Eric M. Klein(I)
- Producer
- Production Manager
- Editorial Department
Eric M. Klein, p.g.a. (Producer & Post Producer) has been earning credits for over 25 years. Eric's body of work has been honored with over a hundred festival appearances, garnering just as many awards, nominations and opening nights.
His recent Producer accolades were for Excellence in PSA & Commercial Production and as a Humanitarian for 'Final Moments' to spread awareness in wearing a mask to protect each other. The motion picture "Jasmine" amassed 100 wins and an additional 57 nominations.
His recent Post Finishing credits include: "In The Arena: Serena Williams" the 8-part DocuSeries, as Post Producer for Hulu/ESPN+. "Goliath" the 3-part DocuSeries, as Post Producer for Showtime (** Sports Emmy® Award Nominated for Outstanding Documentary Series), and "Two Distant Strangers" the short film for Netflix (** Academy Award® Winner for Best Live-Action Short).
Other motion picture titles produced and associated include - "Uncharitable," "The Modelizer," "Happy Hour," "dogme17" & "American Reunion" (un-dogme version), "The Young Unknowns," "Bury the Evidence," "The Deep and Dreamless Sleep," "Pictures of Baby Jane Doe," "Sam's Lake," "No Postage Necessary," "Bardo Blues," and "Chimera Strain."
US Official Festival Selections include: AFI, Anchorage; Atlanta; Austin; Hoboken; Los Angeles; Mill Valley; Newport Beach; Philadelphia; Seattle; Sonoma Valley; Sundance; St. Louis; SXSW; Accolade Competition; Tribeca First Look; and the Prism Awards. International Festival Official Selections include: Avignon; Bahamas; Bangkok; Berlin; Cyprus; Dublin; Hong Kong; London; Göteborg; Macon; Madrid; Mexico; Nice; Oldenburg; Paris; Potsdam Sehsüchte; Rincón; Seoul; Toronto; and Verona.
Eric M. Klein is also a Post Producer with a unique history of success in the Entertainment Industry. He has been credited on 100+ Feature Films and 250+ TV/Streaming Episodes. In 2010, Eric was entrusted to expand the Hollywood-based Digital Post Services from a Technical Servicing company to include Creative Services. He created a campus setting offering a true 'under-one-roof' opportunity for Producers, Directors, and their teams.
His earlier years on set as a Key, Best Boy & Dolly Grip offered opportunities to work with some notable Directors and Cinematographers; Julian Schnabel; Abel Ferrara; Tom DiCillo; Julien Temple; Hal Hartley; Nancy Savoca; Michael Spiller; Jim Denault; Bobby Bukowski; Nancy Schreiber; Frank Prinzi; Harris Savides; Ron Fortunato; Toshiaki Ozawa; Frank G. DeMarco; and Robert D. Yeoman.
During his transition to Production Management & Line Producing, Eric deepened his scope and grasp by filling roles in a multiple of departments that included; Assistant Director; Location Sound; Electrical & Rigging; Set Construction; Scenic & Greens; Wardrobe; Locations; and Transportation. In 1990, Eric began directing and producing underground music videos in New York City before producing his first feature film.
Some of his fond & memorable opportunities -
Traversing across Cuba from the Malecón of Havana to the Santiago de Cuba Carnival with Cinematographer Guy Livneh capturing B-roll to support a film inspired by La Lupe (one of the Spanish-language world's greatest performers).
30 Seconds to Mars "A Beautiful Lie" - Post Supervisor, Supporting Edy Enriquez and Jared Leto (Producers) on this imaginative and meaningful Short-subject Music Video. The multi-camera production shot entirely on location 200 miles north of the Arctic Circle. The music video has over 30 million views.
The Rolling Stones "Highwire" - Best Boy & Louma Crane Grip ("at every camera setup, long shoot").
Oasis "Live Forever" - Key & Dolly Grip. Responsible to affix Liam Gallaghger to a cement wall, in a decrepit preschool chair off to the side of the NYC Westside Highway. Liam's spur of the moment first shot up, at dawn.
RUN-D.M.C. (@ 1990/1993) - Key & Dolly Grip. Responsible to hang those six letters behind them, more than once...!
Salt-N-Pepa (@ 1990/1993) - Key & Dolly Grip quite often ("a few third meals with DJ Spinderella").
His recent Producer accolades were for Excellence in PSA & Commercial Production and as a Humanitarian for 'Final Moments' to spread awareness in wearing a mask to protect each other. The motion picture "Jasmine" amassed 100 wins and an additional 57 nominations.
His recent Post Finishing credits include: "In The Arena: Serena Williams" the 8-part DocuSeries, as Post Producer for Hulu/ESPN+. "Goliath" the 3-part DocuSeries, as Post Producer for Showtime (** Sports Emmy® Award Nominated for Outstanding Documentary Series), and "Two Distant Strangers" the short film for Netflix (** Academy Award® Winner for Best Live-Action Short).
Other motion picture titles produced and associated include - "Uncharitable," "The Modelizer," "Happy Hour," "dogme17" & "American Reunion" (un-dogme version), "The Young Unknowns," "Bury the Evidence," "The Deep and Dreamless Sleep," "Pictures of Baby Jane Doe," "Sam's Lake," "No Postage Necessary," "Bardo Blues," and "Chimera Strain."
US Official Festival Selections include: AFI, Anchorage; Atlanta; Austin; Hoboken; Los Angeles; Mill Valley; Newport Beach; Philadelphia; Seattle; Sonoma Valley; Sundance; St. Louis; SXSW; Accolade Competition; Tribeca First Look; and the Prism Awards. International Festival Official Selections include: Avignon; Bahamas; Bangkok; Berlin; Cyprus; Dublin; Hong Kong; London; Göteborg; Macon; Madrid; Mexico; Nice; Oldenburg; Paris; Potsdam Sehsüchte; Rincón; Seoul; Toronto; and Verona.
Eric M. Klein is also a Post Producer with a unique history of success in the Entertainment Industry. He has been credited on 100+ Feature Films and 250+ TV/Streaming Episodes. In 2010, Eric was entrusted to expand the Hollywood-based Digital Post Services from a Technical Servicing company to include Creative Services. He created a campus setting offering a true 'under-one-roof' opportunity for Producers, Directors, and their teams.
His earlier years on set as a Key, Best Boy & Dolly Grip offered opportunities to work with some notable Directors and Cinematographers; Julian Schnabel; Abel Ferrara; Tom DiCillo; Julien Temple; Hal Hartley; Nancy Savoca; Michael Spiller; Jim Denault; Bobby Bukowski; Nancy Schreiber; Frank Prinzi; Harris Savides; Ron Fortunato; Toshiaki Ozawa; Frank G. DeMarco; and Robert D. Yeoman.
During his transition to Production Management & Line Producing, Eric deepened his scope and grasp by filling roles in a multiple of departments that included; Assistant Director; Location Sound; Electrical & Rigging; Set Construction; Scenic & Greens; Wardrobe; Locations; and Transportation. In 1990, Eric began directing and producing underground music videos in New York City before producing his first feature film.
Some of his fond & memorable opportunities -
Traversing across Cuba from the Malecón of Havana to the Santiago de Cuba Carnival with Cinematographer Guy Livneh capturing B-roll to support a film inspired by La Lupe (one of the Spanish-language world's greatest performers).
30 Seconds to Mars "A Beautiful Lie" - Post Supervisor, Supporting Edy Enriquez and Jared Leto (Producers) on this imaginative and meaningful Short-subject Music Video. The multi-camera production shot entirely on location 200 miles north of the Arctic Circle. The music video has over 30 million views.
The Rolling Stones "Highwire" - Best Boy & Louma Crane Grip ("at every camera setup, long shoot").
Oasis "Live Forever" - Key & Dolly Grip. Responsible to affix Liam Gallaghger to a cement wall, in a decrepit preschool chair off to the side of the NYC Westside Highway. Liam's spur of the moment first shot up, at dawn.
RUN-D.M.C. (@ 1990/1993) - Key & Dolly Grip. Responsible to hang those six letters behind them, more than once...!
Salt-N-Pepa (@ 1990/1993) - Key & Dolly Grip quite often ("a few third meals with DJ Spinderella").
