Trivia

By 1930, he was the highest paid male star in Indian cinema industry.

In 1933, Master Vithal introduced the concept of double role in Hindi talkie cinema by his directorial début Raja (in Marathi) and Awara Shahzada (Hindi), in which the role of a prince and a pauper was played by Shahu Modak, whereas Vithal played his first double role in the silent film Raj Tarang (1928).

His first break as a male lead was in the film Ratan Manjari (1926) produced by Sharda Studios whom he had joined earlier in 1925. After that, he was a permanent fixture in the role of a hero and he was the star attraction of the Sharda Studios, owned by Nanubhai Desai, Anand Prasad Kapoor and Harshadrai Mehta. Nanubhai Desai was the studio founder and director of many stunt films produced by the company in which Vithal appeared in swashbuckling roles with Zebunissa as his heroine.

He also directed two films and gave music score to one film.

Vithal started his film career in Marathi films in 1924 and worked as a film technician and dancer.

Though he was the male lead of the movie Alam Ara (1931), he hardly had any dialogue due to poor Hindi diction. He returned to silent films and then to talkie Marathi films from 1932 till his last film in 1966.

His first film role was as a female dancer in Kalyan Khajina, the silent era film directed by Painter. He continued to work as film editor and a dancer and played minor roles in films.

From the 1940s onward, he regularly appeared in films by Bhalji Pendharkar and those featuring Lalita Pawar and Durga Khote. He also played in a side role in the 1944 blockbuster film Ramshastri.

He acted in more than 90 films during his career of 42 years from 1924 to 1966.

In 1930, Vithal's popularity in Marathi films attracted Ardeshir Irani of Imperial Film Company to invite him to join his company to make India's first talkie, though Mehboob Khan was also vying for the role. Vithal, who was quite excited by Irani's offer, accepted and moved to Irani's newly formed film company Sagar Studios in Bombay, breaking his contract with Sharda Studios. Sharda Studios sued him and he was defended by the lawyer Muhammad Ali Jinnah, who would later become the founder of Pakistan. Vithal won the case.

Vithal's début was on the stage as a child artist with Raja Pur Ka Natak Mandali. He then started his career as a film editor with the film company in Maharashtra Films, Kolhapur which was owned by Baburao Painter.

Master Vithal was an actor in Indian cinema, best known as the hero of India's first talkie Alam Ara (1931) and of Marathi and Hindi silent stunt films (silent films had cue cards in a particular language), which gave him the epithet as the Douglas Fairbanks of India.

Audience adored him in his stunt hero role, which became his "forte".

He was cast as the male lead in Ratan Manjari (1926) and followed with the swashbuckling roles of many silent stunt films and became a very popular actor.

A professional wrestler, he became a very popular fearless hero acting in films in historical themes related to Rajasthan and Maharashtra; thus giving him the title "the Indian Douglas Fairbanks", a title Vithal hated.