No slot (yet) of Bertrand Bonello, Michel Gondry, Bruno Dumont, Robin Campillo, Catherine Corsini and Quentin Dupieux.
The opening film of Cannes 2023 is Maiwenn’s Jeanne du Barry, a period drama that delves into French history, was shot in Versailles and sees its US star Johnny Depp speaking French.
Un Certain Regard will also open with a French title, Thomas Cailley’s Le Règne Animal, while the Competition refreshingly feaures two films by female French filmmakers, Catherine Breillat and Justine Triet, and the new film from Vietnamese-born, France-based Tran Anh Hung,
Breillat’s rise-from-retirement film is Last Summer, while Tran...
The opening film of Cannes 2023 is Maiwenn’s Jeanne du Barry, a period drama that delves into French history, was shot in Versailles and sees its US star Johnny Depp speaking French.
Un Certain Regard will also open with a French title, Thomas Cailley’s Le Règne Animal, while the Competition refreshingly feaures two films by female French filmmakers, Catherine Breillat and Justine Triet, and the new film from Vietnamese-born, France-based Tran Anh Hung,
Breillat’s rise-from-retirement film is Last Summer, while Tran...
- 4/13/2023
- by Rebecca Leffler
- ScreenDaily
Itzik Lerner has gained access to Israel’s Nafha prison for documentary Secret Link.
Director Itzik Lerner has gained unprecedented access to Israel’s notorious Nafha political prison and its Palestinian inmates, including key figures from the militant group Hamas, for his upcoming documentary Secret Link.
Jerusalem-based documentary sales agent Ruth Diskin is backing and handling international sales on the project.
“It took Itzik six years to gain permission to shoot in the jail, which is one of the most protected facilities in Israel,” said Diskin, who works under the Ruth Diskin Films banner.
Lerner has been filming in the jail in southern Israel sporadically since April. Access has been denied during the current escalation of the conflict. More than 5,500 Palestinian political prisoners are currently held in Israeli jails.
“We already have some rough footage,” said Diskin. “Itzik has unique access to both the prison and the inmates, some of them Hamas militants, who are keen...
Director Itzik Lerner has gained unprecedented access to Israel’s notorious Nafha political prison and its Palestinian inmates, including key figures from the militant group Hamas, for his upcoming documentary Secret Link.
Jerusalem-based documentary sales agent Ruth Diskin is backing and handling international sales on the project.
“It took Itzik six years to gain permission to shoot in the jail, which is one of the most protected facilities in Israel,” said Diskin, who works under the Ruth Diskin Films banner.
Lerner has been filming in the jail in southern Israel sporadically since April. Access has been denied during the current escalation of the conflict. More than 5,500 Palestinian political prisoners are currently held in Israeli jails.
“We already have some rough footage,” said Diskin. “Itzik has unique access to both the prison and the inmates, some of them Hamas militants, who are keen...
- 7/17/2014
- ScreenDaily
A trip by Israeli reggae producers to Jamaica, Final Solution architect Heinrich Himmler, new immigrant angst and a pit ball rescue centre are among the many worlds explored in this year’s Israeli Documentary Competition.
“We were focused on both the film language and the subject matter. We wanted films that were both fresh in the way they were shot but also challenging socially or intellectually,” says filmmaker Anat Zuria, who was on the festivals four-person selection committee for documentaries.
The 15-title selection kicks off today with a sold-out premiere screening of filmmaker and journalist Uri Misgav’s Life of Poetry: The Story of Avraham Halfi [pictured].
Combining interviews with friends and archive footage, the picture explores the life of the publicity shy late poet, described by Misgav as an “anonymous hero”, whose work Adorned Is Your Forehead formed the basis for one of Israel’s most popular Hebrew songs.
Other contenders include Yossi Aviram’s The Polgar...
“We were focused on both the film language and the subject matter. We wanted films that were both fresh in the way they were shot but also challenging socially or intellectually,” says filmmaker Anat Zuria, who was on the festivals four-person selection committee for documentaries.
The 15-title selection kicks off today with a sold-out premiere screening of filmmaker and journalist Uri Misgav’s Life of Poetry: The Story of Avraham Halfi [pictured].
Combining interviews with friends and archive footage, the picture explores the life of the publicity shy late poet, described by Misgav as an “anonymous hero”, whose work Adorned Is Your Forehead formed the basis for one of Israel’s most popular Hebrew songs.
Other contenders include Yossi Aviram’s The Polgar...
- 7/11/2014
- ScreenDaily
A trip by Israeli reggae producers to Jamaica, Final Solution architect Heinrich Himmler, new immigrant angst and a pit ball rescue centre are among the many worlds explored in this year’s Israeli Documentary Competition.
“We were focused on both the film language and the subject matter. We wanted films that were both fresh in the way they were shot but also challenging socially or intellectually,” says filmmaker Anat Zuria, who was on the festivals four-person selection committee for documentaries.
The 15-title selection kicks off today with a sold-out premiere screening of filmmaker and journalist Uri Misgav’s Life of Poetry: The Story of Avraham Halfi [pictured].
Combining interviews with friends and archive footage, the picture explores the life of the publicity shy late poet, described by Misgav as an “anonymous hero”, whose work Adorned Is Your Forehead formed the basis for one of Israel’s most popular Hebrew songs.
Other contenders include Yossi Aviram’s The Polgar...
“We were focused on both the film language and the subject matter. We wanted films that were both fresh in the way they were shot but also challenging socially or intellectually,” says filmmaker Anat Zuria, who was on the festivals four-person selection committee for documentaries.
The 15-title selection kicks off today with a sold-out premiere screening of filmmaker and journalist Uri Misgav’s Life of Poetry: The Story of Avraham Halfi [pictured].
Combining interviews with friends and archive footage, the picture explores the life of the publicity shy late poet, described by Misgav as an “anonymous hero”, whose work Adorned Is Your Forehead formed the basis for one of Israel’s most popular Hebrew songs.
Other contenders include Yossi Aviram’s The Polgar...
- 7/11/2014
- ScreenDaily
Top brass at the 57th San Francisco International Film Festival (Sfiff) have announced the films in competition for the New Directors Prize and the Golden Gate Award contenders in the documentary category.
The festival will award close to $40,000 in total cash prizes this year.
The New Directors Prize of $10,000 will go to a narrative first feature that exhibits “a unique artistic sensibility and deserves to be seen by as wide an audience as possible.”
The Gga documentary winner will receive $10,000 and the Gga Bay Area documentary feature winner will receive $5,000.
The Sfiff is scheduled to run from April 24-May 8.
The 2014 New Directors Prize (Narrative Feature) Competition entries are:
The Amazing Catfish (pictured, Mexico), dir Claudia Sainte-Luce
The Blue Wave (Turkey-Germany-Netherlands-Greece), dir Zeynep Dadak and Merve Kayan
Difret (Ethiopia), dir Zeresenay Berhane Mehari
The Dune (France-Israel), dir Yossi Aviram
History Of Fear (Argentina-France-Germany-Uruguay-Qatar), dir Benjamin Naishtat
Manos Sucias (Us-Colombia), dir Josef Wladyka
Of Horses And Men (Iceland-Germany), dir Benedikt Erlingsson...
The festival will award close to $40,000 in total cash prizes this year.
The New Directors Prize of $10,000 will go to a narrative first feature that exhibits “a unique artistic sensibility and deserves to be seen by as wide an audience as possible.”
The Gga documentary winner will receive $10,000 and the Gga Bay Area documentary feature winner will receive $5,000.
The Sfiff is scheduled to run from April 24-May 8.
The 2014 New Directors Prize (Narrative Feature) Competition entries are:
The Amazing Catfish (pictured, Mexico), dir Claudia Sainte-Luce
The Blue Wave (Turkey-Germany-Netherlands-Greece), dir Zeynep Dadak and Merve Kayan
Difret (Ethiopia), dir Zeresenay Berhane Mehari
The Dune (France-Israel), dir Yossi Aviram
History Of Fear (Argentina-France-Germany-Uruguay-Qatar), dir Benjamin Naishtat
Manos Sucias (Us-Colombia), dir Josef Wladyka
Of Horses And Men (Iceland-Germany), dir Benedikt Erlingsson...
- 3/6/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Ana Arabia, La Dune also honoured in Haifa.
Yuval Adler’s Bethlehem, fresh from its international tour through Venice, Telluride and Toronto, landed back home for a triumphal opening reception at the Haifa Film Festival, grabbing both the Best Israeli Film Award and a Best Actor award for Tsahi Halevy, who plays an Israeli security officer at odds with his bosses and in trouble with the young Palestinian he is trying to turn into his own agent. The film is also now confirmed as the Israeli submission for the Oscar race for best foreign-language film.
Amos Gitai’s one-shot feature, Ana Arabia, predictably collected a Best Cinematography award for Giora Bejach and Nir Bar’s 82-minute tour-de-force. A second prize went to the film’s script authored by Gitai with his regular partner, Marie-Josee Sanselme. Hila Vidor, who plays a sexually repressed, inhibited young married wife in Funeral at Noon by Adam Sanderson, was selected...
Yuval Adler’s Bethlehem, fresh from its international tour through Venice, Telluride and Toronto, landed back home for a triumphal opening reception at the Haifa Film Festival, grabbing both the Best Israeli Film Award and a Best Actor award for Tsahi Halevy, who plays an Israeli security officer at odds with his bosses and in trouble with the young Palestinian he is trying to turn into his own agent. The film is also now confirmed as the Israeli submission for the Oscar race for best foreign-language film.
Amos Gitai’s one-shot feature, Ana Arabia, predictably collected a Best Cinematography award for Giora Bejach and Nir Bar’s 82-minute tour-de-force. A second prize went to the film’s script authored by Gitai with his regular partner, Marie-Josee Sanselme. Hila Vidor, who plays a sexually repressed, inhibited young married wife in Funeral at Noon by Adam Sanderson, was selected...
- 9/30/2013
- by dfainaru@netvision.net.il (Edna Fainaru)
- ScreenDaily
Sixteen first or second directors will vie for the San Sebastian Film Festival’s (20-28 Sept) new directors award.
The films will compete for the $67,000 (€50,000) Kutxa-New Directors Award, granted by an international jury.
Represented countries include Spain, the Us, Israel, France, Turkey, Lithuania, Costa Rica, Greece, Mexico, China, Iceland, Ukraine, Holland and Belgium.
Films
El Arbol Magnetico (The Magnetic Tree) (Spain-Chile)
Dir Isabel Ayguavives
Ci Yan De Yan Guang (The Blinding Sunlight) (China)
Dir Yu Liu
Cainele Japonez (Japanese Dog) (Romania)
Dir Tudor Cristian Jurgiu
La Dune (France-Israel)
Dir Yossi Aviram
Las Horas Muertas (The Empty Hours) (Mexico-France-Spain)
Dir Aaron Fernandez
Hross I Oss (Of Horses and Men) (Iceland-Germany)
Dir Benedikt Erlingsson
Levaya Bazaharaim (Funeral at Noon) (Israel)
Dir Adam Sanderson
Losejas (The Gambler) (Lithuania-Latvia)
Dir Ignas Jonynas
Luton (Greece)
Dir Michalis Konstantatos
Mother of George (Us)
Dir Andrew Dosunmu
Por Las Plumas (All About the Feathers) (Costa Rica)
Neto Villalobos
Puppy Love (Belgium-Sweden-France-Luxembourg)
Dir Delphine Lehericey
[link...
The films will compete for the $67,000 (€50,000) Kutxa-New Directors Award, granted by an international jury.
Represented countries include Spain, the Us, Israel, France, Turkey, Lithuania, Costa Rica, Greece, Mexico, China, Iceland, Ukraine, Holland and Belgium.
Films
El Arbol Magnetico (The Magnetic Tree) (Spain-Chile)
Dir Isabel Ayguavives
Ci Yan De Yan Guang (The Blinding Sunlight) (China)
Dir Yu Liu
Cainele Japonez (Japanese Dog) (Romania)
Dir Tudor Cristian Jurgiu
La Dune (France-Israel)
Dir Yossi Aviram
Las Horas Muertas (The Empty Hours) (Mexico-France-Spain)
Dir Aaron Fernandez
Hross I Oss (Of Horses and Men) (Iceland-Germany)
Dir Benedikt Erlingsson
Levaya Bazaharaim (Funeral at Noon) (Israel)
Dir Adam Sanderson
Losejas (The Gambler) (Lithuania-Latvia)
Dir Ignas Jonynas
Luton (Greece)
Dir Michalis Konstantatos
Mother of George (Us)
Dir Andrew Dosunmu
Por Las Plumas (All About the Feathers) (Costa Rica)
Neto Villalobos
Puppy Love (Belgium-Sweden-France-Luxembourg)
Dir Delphine Lehericey
[link...
- 8/9/2013
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Sixteen first or second directors will vie for the San Sebastian Film Festival’s (20-28 Sept) new directors award.
The films will compete for the €50,000 Kutxa-New Directors Award, granted by an international jury.
Represented countries include Spain, the Us, Israel, France, Turkey, Lithuania, Costa Rica, Greece, Mexico, China, Iceland, Ukraine, Holland and Belgium.
Films:
El Arbol Magnetico (The Magnetic Tree) (Spain-Chile)
Dir Isabel Ayguavives
Ci Yan De Yan Guang (The Blinding Sunlight) (China)
Dir Yu Liu
Cainele Japonez (Japanese Dog) (Romania)
Dir Tudor Cristian Jurgiu
La Dune (The Dune) (France-Israel)
Dir Yossi Aviram
Las Horas Muertas (The Empty Hours) (Mexico-France-Spain)
Dir Aaron Fernandez
Hross I Oss (Of Horses and Men) (Iceland-Germany)
Dir Benedikt Erlingsson
Levaya Bazaharaim (Funeral at Noon) (Israel)
Dir Adam Sanderson
Losejas (The Gambler) (Lithuania-Latvia)
Dir Ignas Jonynas
Luton (Greece)
Dir Michalis Konstantatos
Mother of George (Us)
Dir Andrew Dosunmu
Por Las Plumas (All About the Feathers) (Costa Rica)
Neto Villalobos
Puppy Love (Belgium-Sweden-France-Luxembourg)
Dir...
The films will compete for the €50,000 Kutxa-New Directors Award, granted by an international jury.
Represented countries include Spain, the Us, Israel, France, Turkey, Lithuania, Costa Rica, Greece, Mexico, China, Iceland, Ukraine, Holland and Belgium.
Films:
El Arbol Magnetico (The Magnetic Tree) (Spain-Chile)
Dir Isabel Ayguavives
Ci Yan De Yan Guang (The Blinding Sunlight) (China)
Dir Yu Liu
Cainele Japonez (Japanese Dog) (Romania)
Dir Tudor Cristian Jurgiu
La Dune (The Dune) (France-Israel)
Dir Yossi Aviram
Las Horas Muertas (The Empty Hours) (Mexico-France-Spain)
Dir Aaron Fernandez
Hross I Oss (Of Horses and Men) (Iceland-Germany)
Dir Benedikt Erlingsson
Levaya Bazaharaim (Funeral at Noon) (Israel)
Dir Adam Sanderson
Losejas (The Gambler) (Lithuania-Latvia)
Dir Ignas Jonynas
Luton (Greece)
Dir Michalis Konstantatos
Mother of George (Us)
Dir Andrew Dosunmu
Por Las Plumas (All About the Feathers) (Costa Rica)
Neto Villalobos
Puppy Love (Belgium-Sweden-France-Luxembourg)
Dir...
- 8/9/2013
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
If you want to talk about a director getting lucky, take a look at Fabrice Camoin. She’s only directed two shorts thus far in her career, but Variety is reporting that she’ll be directing A Stormy Summer Night, which is a film adaptation of Marguerite Duras‘ novel, 10 heures et demi du soir en ete. The big news, though, is that she’ll have Juliette Binoche — a.k.a. one of the most respected actresses in the world — starring for her. Not bad at all.
The story follows “a French couple who spend the night in a small Andalusian town, which has been rocked by a crime of passion committed by an immigrant worker”; I assume that Binoche will play one half of the couple. Shooting on the film is slated to commence next year. Les Films Du Poisson will produce, while Rezo is distributing in France.
I haven...
The story follows “a French couple who spend the night in a small Andalusian town, which has been rocked by a crime of passion committed by an immigrant worker”; I assume that Binoche will play one half of the couple. Shooting on the film is slated to commence next year. Les Films Du Poisson will produce, while Rezo is distributing in France.
I haven...
- 9/7/2011
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
As a way of celebrating this year's nominees for the Spirit Awards in the weeks leading up to the ceremony, we reached out to as many as we could in an effort to better understand what went into their films, what they've gotten out of the experience, and where they've found their inspiration, both in regards to their work and other works of art that might've inspired them from the past year. Their answers will be published on a daily basis throughout February.
One of the many unshakable aspects of the documentary "Marwencol" is that feeling of discovery, not only of its subject Mark Hogancamp, a man whose recovery from a brutal beating leads him to seek out solace in a World War II-themed dream world he's constructed of dolls in his backyard, but also of the film's director Jeff Malmberg, a longtime editor making his feature debut as a director.
One of the many unshakable aspects of the documentary "Marwencol" is that feeling of discovery, not only of its subject Mark Hogancamp, a man whose recovery from a brutal beating leads him to seek out solace in a World War II-themed dream world he's constructed of dolls in his backyard, but also of the film's director Jeff Malmberg, a longtime editor making his feature debut as a director.
- 1/31/2011
- by Stephen Saito
- ifc.com
5 Days
PARK CITY -- A pulsating look from the front lines during last year's Israeli disengagement from the Gaza Strip, "5 Days" should enthrall viewers interested in the Israel-Palestinian conflicts, as well as those generally interested in prescriptive conflict resolution.
"5 Days" will thrive at film festivals and should be a smart draw on the Sundance Channel.
In this gripping document, we follow the removal of 8,000 settlers from their Gaza dwellings by the Israeli army. What was feared would be a catastrophe of bloodletting turns into a triumph of restraint. Director Yoav Shamir evenly captures the endgame scenario orchestrated by both sides and shows succinctly how armed violence was avoided.
With multiple camera crews, including a unit that followed Gen. Dan Harel, chief of the Southern Command, "5 Days" is a ranging, provocative insight into the volatile dynamics of this historic mission. Harel, we see, is a commanding but compassionate leader who realized that the five days would proceed on a certain course. Under his command, the Israeli soldiers showed compassion and civil fortitude as things inexorably climaxed toward the fifth day, when the most entrenched and resistant would be confronted and removed.
Told with intelligence and multiple perspectives, "5 Days" provokes one to examine why all intractable conflicts can't be solved with such honor and delicacy.
Technical contributions are first rate, including taut editing from Arik Lahav-Leibovitz and probing camerawork from the legion of cinematographers.
5 DAYS
Keshet, IDFA Documentary, Sundance Channel and Profile Prods.
Credits:
Director: Yoav Shamir
Producer: Moshe Levinson
Directors of photography: Yoav Shamir, Mahmoud Albaied, Yossi Aviram, Shai Goldman, Eytan Harris, Nadav Lapid, Gil Mezuman, Amit Shalev, Claudio Steinberg, Alon Zingman
Music: Ophir Leibovitch
Editor: Arik Lahav-Leibovitz
No MPAA rating
Running time -- 94 minutes...
"5 Days" will thrive at film festivals and should be a smart draw on the Sundance Channel.
In this gripping document, we follow the removal of 8,000 settlers from their Gaza dwellings by the Israeli army. What was feared would be a catastrophe of bloodletting turns into a triumph of restraint. Director Yoav Shamir evenly captures the endgame scenario orchestrated by both sides and shows succinctly how armed violence was avoided.
With multiple camera crews, including a unit that followed Gen. Dan Harel, chief of the Southern Command, "5 Days" is a ranging, provocative insight into the volatile dynamics of this historic mission. Harel, we see, is a commanding but compassionate leader who realized that the five days would proceed on a certain course. Under his command, the Israeli soldiers showed compassion and civil fortitude as things inexorably climaxed toward the fifth day, when the most entrenched and resistant would be confronted and removed.
Told with intelligence and multiple perspectives, "5 Days" provokes one to examine why all intractable conflicts can't be solved with such honor and delicacy.
Technical contributions are first rate, including taut editing from Arik Lahav-Leibovitz and probing camerawork from the legion of cinematographers.
5 DAYS
Keshet, IDFA Documentary, Sundance Channel and Profile Prods.
Credits:
Director: Yoav Shamir
Producer: Moshe Levinson
Directors of photography: Yoav Shamir, Mahmoud Albaied, Yossi Aviram, Shai Goldman, Eytan Harris, Nadav Lapid, Gil Mezuman, Amit Shalev, Claudio Steinberg, Alon Zingman
Music: Ophir Leibovitch
Editor: Arik Lahav-Leibovitz
No MPAA rating
Running time -- 94 minutes...
- 1/30/2006
- The Hollywood Reporter - Movie News
5 Days
PARK CITY -- A pulsating look from the front lines during the August 2005 Israeli disengagement from the Gaza Strip, "5 Days" should enthrall viewers interested in the Israel-Palestinian conflicts, as well as those generally interested in prescriptive conflict resolution.
"5 Days" will thrive at film festivals, and should be a smart draw on the Sundance Channel.
In this gripping document, we follow the removal of 8,000 settlers from their Gaza dwellings by the Israeli army. What was feared would be a catastrophe of bloodletting turns into a triumph of restraint. Director Yoav Shamir evenly captures the endgame scenario orchestrated by both sides and shows succinctly how armed violence was avoided.
With multiple camera crews, including a unit which followed General Dan Harel, chief of the Southern Command, "5 Days" is a ranging, provocative insight into the volatile dynamics of this historic mission. General Dan Harel, we see, is a commanding but compassionate leader who realized that the five-days would proceed on a certain course. Under his command, the Israeli soldiers showed compassion and civil fortitude as things inexorably climaxed toward the fifth day, when the most entrenched and resistant would be confronted and removed.
Told with intelligence and multiple perspectives, "5 Days" provokes one to examine why all intractable conflicts can't be solved with such honor and delicacy.
Technical contributions are first rate: taut editing from Arik Lahav-Leibovitz and probing camera work from the legion of cinematographers.
5 DAYS
Keshet
idfa Documentary
Sundance Channel
Profile Prods. Presents
Credits:
Director: Yoav Shamir
Producer: Moshe Levinson
Directors
of photography: Yoav Shamir, Mahmoud Albaied, Yossi Aviram, Shai Goldman, Eytan Harris, Nadav Lapid, Gil Mezuman, Amit Shalev, Claudio Steinberg, Alon Zingman
Music: Ophir Leibovitch
Editor: Arik Lahav-Leibovitz
No MPAA rating
Running time -- 94 minutes...
"5 Days" will thrive at film festivals, and should be a smart draw on the Sundance Channel.
In this gripping document, we follow the removal of 8,000 settlers from their Gaza dwellings by the Israeli army. What was feared would be a catastrophe of bloodletting turns into a triumph of restraint. Director Yoav Shamir evenly captures the endgame scenario orchestrated by both sides and shows succinctly how armed violence was avoided.
With multiple camera crews, including a unit which followed General Dan Harel, chief of the Southern Command, "5 Days" is a ranging, provocative insight into the volatile dynamics of this historic mission. General Dan Harel, we see, is a commanding but compassionate leader who realized that the five-days would proceed on a certain course. Under his command, the Israeli soldiers showed compassion and civil fortitude as things inexorably climaxed toward the fifth day, when the most entrenched and resistant would be confronted and removed.
Told with intelligence and multiple perspectives, "5 Days" provokes one to examine why all intractable conflicts can't be solved with such honor and delicacy.
Technical contributions are first rate: taut editing from Arik Lahav-Leibovitz and probing camera work from the legion of cinematographers.
5 DAYS
Keshet
idfa Documentary
Sundance Channel
Profile Prods. Presents
Credits:
Director: Yoav Shamir
Producer: Moshe Levinson
Directors
of photography: Yoav Shamir, Mahmoud Albaied, Yossi Aviram, Shai Goldman, Eytan Harris, Nadav Lapid, Gil Mezuman, Amit Shalev, Claudio Steinberg, Alon Zingman
Music: Ophir Leibovitch
Editor: Arik Lahav-Leibovitz
No MPAA rating
Running time -- 94 minutes...
- 1/23/2006
- The Hollywood Reporter - Movie News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.