Other works

(1930) Stage: Appeared in "The International Review" on Broadway.

(1940) Stage: Appeared in "Walk With Music" on Broadway. Musical comedy.

(1941) Stage: Appeaed in "The Ballet Theatre" on Broadway.

(1944) Stage: Choreographed / appeared in (as "Pas de Deux" dancer / "Scene de Ballet" Dancer / "Mr. Manningham") in "Seven Lively Arts" on Broadway. Musical revue. Music / lyrics by Cole Porter. Miss Lillie's sketches by Moss Hart. Book by George S. Kaufman and Ben Hecht. Ballet music by Igor Stravinsky. Music arranged by Robert Russell Bennett, Ted Royal. Scenic Design by Norman Bel Geddes [final Broadway credit]. Costume Design by Mary Grant. Modern gowns by Valentina. Lighting Design by Hassard Short. Associate Prod. Design: Al Ostrander. Assistant to Hassard Short: William Strahlman. Sketches directed by Philip Loeb. Musical Staging by 'Jack Donohue (I)'. Directed by Hassard Short. Ziegfeld Theatre: 7 Dec 1944-12 May 1945 (183 performances). Cast: Benny Goodman (as "Billy Rose Buys the Metropolitan Opera House!" Performer), Bert Lahr (as "The Stagehand" / "Local Boy Makes Good" / "Fragonard in Pink" "Only Another Boy and Girl" / "Drink" Singer / "The Patient" / "The Great Man Speaks" / "Mr. Clarence Day" / "Heaven on Angel Street"), Beatrice Lillie, Alicia Markova, Robert Austin, Franca Baldwin, Paula Bane, Truly Barbara, Virginia Barnes, Michael Barrett, Johnsie Bason, John Beggs, Susan Blanchard, Phyllis Brown, Charlotte Bruce, Angelina Buttignol, Albert Carroll, Irene Carroll, Sonny Cavell, Jean Colleran, Evangeline Collis, Margaretta De Valera, Nina Dean, Bettye Durrence, Paddy Ellerton, Rose Marie Elliott, Paul Fairleigh, Adriana Favaloro, Morey Feld, Louise Ferrand, Jerry Florio, Helen Gallagher, Arlene Garver, Mimi Gomber, Dolores Gray (as "Wow-ohh-wolf!" Singer / "Hence It Don't Make Sense" Singer / "Movie Actress" / "Big Town" / "Is It The Girl?" Singer), Alan Grossman, Edward Hackett, Jean Harris, Vincent Henry, Robert Herring, Alma Holt, Raynor Howell, Stella Hughes, Ray Johnson, Jim Kane, Harriet Katzman, Thomas Kenny, Robert Kimberly, Savona King, Mary Ann Krejci, Barry Laffin, Lee Lauterbur, Constance Love, Ethel Madson, Richard Martin, John Mathews, Viki Maulsby, Jere McMahon, Gayle Mellott, Buddy Millard, Dickie Millard, Marty Miller, Helen Molveau, Dennie Moore (as "Lady Carleton / There'll Always Be An England / Mrs. Day / Heaven on Angel Street"), Louise Newton, Red Norvo (as "Billy Rose Buys the Metropolitan Opera House!" Performer), Paul Olson, Richmond Page, Michael Pober, Mary Roche, Bettina Rosay, King Ross, Lester Russon, Allen Sharp, Gwen Shirey, Cissy Smith, Adrian Storms, Bill Tabbert, Gordon Taylor, Temple Texas, William Utely, Martha Emma Watson, Sid Weiss, Teddy Wilson, Billie Worth, Nan Wynn [Broadway debut]. Produced by Billy Rose.

(1946) Stage: Appeared in "The Dancer" on Broadway.

(1946) Stage: Appeared in "Ballet Theatre" on Broadway.

(1954) Stage: Appeared in (as "St. George") and directed "Where the Ranbow Ends" by Clifford Mills, John Ramsay and Roger Quilter. Ballet. Royal Festival Hall in London, England. Also in cast: Alicia Markova (as "Spirit of the Lake"), Claude Hulbert and Winifred Shotter. Leighton Lucas was the conductor.

(1933) Stage: He performed in the ballet, "Douanes, Bolero, Pomona, and The Lord of Burleigh" in the Vic-Wells Ballet at the Sadler's Wells Theatre in London, England, with Ninette de Valois. Frederick Ashton choreographed "Pomona" and "The Lord of Burleigh." De Valois choreographed "Douanes."

(10/7/31) Stage: He performed in the ballet, "Regatta First Performance, Job, Suite of Dances, Scene De Ballet from Faust, Homage Aux Belles Viennoises" in the Vic-Wells Ballet at the Sadler's Wells Theatre in London, England, with Ninette de Valois in the cast. Wendy Toye directed "Job." Frederick Ashton choreographed "Regatta." De Valois choreographed "Job."

(9/27/31) Stage: He performed in the ballet, "Regatta First Performance, Job, Suite of Dances, Scene De Ballet from Faust, Homage Aux Belles Viennoises" in the Vic-Wells Ballet at the Old Vic Theatre in London, England, with Ninette de Valois in the cast. Wendy Toye directed "Job." Frederick Ashton choreographed "Regatta." De Valois choreographed "Job."

(6/19/48) Stage: Danced in the ballet, "The Sleeping Beauty," in a Sadler's Wells Ballet production at the Royal Opera House in Covent Garden, London, England, with Alicia Markova, David Davenport, Leslie Edwards, Alexis Rassine, Gillian Lynne, Jean Bedells, Nadia Nerina, Pamela May and Frederick Ashton in the cast.

(1940) Stage: Choreographed "Capriccioso" on Broadway.

(1931) Book: "Divertisement".

(1941) Reconstructed Jules Perrot's classical ballet, "Pas De Quatre."

Stage: Choreographed "Swan Lake" on Broadway.

He was artistic advisor to the Les Grands Ballet Canadiens.

(1961 - 1964) He was a choreographer and director of the Rome Opera Ballet in Rome, Italy.

He organized and toured with the dance troupe "Stars of the Ballet".

(1950 - 1961) He and Alicia Markova founded the London Festival Ballet where he was dancer and artistic director.

(1949) He was the director and principal dancer of the Alicia Markova-Anton Dolin ballet companies.

(1940 - 1946) He was a dancer and choreographer for the Ballet Theatre (now American Ballet Theatre).

He performed for the Old Vic-Sadler's Wells Ballet (now the Royal Ballet).

(1941) Stage: Appeared (as "Bluebeard") in Mikhail Fokin's ballet "Bluebeard" on Broadway.

(1931) Stage: Appeared (as "Satan") in Ninette de Valois' ballet "Job" on Broadway.

(1924) Stage: He performed the leading role in Bronislava Njinska's ballet "Train Bleu" on Broadway.

(1921) Stage: He performed as a soloist dancer for the Corps De Ballet of Sergei Diaghilev's "Ballets Russes" on Broadway.

(1950) Author of the book, "Pas De Deux," about the art of partnering in ballet.

(1938) Author of the book, "Ballet Go Round."

(1966) Author of the biography, "The Sleeping Ballerina-The Story of Olga Spessivtzeza," published in London, England.

(1960) Author of his autobiography, "Anton Dolin: Autobiography," published in London, England.

(1953) Author of the biography, "Alicia Markova: Her Life and Art," published in London, England.

(1931) Author of the book, "Divertissement," published in London, England.

He guest appeared in the Original Ballet Russe, Sadler's Wells Ballet, and Ballet Russe De Monte Carlo.

(1945 - 1948) He toured with the Markova-Dolin Ballet company.

(1944 - 1945) Stage: He appeared in "Seven Lively Arts" revue in New York City which he choreographed Igor Stravinsky's "Scenes De Ballet."

(1941) Stage: He danced in the title role of Mikhail Fokin's ballet, "Bluebeard," for the Ballet Theatre in New York City.

(1941) Stage: He danced and choreographed the ballet, "Pas De Quatre," for the Ballet Theatre in New York City.

(1940 - 1946) He danced with the Ballet Theatre in New York City.

(1939) He danced with the Original Ballet Russe in Australia.

(1935) He founded the Markova-Dolin Ballet with Alicia Markova, which toured the UK until 1938.

(1931 - 1935) He was the principal guest artist with the Old Vic-Sadler Well's Ballet which later became the Royal Ballet in London, England.

(1931) Stage: He played Satan in Ninette de Valois ballet, "Job."

(1927 - 1928) He ran his own dance company with Nemchinova, choreographing ballets to Gershwin's music, "Rhapsody in Blue," and Chopin's music, "Revolutionary Etude."

(1929) He was a soloist for George Balanchine's ballet, "The Prodigal Son," and "Le Bal."

(1924) He was a soloist for Diaghilev's Ballet Russes where he appeared as a soloist in Nijinska's ballet, "Le Train Bleu."

(1921) He danced as a page (Patrikieff) in Diaghilev's ballet production of "The Sleeping Beauty."

(1957) He choreographed the ballet, "Variations for Four."

(1942) He choreographed the ballet, "The Romantic Age."

(1940) He choreographed the ballet, "Capriccioso."

Stage: He played leading role in the ballet productions of "Train Bleu" on Broadway.