- Born
- Died
- Height6′ 6″ (1.98 m)
- Paul Wegener was born in Arnoldsdorf, West Prussia, part of the German Empire. His birthplace is currently part of Poland, under the name "Jarantowice". Wegener's family included a number of scientists, the most notable being his cousin Alfred Wegener (1880-1930). Alfred is remembered as the originator of the theory of continental drift.
Paul has no known relation to another Paul Wegener (1908-1993), who served as a Nazi Party official and an officer of the Schutzstaffel (SS).
Paul Wegener initially followed legal studies in college, but dropped out in order to become a theatrical actor. By 1906, he was part of an acting troupe led by Max Reinhardt (1873-1943). Reinhardt went on to become a film director. By 1912, Wegener himself had become interested in the film medium, and sought roles as a film actor.
In 1913, Wegener heard of an old Jewish legend, concerning the Golem. He wanted to adapt the legend into film, and started co-writing a script with Henrik Galeen (1881-1949). Their script was adapted into the film "The Golem" (1915), with Wegener and Galeen serving as the two co-directors. The film was a success and established Wegener as a celebrated figure in German cinema. Wegener returned to adapting the Golem legend into film, by directing a parody film in 1917 and the more serious "The Golem: How He Came into the World" (1920). The 1920 film remains one of the classics of German cinema. Wegener's other films often reflected his personal interests, such as trick photography, the supernatural, and mysticism.
He continued his film career into the 1930s, and made the transition from silent films to sound films. Under the Nazi regime (1933-1945), several actors and directors faced persecution or exile. Wegener instead found himself favored by the regime and appeared regularly in Nazi propaganda films of the 1940s. Wegener personally disliked the regime (which had persecuted a number of his friends and associates) and reputedly financed a number of German resistance groups.
In 1945, with World War II over and Berlin in ruins, Wegener took initiative as president of an organization intended to improve the living standards for surviving citizens of Berlin. He continued to appear in theatrical productions from 1945 to 1948, although he was suffering from an increasingly poor health.
In July 1948, Wegener collapsed on stage during a theatrical performance. The curtain was brought down and the rest of the performance was canceled. It was his last acting role, as he retired in an attempt to recuperate. He died in his sleep in September 1948. He was survived by his last wife Lyda Salmonova (1889-1968).- IMDb Mini Biography By: Dimos I Ntikoudis
- SpousesElisabeth Rohwer(1931 - September 13, 1948) (his death)Greta Schröder(October 1924 - ?) (divorced)Änny Hindermann(1903 - ?) (divorced, 1 child)Ida Ahlers(1896 - 1898) (divorced)Lyda Salmonova(? - October 1924) (divorced)
- Studied law and art history. Acting classes in Leipzig. With Max Reinhardt's Deutsches Theater in Berlin, 1906-20. Toured North and South America with his own acting troupe. Film debut in 1913 as actor in The Student of Prague (1913). Having learned the art of expressionist lighting from Reinhardt, he began to direct at the same time, specialising in mysticism, the grotesque and the macabre. Of imposing stature, large-faced, with high cheek bones, narrow eyes and a small mouth, he was physically well-suited for playing monstrous or demonic characters, most famously in the 'Golem' films.
- He is perhaps best remembered for his expressionistic silent Golem series, of which especially The Golem (1920) (also released as "The Golem", 1920 [USA 1921]) is famous.
- His son, Peter Wegener (1917 - 2008), with Lyda Salmonova, was an engineering physicist on the German V2 rocket project at Peenemunde. Following the war, he came to America as part of Operation Paperclip, and eventually became a professor at Yale University.
- In 1914 he shot "Der Golem"; with this movie he started a trilogy - probably the first one in film history - and it followed "Der Golem und die Tänzerin" (1917) and "Der Golem, wie er in die Welt kam" (1920). With last one he achieved the first worldwide success for a German movie.
- Paul Wegener didn't look like a typical German. His face looked like it was created from stone and his sticking out cheekbones and narrow eyes let him seem Far Eastern like a Mongolian.
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