeles’ the New Beverly Cinema, Out of Print, began, as her film did, as a way of suggesting the dark future which lay in store for the prospect of 35mm film distribution and exhibition in the early stages of this decade’s industry switch-over to digital projection. Marchese’s movie sprung from efforts to rally behind not only the viability of the film format in the face of the movie business’s growing infatuation with all things ones-and-zeroes, but also the viability of theaters like the New Beverly Cinema, the city’s longest-surviving repertory theater, which in 2013, around the time the film began production, saw the availability of 35mm prints, the bread-and-butter of the few independent revival houses across the country still in business, dwindling. These theaters were given a simple, expensive choice: cough up perhaps hundreds...