- Born
- Died
- Here he grew up in the educated Jewish middle class, together with his brother Alfred. The Zweig family was not religious. He passed his high school diploma at the Wasagymnasium in Vienna. Zweig wrote his first poems here. At that time he was influenced by writers such as Hugo von Hofmannstahl and Rainer Maria Rilke. In 1901, Stefan Zweig's first volume of poetry entitled "Silberne Saiten" was published. He also began translating works by French writers at this time. In 1904 he completed his doctorate in German and Romance studies. Until 1910 he traveled extensively through Europe. The focus here was on exchanges with other writers and artists, with whom he mostly maintained friendship through intensive correspondence. By 1911, works such as "Tersites", "The House by the Sea" and "Burning Secret" as well as his first biography "Émile Verhaeren" had been created.
With his work "First Experience. Four Stories from Kinderland," Zweig approached an intuitive psychological style. At the beginning of the First World War, Stefan Zweig signed up as a volunteer. Here he was employed in the war press quarters until 1917. To demonstrate against war in any form, he wrote the drama "Jeremiah", which premiered in Zurich in 1918. From 1918 onwards, Zweig also worked as a journalist and correspondent for the Swiss newspaper "Neue Freie Presse". He also uses this medium to publish his non-partisan views. After the end of the war he settled in Salzburg. His idea was to found a spiritually, holistically and humanistically motivated alliance in Europe. So he began, initially in numerous lectures and essays, to warn against radicalization through nationalism and to call for calm, diplomacy and patience.
In 1920, Zweig published the writings "Fear", "The Compulsion" and, from 1920, three essays about master builders of the world: "Three Masters", in 1925 "The Fight with the Demon" and in 1928 "Three Poets of Their Life". Zweig enjoyed great stage success in 1926 with his adaptation of Ben Jonson's "Volpone". The publication of the book "Star Hours of Humanity" in 1927 was equally successful. In 1928 he traveled to the Soviet Union, where his books were also published in Russian at the instigation of Maxim Gorki, with whom he corresponded. After the NSDAP came to power in Germany, Stefan Zweig fled to London for fear of persecution. The book "Impatience of the Heart" was written here. From 1934 onwards, his works were no longer published in Germany and with the annexation of Austria to the Third Reich in 1938, production in his homeland also stopped. In 1935, Zweig wrote the libretto for the opera "Die schweigsame Frau" for Richard Strauss.
In 1936 the NSDAP immediately banned the sale of all of his works. His first marriage ended in divorce in 1938, and his second marriage was to Charlotte Altmann in 1939. In 1940 he received English citizenship from Great Britain. Nevertheless, he left Europe and traveled on to New York. In 1942 his chess novella and the monograph Brazil were published. After a short stay he visited Argentina and Paraguay. He then settled in Brazil. Here Stefan Zweig fell into deep sadness and depression.
Stefan Zweig committed suicide on February 22, 1942 in Petrópolis, near Rio de Janeiro. In 1944 his autobiography was published posthumously under the title "The World of Yesterday".- IMDb Mini Biography By: Christian_Wolfgang_Barth
- SpousesFriderike Maria Burger von Winternitz(January 1920 - 1938) (divorced)Charlotte E. Altmann(? - February 22, 1942) (his death)
- Viennese novelist and short story writer. Became a British citizen in the mid-1930's. Committed suicide in Brazil at the age of sixty.
- Cousin of Egon Hostovsky.
- It is never until one realizes that one means something to others that one feels there is any point or purpose in one's own existence.
- Unhappiness makes people vulnerable, incessant suffering unjust. Just as in the relations between a creditor and a debtor there is always an element of the disagreeable that can never be overcome, for the very reason that the one is irrevocably committed to the role of giver and the other to that of receiver, so in a sick person a latent feeling of resentment at every obvious sign of consideration is always ready to burst forth.
- And I said to myself: From now on help anyone and everyone so far as it lies within your power. Cease to be apathetic, indifferent! Exalt yourself by devoting yourself to others, enrich yourself by making everyone's destiny your own, by enduring and understanding every facet of human suffering through your pity. And my heart, astonished at its own workings, quivered with gratitude to the sick girl whom I had hurt unwittingly and who, through her suffering, had taught me the creative magic of pity.
- It is usual for a woman, even though she may ardently desire to give herself to a man, to feign reluctance, to simulate alarm or indignation. She must be brought to consent by urgent pleading, by lies, adjurations, and promises. I know that only professional prostitutes are accustomed to answer such an invitation with a perfectly frank assent - prostitutes, or simple-minded, immature girls.
- There are two kinds of pity. One, the weak and sentimental kind, which is really no more than the heart's impatience to be rid as quickly as possible of the painful emotion aroused by the sight of another's unhappiness, that pity which is not compassion, but only an instinctive desire to fortify one's own soul against the sufferings of another; and the other, the only one at counts, the unsentimental but creative kind, which knows what it is about and is determined to hold out, in patience and forbearance, to the very limit of its strength and even beyond.
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