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The premise of Sherwood Schwartz's popular 1964 sitcom "Gilligan's Island" is handily explained in its theme song: five passengers check into a three-hour boat tour, run by the skipper and first mate of a tiny tourist boat called the S.S. Minnow. The ship hits some bad weather and is thrown miles off course, landing on an uncharted desert isle. The seven tourists become seven stranded castaways. No phones, no lights, no motorcars, not a single luxury. Like "Robinson Crusoe," it's as primitive as can be. The septet have to learn to live together, usually to comedic effect. 

Gilligan (Bob Denver) was the above-mentioned first mate, and his innocent cluelessness and tendency to bumble often thwarted the castaways' ability to escape. He shared the island with his Skipper (Alan Hale), a professor (Russell Johnson), a pair of married millionaires (Natalie Schafer and Jim Backus), a farmer (Dawn Wells), and a...

Killer Collectibles highlights five of the most exciting new horror products announced each and every week, from toys and apparel to artwork, records, and much more.

Here are the coolest horror collectibles unveiled this week!

Midsommar Tree Topper from A24

A24 has turned Midsommar‘s most enduring image — Florence Pugh as the May Queen — into a Christmas tree topper.

Priced at $48, the handmade felted wood decoration stands 10.5″ tall. It will ship by December 6 to ensure delivery before the holidays.

PopTaters Chucky from Super Impulse

Chucky has joined Super Impulse’s PopTaters line, which gives pop culture icons a Potato Head makeover.

The 4″ potato body comes with 14 interchangeable facial and body parts, including Good Guys overalls, a knife, and a surprise original Potato Head piece.

Accessories can be mixed and matched with other Poptaters toys, including characters from the likes of “Stranger Things,” “Squid Game,” “Wednesday,” and Garbage Pail Kids.

Ice Nine Kills...

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In Paul A. Cantor's 2001 book "Gilligan Unbound: Pop Culture in the Age of Globalization," the author posited that Sherwood Schwartz's celebrated-and-lambasted-in-equal-measure 1964 sitcom "Gilligan's Island" stood as a symbol of America's indomitable confidence in its post-War, Baby Boom period. One could, "Gilligan's" argued, place a random assortment of seven Americans in whatever isolated locale you wanted, and they would essentially form a pleasant democracy. The seven stranded castaways of "Gilligan's Island" might have bickered, but they never went to war. Instead, several distinct American classes came together. The ultra wealthy (Jim Backus and Natalie Schafer's Howells) hobnobbed with a farmer (Dawn Wells' Mary Ann). The intelligentsia (Russell Johnson's Professor) got along perfectly well with the Hollywood elite (Tina Louise's Ginger), and they were all held together by a gentle military hand (Alan Hale's Skipper). Gilligan, meanwhile,...

Prior to "Gilligan's Island," Natalie Schafer had a professional acting career that lasted for decades. When she was still in her 20s, Schafer began appearing in numerous Broadway productions, often in smaller roles, and rarely in a play that ran for a very long time. She was an expert in playing a certain kind of high-society bourgeoisie biddy, and tended to play comedically clueless archetypes. Beginning in the 1940s, Schafer started to appear in films as well, appearing in multiple features a year. In the 1950s, she stretched into television, and was soon playing guest characters on many of the hottest anthology shows of the day.

At some point along the way, Shafer began telling people that she was 12 years younger than she actually was, likely hoping to avoid a stubborn, unjust stigma in Hollywood against older women. She had a stipulation in her contract that she receive no extreme closeups,...

When Sherwood Schwartz was creating "Gilligan's Island" back in 1964, he designed the series as one might an animated show. It was meant to be a broad, unrealistic farce, so Schwartz had no issues with making "Gilligan's Island" into something colorful and artificial. The characters, for the most part, wore the same clothes every day, allowing Schwartz to color-code them. Gilligan (Bob Denver) always wore a long-sleeve red shirt and sailor's cap. The Skipper (Alan Hale) always wore blue and wore a captain's hat. The Professor (Russell Johnson) always wore slacks and a white shirt with the sleeves rolled up. Ginger (Tina Louise) may have changed often, but she always wore something glamorous, and her red hair was always highlighted. 

What's more, Schwartz seemingly kept a close eye on characters' silhouettes. One of the reasons why The Skipper and Gilligan emerged as such an effective comedy duo was that Gilligan was...

Alan Hale, Jr. became a performer as part of his family's legacy. His mother was actress Gretchen Hartman who appeared in dozens of films in the 1910s, while his father, Alan Hale (real name: Rufus Edward MacKahan) racked up hundreds of credits in the silent era, typically as a reliable sidekick to Errol Flynn. Hartman retired from acting in 1929, and Hale, Sr. continued to work until his death in 1950. Alan Hale, Jr. first appeared on the screen as an infant, "starring" opposite his mother. Hale made his Broadway debut in 1931, when he was only 10, appearing in a very, very short-lived show called "Caught Wet" (it opened and closed in the same month). In 1933, Hale played uncredited role in William Wellman's Depression-era drama "Wild Boys of the Road," and it may be the first movie a casual observer would recognize him in. 

Staring in 1941, Hale began his acting career in earnest,...

Alan Hale Jr. was a showbiz veteran before he could speak. The son of Alan Hale, a popular character actor best known for his portrayal of Little John in Michael Curtiz' classic "The Adventures of Robin Hood," Hale Jr. appeared in silent films as a baby and made a few war movies as a young man before serving in the United States Coast Guard during World War II. Once the war was over, Hale Jr. worked steadily in film and television, turning up on episodes of "Gunsmoke," "Mister Ed," and "Lassie" while landing supporting roles in movies starring John Wayne, Gregory Peck, and Randolph Scott.

Hale Jr. would be castigated as a nepobaby today, but while being literally born to the business didn't hurt his cause, he was a natural in front of the camera and a welcome presence in just about everything. So, it's no surprise that, after a difficult casting process,...

Deep-cut fans of Sherwood Schwartz's 1964 sitcom "Gilligan's Island" will likely be able to tell you all about the show's original pilot episode, "Marooned." Considered a "dry run" of the series, "Marooned" featured the same premise -- seven whimsically mismatched castaways are trapped together on an uncharted desert isle -- but the characters were reshuffled a little bit. Gilligan (Bob Denver), the Skipper (Alan Hale), and the Howells (Jim Backus and Natalie Schafer) were present, but the Professor (Russell Johnson), Ginger (Tina Louise), and Mary Ann (Dawn Wells) hadn't been invented yet. 

In their places were completely different characters played by different actors. The original Ginger was played by Kit Smythe and was a sardonic secretary. Mary Ann was originally a character named Bunny, Ginger's ditzy best friend, played by Nancy McCarthy. The Professor, meanwhile, was originally a high school teacher played by actor John Gabriel, probably best known for...

TV trivia fanatics will happily point out that the first-season theme song to Sherwood Schwartz's seminal sitcom "Gilligan's Island" is different from the theme heard in later seasons. The song is the same -- it's the usual, earworm sea shanty that everyone can sing from memory -- but the final listing of the show's dramatis personae is different. In the later seasons, the theme song listed Gilligan (Bob Denver), the Skipper too (Alan Hale), the Millionaire (Jim Backus) and his wife (Natalie Shafer), the movie star (Tina Louise), the professor (Russell Watson) and Mary Ann (Dawn Wells), there on Gilligan's isle.

In the first season, however, the professor and Mary-Ann were introduced merely as "And the rest." Watson and Wells didn't have credits and photos like everyone else. This was a little baffling, as all seven characters were of equal value to the series; no one was a supporting player.

The 1966 "Batman" TV series -- one of the best TV shows of all time -- wasn't shy about including shameless cameos. Early in the show's run, the producers invented an organic conceit that would allow famous people to literally poke their heads in for a moment to deliver a few lines of dialogue. While Batman (Adam West) and Robin (Burt Ward) were scaling the side of a building -- something they did often -- a celebrity guest would open a window to see who might be making noise on their outside wall. The series featured peek-ins from Sammy Davis, Jr., Jerry Lewis, Art Linkletter, Don Ho, and Dick Clark. 

Other notable stars also provided peek-ins, but many appeared in character, playing their roles from other hip TV shows at the time. Ted Cassidy, for instance, appeared as Lurch from "The Addams Family." Werner Klemperer had a cameo as Colonel Klink from "Hogan's Heroes.

One needn't recount the premise of "Gilligan's Island." One only needs to listen to the theme song.

When Sherwood Schwartz was first casting his sitcom "Gilligan's Island" back in 1964, he knew that finding the right actor to play the Skipper -- Jonas Grumby, the captain of the S.S. Minnow -- was going to be a challenge. He had envisioned the title character as a shrimpy, thin man, and he knew that he wanted Bob Denver, previously the star of "The Many Loves of Dobie Gillis," in the role. To provide a physical contrast, Shwartz wanted the Skipper to be large, imposing, and capable of yelling in rage. But, and this was key, the Skipper also had to be lovable. In an interview with the Television Academy Foundation, Schwartz was explicit in saying he wanted a teddy bear of a man. Someone who was big and round, but also imminently cuddly.

When Sherwood Schwartz first came up with the idea for his 1964 sitcom "Gilligan's Island," he was less concerned with its uncharted tropical island setting as he was with cramming people with disparate backgrounds into a situation where they couldn't leave each other. He initially liked the idea of making a workplace drama, but, he felt, that wasn't isolated enough. He eventually figured that if a varied cast of characters was stranded, alone, in a remote location, then comedy and story would naturally follow. 

Schwartz developed his concept into "Gilligan's Island," wherein a tour boat captain (Alan Hale), his first officer (Bob Denver), a millionaire (Jim Backus), his wife (Natalie Schafer), a professional actress (Tina Louise), a farm girl (Dawn Wells), and a scientist (Russell Watson) take a Hawai'ian sea tour, only to be pulled off course by bad weather and stranded on a lost island in the Pacific. The series...

Sherwood Schwartz's 1964 sitcom "Gilligan's Island" occupies a strange space in popular culture. Thanks to decades of reruns, the series became deeply embedded into the American subconscious, becoming one of the bedrocks of 1960s television. There was a time when everyone in a certain age bracket learned all about "Gilligan's Island" without even trying, and no Gen-Xer worth their weight in clove cigarettes couldn't sing the show's theme song. At the same time, however, "Island" was widely derided by critics and audiences alike for being silly "low art" entertainment, reliant on silly slapstick over any sense of realism. "Gilligan's Island" was ubiquitous, but it wasn't necessarily respected.

The cast of "Gilligan's Island" were victims of their own popularity. Bob Denver, Alan Hale, Dawn Wells, Russell Johnson, and Tina Louise all continued to work after the series -- and they all have broad, decades-long careers in entertainment besides -- but they...

Jim Backus' first major acting gig was playing a snotty millionaire named Dexter Hayes on the 1940 radio serial "Society Girl." This was to kick off a decades-long career in radio, film, and television, wherein Backus invented multiple indelible characters that remain a part of the pop fabric to this very day. He appeared on "The Jack Benny Program" and even briefly had his own TV show, "The Jim Backus Show" in 1957. He famously played the voice of Mr. Magoo from 1949 until his death in 1989, and starred in "Rebel Without a Cause." He was adept at playing clueless weirdos and self-absorbed egotists, although he had a great deal of comedic range. Be sure to listen to his hit comedy single "Delicious!" sometime. He elicits laughter without saying anything. I could list more credits, but we'd be here all day; Backus starred in over 100 films and shorts, and several dozen TV shows.

The premise of Sherwood Schwartz's 1964 sitcom "Gilligan's Island" is succinctly laid out in its indelible theme song, written by Schwartz and George Wyle. The S.S. Minnow, helmed by Captain G. Jonas Grumby (Alan Hale) and his first officer Gilligan (Bob Denver) took on five passengers for a three-hour boat tour of Hawai'i. The ship hit some bad weather, got lost at sea, and washed up on an uncharted island somewhere in the Pacific. Now the two sailors, along with a millionaire (Jim Backus), his wife (Natalie Schafer), a movie star (Tina Louise), a professor (Russel Johnson), and a lottery-winning tourist (Dawn Wells), have to learn to survive, all to comedic effect.

"Gilligan's Island" has no themes of actual survival, instead rolling with its slapstick elements; the series clearly takes place in a cartoon reality. As such, the characters play as broad archetypes, mugging and screaming in an unrealistic fashion.

Alan Hale is probably best known for playing Jonas Grumby, a.k.a. The Skipper, on the 1964 sitcom "Gilligan's Island." He was, however, an experienced stage and TV performer prior to "Gilligan's," having made his Broadway debut in 1931 in a play called "Caught Wet." Hale also appeared in over 50 films before 1964, across all genres and budgets. He had a recurring role on "The Gene Autry Show" and played the title characters on "Biff Baker, U.S.A." and on "Casey Jones." He was in single episodes of most of the hit Western TV shows of the 1950s and '60s. When it came time to play The Skipper, Hale was wholly dedicated to the role, trying to be as funny as possible.In the world of adventure TV, Hale was a major presence and a consummate professional. 

Hale was so professional, in fact, that he once refused to report a...

Watching "Gilligan's Island" reruns as a child always had this author wondering if "Gilligan" was the character's first name or last name. Gilligan, as played hilariously by Bob Denver, was the main character of the series, but also its buffoonish comic relief. He was most countered by his straight man, the Skipper (Alan Hale) or Professor Roy Hinckley (Russell Johnson), but he served as a foil for every character. Denver doesn't get enough credit for his pliability as a comic performer. Denver passed away in 2005 at the age of 70, best known for "Gilligan's Island" and for the 1959 sitcom "The Many Loves of Dobie Gillis." He was also a regular on the Sherwood Schwartz series "Dusty's Trail" as well as the 1968 series "The Good Guys."

On "Gilligan's Island," many fans wondered what Gilligan's full name was. It seems that, at the end of the day, he's like Cher or Fabian, sporting only one name.

Sherwood Schwartz's 1963 sitcom "Gilligan's Island" was a high-concept series that, thanks to the gods of syndication, remained in the public consciousness for decades after it went off the air. The show's impeccable theme song, written by Schwartz and George Wyle, may be the best theme in television history, as it handily explains the premise using a hummable sea shanty: five tourists boarded the S.S. Minnow -- manned by Captain Jonas Grumby (Alan Hale) and his first mate Gilligan (Bob Denver) -- for a three-hour tour off the coast of Honolulu. When the tiny ship hit some bad weather, the seven characters landed on a desert island, stranded. The series followed their merry attempts to survive. 

"Gilligan's Island" ran for 98 episodes, ending its initial run in 1967, but reruns continued to air well into the 1990s. Yes, there was a time when "Gilligan's Island" was a reliable TV staple, occupying...

Turner Classic Movies continues with its Gay Hollywood presentations tonight and tomorrow morning, June 8–9. Seven movies will be shown about, featuring, directed, or produced by the following: Cole Porter, Lorenz Hart, Farley Granger, John Dall, Edmund Goulding, W. Somerset Maughan, Clifton Webb, Montgomery Clift, Raymond Burr, Charles Walters, DeWitt Bodeen, and Harriet Parsons. (One assumes that it's a mere coincidence that gay rumor subjects Cary Grant and Tyrone Power are also featured.) Night and Day (1946), which could also be considered part of TCM's homage to birthday girl Alexis Smith, who would have turned 96 today, is a Cole Porter biopic starring Cary Grant as a posh, heterosexualized version of Porter. As the warning goes, any similaries to real-life people and/or events found in Night and Day are a mere coincidence. The same goes for Words and Music (1948), a highly fictionalized version of the Richard Rodgers-Lorenz Hart musical partnership.

Stars: Clark Gable, Claudette Colbert, Walter Connolly, Roscoe Karns, Jameson Thomas, Alan Hale, Arthur Hoyt, Blanche Friderici | Screenplay by Robert Riskin | Directed by Frank Capra

Spoiled but spirited socialite Ellie (Claudette Colbert) flees her privileged life commandeered by her overbearing father and ends up sharing a bus ride across America with cynical, hard-drinking newspaperman Peter (Clark Gable). If you think you know how that story ends you’re probably right, but audiences in 1934 wouldn’t have seen the inevitable romantic and comedic scenes coming; we may be used to the road-trip, odd-couple romance by now (it’s practically a subgenre all by itself), but It Happened One Night was the first of its kind.

Following a row aboard her father’s boat, Ellie dives into the harbour and enlists the help of an older woman so that she can buy a Greyhound bus ticket cross-country to Miami. The motivation behind...

It's the John Ford film you never heard of, not because it's bad, but because it's a little confused. Richard Greene, David Niven and an emotional George Sanders (!) dedicate their lives to clearing their father's name of a smear by international arms smugglers! Their spirited companion Loretta Young behaves almost as if this were a screwball comedy. So does the director! Ford aficionados will be fascinated. Four Men and a Prayer 20th Century Fox Cinema Archives 1938 / B&W / 1:37 flat Academy / 85 min. / Street Date December 15, 2015 / 19.98 Starring Loretta Young, Richard Greene, George Sanders, David Niven, C. Aubrey Smith. J. Edward Bromberg, William Henry, John Carradine, Alan Hale, Reginald Denny, Berton Churchill, Barry Fitzgerald, Chris-Pin Martin. Cinematography Franz Planer Film Editor Louis R. Loeffler Written by Richard Sherman, Sonya Levien, Walter Ferris from a novel by David Garth Produced by Kenneth Macgowan Directed by John Ford

Reviewed by Glenn Erickson

We all...

Raymond Massey ca. 1940. Raymond Massey movies: From Lincoln to Boris Karloff Though hardly remembered today, the Toronto-born Raymond Massey was a top supporting player – and sometime lead – in both British and American movies from the early '30s all the way to the early '60s. During that period, Massey was featured in nearly 50 films. Turner Classic Movies generally selects the same old MGM / Rko / Warner Bros. stars for its annual “Summer Under the Stars” series. For that reason, it's great to see someone like Raymond Massey – who was with Warners in the '40s – be the focus of a whole day: Sat., Aug. 8, '15. (See TCM's Raymond Massey movie schedule further below.) Admittedly, despite his prestige – his stage credits included the title role in the short-lived 1931 Broadway production of Hamlet – the quality of Massey's performances varied wildly. Sometimes he could be quite effective; most of the time, however, he was an unabashed scenery chewer,...

Olivia de Havilland on Turner Classic Movies: Your chance to watch 'The Adventures of Robin Hood' for the 384th time Olivia de Havilland is Turner Classic Movies' “Summer Under the Stars” star today, Aug. 2, '15. The two-time Best Actress Oscar winner (To Each His Own, 1946; The Heiress, 1949) whose steely determination helped to change the way studios handled their contract players turned 99 last July 1. Unfortunately, TCM isn't showing any de Havilland movie rarities, e.g., Universal's cool thriller The Dark Mirror (1946), the Paramount comedy The Well-Groomed Bride (1947), or Terence Young's British-made That Lady (1955), with de Havilland as eye-patch-wearing Spanish princess Ana de Mendoza. On the other hand, you'll be able to catch for the 384th time a demure Olivia de Havilland being romanced by a dashing Errol Flynn in The Adventures of Robin Hood, as TCM shows this 1938 period adventure classic just about every month. But who's complaining? One the...

The Sea Hawk

Written by Howard Koch and Seton I. Miller

Directed by Michael Curtiz

U.S.A., 1940

Under the Warner Brothers banner, Errol Flynn leaps, bounds and rouses hearts to the tune of Erich Wolfgang Korngold’s winning score and the direction of taskmaster Michael Curtiz. Following on the coattails of Captain Blood (1935) and The Adventures of Robin Hood (1938), it’s easy to dismiss The Sea Hawk (1940) as just a studio swashbuckler, another outing of a tried and true formula that Bosley Crowther called, “an overdressed ‘spectacle’ film which derives much more from the sword than the pen.” Admittedly, this loose adaptation owes more to the seafaring adventures of Sir Francis Drake than the original Rafael Sabatini novel of the same name, but it owes even more to the politics surrounding its production. On closer examination, the film stands as a testament not only to Flynn in his booming...

Winner of five Oscars, Frank Capra’s It Happened One Night remains an outstanding entertainment, and a touchstone of Hollywood’s most enduring cinematic genre: the Romantic Comedy. Filled with naughty, cloying sexuality and a lovable slate of archetypal characters, the film encapsulated the aspirations and desperations of 1930s America, even while evoking giggles of delight from a battered audience facing a dark and uncertain future. While the Great Depression is never addressed directly, the pressures of those days infuse every aspect of It Happened One Night, from its depiction of pampered, frivolous one per-centers to its array of dodgy conmen, hapless working stiffs and penniless drifters. The fact that love continued to find a way through the world’s political and economic maelstroms was a comforting notion in 1934; a notion perfectly suited to Capra’s trademark optimistic populism.

The film’s stagebound, talky exposition scene may feel awkward at first,...

“Well you’ve shown me an excellent example of the hiking part. When does the hitching come in?”

Frank Capra’s 1934 film It Happened One Night was the first film to win the Oscar “grand slam” (Best Picture, Best Actor, Best Actress, Best Director and Screenplay) and is considered a pioneer of the screwball comedy genre. Lucky St. Louisans will have the chance to see it on the big screen when it plays next Saturday, February 8th at The Hi-Pointe Theater at 10:30am as part of their Classic Film Series.

It Happened One Night concerns an heiress, Ellie Andrews (Claudette Colbert) who runs away from her father to join her new husband, society aviator King Westley (Jameson Thomas). On the bus, she meets a reporter named Peter Warne (Clark Gable) who is down on his luck. The strike a bargain: Peter can have an exclusive on Ellie’s story...

Yippee-ki-yay! It's action-movie time! From Die Hard to Deliverance, here's what the Guardian and Observer's critics think are the 10 best ever made. Let us know what you think in the comments below

• Top 10 romantic movies

Peter Bradshaw on action movies

In some ways, it should be the quintessential cinema genre. After all, what does the director shout at the beginning of a take? Action – at times a euphemism for violence and machismo – evolved into a recognisable genre in the 80s. Gunplay and athleticism resurfaced in a sweatier and more explicitly violent form, with movies such as Sylvester Stallone's First Blood. The hardware was all-important, and the metallic sheen of the guns was something to be savoured alongside the musculature of the heroes. The genre spawned the action hero. These were not pretty-boys there to melt female hearts: they were there to get a roar of approval from the guys.

Joan Fontaine movies: ‘This Above All,’ ‘Letter from an Unknown Woman’ (photo: Cary Grant, Joan Fontaine in ‘Suspicion’ publicity image) (See previous post: “Joan Fontaine Today.”) Also tonight on Turner Classic Movies, Joan Fontaine can be seen in today’s lone TCM premiere, the flag-waving 20th Century Fox release The Above All (1942), with Fontaine as an aristocratic (but socially conscious) English Rose named Prudence Cathaway (Fontaine was born to British parents in Japan) and Fox’s top male star, Tyrone Power, as her Awol romantic interest. This Above All was directed by Anatole Litvak, who would guide Olivia de Havilland in the major box-office hit The Snake Pit (1948), which earned her a Best Actress Oscar nod. In Max Ophüls’ darkly romantic Letter from an Unknown Woman (1948), Fontaine delivers not only what is probably the greatest performance of her career, but also one of the greatest movie performances ever. Letter from an Unknown Woman...

Paul Henreid: From Eleanor Parker to ‘The Four Horsemen of the Apocalypse’ (photo: Paul Henreid and Eleanor Parker in ‘Between Two Worlds’) Paul Henreid returns this evening, as Turner Classic Movies’ Star of the Month of July 2013. In Of Human Bondage (1946), he stars in the old Leslie Howard role: a clubfooted medical student who falls for a ruthless waitress (Eleanor Parker, in the old Bette Davis role). Next on TCM, Henreid and Eleanor Parker are reunited in Between Two Worlds (1944), in which passengers aboard an ocean liner wonder where they are and where the hell (or heaven or purgatory) they’re going. Hollywood Canteen (1944) is a near-plotless, all-star showcase for Warner Bros.’ talent, a World War II morale-boosting follow-up to that studio’s Thank Your Lucky Stars, released the previous year. Last of the Buccaneers (1950) and Pirates of Tripoli (1955) are B pirate movies. The former is an uninspired affair,...

Eleanor Parker Now on TCM Palms Springs area resident Eleanor Parker, who turns 91 next June 26, is Turner Classic Movies’ Star of the Month of June. One of the best actresses of Hollywood’s studio era, Parker isn’t nearly as well-remembered today as she should be despite three Best Actress Academy Award nominations (Caged, 1950; Detective Story, 1951; Interrupted Melody, 1955), a number of box-office and/or critical hits, and a key role in one of the biggest blockbusters of all time (The Sound of Music). Hopefully, the 34 Eleanor Parker movies TCM will be showing each Monday this month — beginning tonight — will help to introduce the actress to a broader 21st-century audience. Eleanor Parker movies "When I am spotted somewhere it means that my characterizations haven’t covered up Eleanor Parker the person. I prefer it the other way around," Parker once said. In fact, the title of Doug McClelland’s 1989 Eleanor Parker bio,...

Son of a bitch! George Brent and other Warner Bros. stars forget their lines (photo: George Brent ca. 1940) The Warner Bros. outtakes from the studio’s 1939 and 1940 productions (see below) feature a whole array of movie stars and supporting players not getting things quite right while the cameras were rolling. Perhaps the biggest "star" — i.e., the one featured the most — in the montage is George Brent, who curses right and left after not getting his lines right in several scenes. But not to worry; "son of a bitch" is the strongest exclamation we get to hear. (I’m assuming stronger fare is to be found in the outtakes’ outtakes.) Besides George Brent, the Warner Bros. bloopers montage has Paul Muni joking around while forgetting his lines during the making of We Are Not Alone; Miriam Hopkins having her dramatic moment in The Old Maid ruined by a young maid...

Blu-ray & DVD Release Date: Aug. 21, 2012

Price: DVD $19.95, Blu-ray $29.95

Studio: Olive Films

Robert Mitchum stars in Pursued, Hollywood's first "Western Noir."

Directed by the legendary Raoul Walsh (White Heat) and written by Niven Busch (Duel in the Sun), 1947’s the drama-thriller film Pursued is considered to be Hollywood’s first “Western Noir.”

Robert Mitchum (Night of the Hunter) stars as Jeb, a man emotionally scarred by his tragic past and inner demons. Judith Anderson (Rebecca) plays Mrs. Callum, a widow who rescues Jeb when he was a child and raises him as her own with her two biological children. Making Jeb’s life even more complicated is the fact that he and his adopted sister, Thorley (Teresa Wright, Shadow of a Doubt) fall in love with each other, while his adopted brother, Adam (John Rodney) has come to hate him. A sticky and potentially dangerous situation..

Co-starring Dean Jagger, Alan Hale and Harry Carey,...

While 13th century China remains a mystery, we learn a lot about 1930s Hollywood through this fictionalised romp

The Adventures of Marco Polo (1938)

Director: Archie Mayo

Entertainment grade: C–

History grade: D

Marco Polo was the first European to document travel to China in his Description of the World. Whether or not he actually visited China himself is a subject of dispute among historians.

Trade

The opening title cards state that Marco Polo (Gary Cooper) was the first European to visit China and "the first travelling salesman". Even if you do believe Marco went to China, he himself claims that his father Niccolò and uncle Maffeo Polo went first. He was blatantly not the first travelling salesman. The first evidence of long international trade routes dates them to at least 3,000 years earlier. But the movie had to get 1930s American audiences to identify with a 13th-century Venetian merchant somehow – hence the claim.

John Garfield on TCM: Humoresque, Four Daughters, We Were Strangers Schedule (Et) and synopses from the TCM website: 6:00 Am Four Daughters (1938) A small-town family's peaceful life is shattered when one daughter falls for a rebellious musician. Dir: Michael Curtiz. Cast: Priscilla Lane, Claude Rains, Jeffrey Lynn, John Garfield. Bw-90 mins. 7:45 Am Blackwell's Island (1939) A reporter gets himself sent to prison to expose a mobster. Dir: William McGann. Cast: John Garfield, Rosemary Lane, Dick Purcell. Bw-71 mins. 9:00 Am They Made Me A Criminal (1939) A young boxer flees to farming country when he thinks he's killed an opponent in the ring. Dir: Busby Berkeley. Cast: John Garfield, Claude Rains, Gloria Dickson. Bw-92 mins. 10:45 Am Dangerously They Live (1942) A doctor tries to rescue a young innocent from Nazi agents. Dir: Robert Florey. Cast: John Garfield, Nancy Coleman, Raymond Massey. Bw-77 mins. 12:15 Pm Pride Of The Marines (1945) A blinded...

Enid Bennett, Douglas Fairbanks, Robin Hood Long before Errol Flynn, Russell Crowe, and Kevin Costner — and their Men in Tights — there was Douglas Fairbanks and his Men in Tights. Robin Hood, aka Douglas Fairbanks in Robin Hood will be screening tonight at 7:30 p.m. at the Academy of Motion Picture Arts and Sciences' Samuel Goldwyn Theater in Beverly Hills. The Robin Hood screening is part of the Academy's "Summer of Silents" series, which features winners of the Photoplay Medal of Honor for Best Picture of the year, as chosen by the magazine's readership. In the case of Robin Hood, the year was 1922. Financed by Douglas Fairbanks himself, Robin Hood was the actor-producer's biggest box-office hit. Though hardly on a par with the Errol Flynn version of the legend, this Allan Dwan-directed historical romp looks appropriately grandiose; as explained in Jeffrey Vance's Douglas Fairbanks, the film's sets were...

The IMDb250. A list of the top 250 films as ranked by the users of the biggest Internet movie site on the web. It is based upon the ratings provided by the users of the Internet Movie Database, which number into the millions. As such, it’s a perfect representation of the opinions of the movie masses, and arguably the most comprehensive ranking system on the Internet.

It’s because of this that we at HeyUGuys (and in this case we is myself and Barry) have decided to set ourselves a project. To watch and review all 250 movies on the list. We’ve frozen the list as of January 1st of this year. It’s not as simple as it sounds, we are watching them all in one year, 125 each.

This is our 34th update, my next five films watched for the project. You can find all our previous week’s updates here.