Review by Roger Carpenter
In his heyday, director/producer Ovidio Assonitis was affectionately known as “The Rip-Off King” due to his blatant copying of popular, more expensive hit films. Thus, we have Beyond the Door (1974), an Exorcist-style film; Tentacles (1977), a killer octopus film in the vein of Jaws; and even the sequel Piranha II: The Spawning (1981), which he famously directed after firing James Cameron shortly after filming commenced. Always on the lookout for the next big idea in exploitation, it isn’t surprising that he would also jump on the slasher bandwagon as well. Madhouse is Assonitis’ entry into that particular subgenre of film.
Though produced in late 1980 or early 1981 in Savannah, Georgia, Madhouse wasn’t released stateside until 1983. So while the film bears more than a passing resemblance to the classic slasher Happy Birthday to Me (also made in 1981), it is unclear how much of a direct rip-off one film is of the other.
In his heyday, director/producer Ovidio Assonitis was affectionately known as “The Rip-Off King” due to his blatant copying of popular, more expensive hit films. Thus, we have Beyond the Door (1974), an Exorcist-style film; Tentacles (1977), a killer octopus film in the vein of Jaws; and even the sequel Piranha II: The Spawning (1981), which he famously directed after firing James Cameron shortly after filming commenced. Always on the lookout for the next big idea in exploitation, it isn’t surprising that he would also jump on the slasher bandwagon as well. Madhouse is Assonitis’ entry into that particular subgenre of film.
Though produced in late 1980 or early 1981 in Savannah, Georgia, Madhouse wasn’t released stateside until 1983. So while the film bears more than a passing resemblance to the classic slasher Happy Birthday to Me (also made in 1981), it is unclear how much of a direct rip-off one film is of the other.
- 6/19/2017
- by Movie Geeks
- WeAreMovieGeeks.com
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