The uneven Japanese animated fantasy “The Deer King” often resembles the sort of Studio Ghibli action-adventure that made animation figurehead Hayao Miyazaki internationally famous, especially “Princess Mononoke” and “Nausicaa of the Valley of the Wind.” “The Deer King” not only looks like those Studio Ghibli staples, but also follows a plot that recalls Ghibli-style high fantasies: two warring feudal kingdoms try either to capture or enlist Van, a resourceful ex-soldier who may or may not be immune to a devastating plague.
Comparisons between “The Deer King” and Studio Ghibli’s better known movies seem inevitable, especially given how many of this movie’s creators learned their trade as animators and animation directors at Studio Ghibli, particularly co-directors Masashi Ando and Masayuki Miyaji, and key animators Kenichi Konishi and Kenichi Yoshida. Thankfully, what works in so many Ghibli movies also mostly works in “The Deer King,” given the craft and consideration...
Comparisons between “The Deer King” and Studio Ghibli’s better known movies seem inevitable, especially given how many of this movie’s creators learned their trade as animators and animation directors at Studio Ghibli, particularly co-directors Masashi Ando and Masayuki Miyaji, and key animators Kenichi Konishi and Kenichi Yoshida. Thankfully, what works in so many Ghibli movies also mostly works in “The Deer King,” given the craft and consideration...
- 7/14/2022
- by Simon Abrams
- The Wrap
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