Exclusive: It’s been a strong few weeks for Telemundo.
The Spanish-language network has been dominating primetime, placing No. 1 both in total viewers and in the 18-49 demographic, beating out rival Univision for the ratings crown.
That’s thanks largely in part by two high-performing series, reality show La Casa de Los Famosos and scripted drama El Señor de Los Cielos.
La Casa de Los Famosos is actually drawing its best audience ever, averaging 1.3M live+same-day viewers across Season 4, according to Nielsen. That marks a 7% increase over Season 3 — the largest season-over-season audience growth the series has ever seen.
So far, the series has seen an increase in total viewers each season, growing 5% from Season 1 to 2 and 1% from Season 2 to 3.
La Casa de Los Famosos is also Telemundo’s top reality series on Peacock, according to NBCUniversal.
Meanwhile, El Señor de Los Cielos is averaging 1.1M viewers per episode. It...
The Spanish-language network has been dominating primetime, placing No. 1 both in total viewers and in the 18-49 demographic, beating out rival Univision for the ratings crown.
That’s thanks largely in part by two high-performing series, reality show La Casa de Los Famosos and scripted drama El Señor de Los Cielos.
La Casa de Los Famosos is actually drawing its best audience ever, averaging 1.3M live+same-day viewers across Season 4, according to Nielsen. That marks a 7% increase over Season 3 — the largest season-over-season audience growth the series has ever seen.
So far, the series has seen an increase in total viewers each season, growing 5% from Season 1 to 2 and 1% from Season 2 to 3.
La Casa de Los Famosos is also Telemundo’s top reality series on Peacock, according to NBCUniversal.
Meanwhile, El Señor de Los Cielos is averaging 1.1M viewers per episode. It...
- 4/12/2024
- by Katie Campione
- Deadline Film + TV
Feature, documentary, Vr, TV projects set for Venice industry strand.
Venice Film Festival industry strand Venice Production Bridge has confirmed the 47 projects that will take part in this year’s edition of the Gap-Financing Market (September 1-3).
Now in its fourth year, the market will welcome 25 feature film and documentary projects, 15 virtual reality, interactive, web and TV projects, as well as seven Vr projects from previous editions of the talent development lab Biennale College, which are in various stages of development and production.
The teams behind each project will take part in one-ot-one meetings with producers, financiers, distributors, sales agents and further industry attending the Production Bridge.
Full list of projects:
Fiction features (Europe)
All The Pretty Little Horses dir. Michalis Konstantatos (Greece, Germany, Netherlands), Horsefly Productions
Bodyguard Of Lies dir. Charles Matthau (Spain, United States), Babieka Films
Brighton 4 dir. Levan Koguashvili (Georgia, Bulgaria, Greece), Kino Iberica
Cook, Fuck, Kill dir. Mira Fornay (Czech...
Venice Film Festival industry strand Venice Production Bridge has confirmed the 47 projects that will take part in this year’s edition of the Gap-Financing Market (September 1-3).
Now in its fourth year, the market will welcome 25 feature film and documentary projects, 15 virtual reality, interactive, web and TV projects, as well as seven Vr projects from previous editions of the talent development lab Biennale College, which are in various stages of development and production.
The teams behind each project will take part in one-ot-one meetings with producers, financiers, distributors, sales agents and further industry attending the Production Bridge.
Full list of projects:
Fiction features (Europe)
All The Pretty Little Horses dir. Michalis Konstantatos (Greece, Germany, Netherlands), Horsefly Productions
Bodyguard Of Lies dir. Charles Matthau (Spain, United States), Babieka Films
Brighton 4 dir. Levan Koguashvili (Georgia, Bulgaria, Greece), Kino Iberica
Cook, Fuck, Kill dir. Mira Fornay (Czech...
- 7/14/2017
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.