According to the Northrop Grumman website, there is a debate as to how many dimensions there might be in the universe. String theory maintains that there are a solid 10 dimensions. Fans of sci-fi multiverse stories likely hold the popular opinion that there are many, many more universes, perhaps even infinite ones. Indeed, "another dimension" has long been used in fiction to describe a fantastical world that exists in the same space as ours, but which is not perceptible and only accessed through a mystical portal. In terms of what we've been able to actually measure, however, we know for sure that there are the usual four dimensions: The three we need to create a cube, and then the fourth detailing where that cube exists in time.
In 2017, two neutron stars crashed into each other, sending gravitational shock waves out into the galaxy. String theory proponents held that those gravitational waves...
In 2017, two neutron stars crashed into each other, sending gravitational shock waves out into the galaxy. String theory proponents held that those gravitational waves...
- 8/12/2023
- by Witney Seibold
- Slash Film
Until recently, there were two categories of Hollywood composers: those who wrote music for movies and those who wrote music for TV. Those lines were rarely crossed. But it’s a very different world today, as film composers are regularly turning to TV for bigger dramatic challenges.
“There is such great material out there,” says Brian Tyler, who scored the big-screen hit “Crazy Rich Asians” and also composed all nine episodes of the first season of Paramount TV’s “Yellowstone.” “If they, like on this show, allow it to be done in the right artistic way, you can develop the music over a longer period of time.”
Tyler’s score, which combines folk instruments with the large-scale sound of London Philharmonic Orchestra, complements the look and feel of the series, which centers on a powerful Montana ranch family.
“The storyline has the feel of the epic tales of Shakespeare,” he says.
“There is such great material out there,” says Brian Tyler, who scored the big-screen hit “Crazy Rich Asians” and also composed all nine episodes of the first season of Paramount TV’s “Yellowstone.” “If they, like on this show, allow it to be done in the right artistic way, you can develop the music over a longer period of time.”
Tyler’s score, which combines folk instruments with the large-scale sound of London Philharmonic Orchestra, complements the look and feel of the series, which centers on a powerful Montana ranch family.
“The storyline has the feel of the epic tales of Shakespeare,” he says.
- 6/3/2019
- by Jon Burlingame
- Variety Film + TV
Louisa Mellor Nov 25, 2017
The Twilight Zone casts a long shadow over today’s film and TV. We salute the legacy left by Rod Serling’s seminal series…
“Damn near immortal” is how Stephen King described The Twilight Zone in his 1981 study of creepy fiction Danse Macabre, and who could argue with that. Like any decent horror monster, Rod Serling’s 1960s anthology series keeps coming back from the grave. Only last week it was announced that CBS is planning to resurrect its award-winning show once again. The new series will be the latest of several revivals over the decades, including an upcoming stage production set to enjoy its world premiere at London’s Almeida Theatre this December.
See related Black Mirror series 3 review Black Mirror series 3 interview: Charlie Brooker and Annabel Jones How Black Mirror series 3 is eerily coming true
The Twilight Zone doesn’t just keep returning in its own right,...
The Twilight Zone casts a long shadow over today’s film and TV. We salute the legacy left by Rod Serling’s seminal series…
“Damn near immortal” is how Stephen King described The Twilight Zone in his 1981 study of creepy fiction Danse Macabre, and who could argue with that. Like any decent horror monster, Rod Serling’s 1960s anthology series keeps coming back from the grave. Only last week it was announced that CBS is planning to resurrect its award-winning show once again. The new series will be the latest of several revivals over the decades, including an upcoming stage production set to enjoy its world premiere at London’s Almeida Theatre this December.
See related Black Mirror series 3 review Black Mirror series 3 interview: Charlie Brooker and Annabel Jones How Black Mirror series 3 is eerily coming true
The Twilight Zone doesn’t just keep returning in its own right,...
- 11/7/2017
- Den of Geek
Nothing puts you in the mood for your favorite movie or television show better than a great theme song. And nobody, and we mean nobody, does theme songs like the horror genre does. We've got 11 of the best here to prove that point.
"The Sopranos" had a great intro with "Woke Up This Morning" by Alabama 3, and there have been some pretty great cartoon theme songs like "The Flintstones" and "The Jetsons". Hell, even the old "Batman" theme song was a damn catchy tune, but honestly, horror dominates memorable theme songs. Just take a look at the list below, and we didn't even include some great ones like "Pet Sematary" by The Ramones, Dokken's "Dream Warriors" (written for A Nightmare on Elm Street 3: Dream Warriors) or "He's Back (The Man Behind the Mask)" by Alice Cooper, written for Friday the 13th Part 6: Jason Lives. (Consider those the honorable mentions!
"The Sopranos" had a great intro with "Woke Up This Morning" by Alabama 3, and there have been some pretty great cartoon theme songs like "The Flintstones" and "The Jetsons". Hell, even the old "Batman" theme song was a damn catchy tune, but honestly, horror dominates memorable theme songs. Just take a look at the list below, and we didn't even include some great ones like "Pet Sematary" by The Ramones, Dokken's "Dream Warriors" (written for A Nightmare on Elm Street 3: Dream Warriors) or "He's Back (The Man Behind the Mask)" by Alice Cooper, written for Friday the 13th Part 6: Jason Lives. (Consider those the honorable mentions!
- 4/9/2013
- by Scott Hallam
- DreadCentral.com
After a first season that won creator Rod Serling an Emmy for dramatic writing, and earned producer Buck Houghton a Producers Guild Award (along with a Hugo Award for best dramatic presentation), the sophomore season of The Twilight Zone, spanning the fall of 1960 through the spring of 1961, offered another year of outstanding tales of science-fiction, fantasy, horror, and the uncategorizably surreal – this time in a shiny new package. Gone was Bernard Hermann's original opening theme, replaced with the now more familiar guitar-and-bongos music of Marius Constant. The opening title sequence was also changed, with the Salvador Dali-like design of the first season replaced by the classic stars-and-signpost collage/montage...
- 11/17/2010
- FEARnet
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