- Bob Hoffman, author of upcoming 'Alchemy in Technicolor' was Vice President, Marketing and Public Relations, for Technicolor's Hollywood headquarters. While there, he led Technicolor's publicity and awards campaigns for Birdman, Gravity and Life of Pi, and Martin Scorsese's The Aviator, The Departed, and Hugo. He joined Technicolor mid-2001 to launch the company's Digital Intermediate business, called 'Technique', and other digital initiatives - including Technicolor's award-winning Digital Printer Lights system. He has previously served as Digital Domain's head of PR and Publicity, and as a freelance producer, creating and co-producing the Peabody Award-winning PBS educational series Futures with Jaime Escalante.- IMDb Mini Biography By: M.A. Allen
- Was asked to curate the 'Vault' section of Technicolor Creative Studios new website.
- One thing I've learned is never to count that company out - it's reinvented itself eight major times from the ground up. In abnormal times, in which we live, where streaming is the rule of the day, the cost structure is going to be slightly different than it's going to be for Marvel or any other studio tentpole production. But Technicolor is well-positioned to rebound with opportunities in broadcast, streaming, and advertising.
- "The film clearly pushes the creative boundaries of what has been achieved to date -certainly as it pertains to 3D in HDR, and HDR in general, for hybrid types of productions that marry live-action and animation." About Jon Favreau's Jungle Book.
- Something else that comes to mind is the very basic value I learned while attending the American Film Institute in the early 1970s: the notion of giving-back to the industry. One major observation and takeaway from that time was the generosity of spirit exhibited by those filmmakers that participated in seminars with those of us in attendance. It's a lesson I've never forgotten.
- My intent for The Technicolor Creative Studios Vault is that it will serve as a portal into the legacy of Technicolor while embracing a clear view of how the past informs the future of entertainment content - of which Technicolor and its VFX brands are principal players.
- My intent for The Technicolor Creative Studios Vault is that it will serve as a portal into the legacy of Technicolor while embracing a clear view of how the past informs the future of entertainment content - of which Technicolor and its VFX brands are principal players. I'll let you and posterity judge how successful we are with this endeavor.
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