Constance Talmadge(1898-1973)
- Actress
- Producer
Constance was blonde; star sister
Norma Talmadge was brunette. She was
buoyant and a comedienne; Norma was introspective and a tragedienne.
Nicknamed "Dutch" by her stage mother Peg as she looked like a cherubic
Little Dutch Boy, silver screen star Constance Talmadge was one of
silent pictures' most popular and enduring stars of romantic comedy.
Born in Brooklyn in April 19, 1898 (various sources give different years ranging from 1897 to 1903), her New York City childhood was humbling and tragic. Their father Fred Talmadge was a chronic alcoholic who ultimately deserted his family, which included sister Natalie Talmadge, while all three girls were quite young. By the time Norma had become a commodity for Vitagraph Studios, Constance, in her early teens, begged to follow.
Constance's first comedy short for Vitagraph was In Bridal Attire (1914). As the two sisters were as different as night and day, professional jealousy never entered into the picture. In fact, all three sisters remained consistently loyal throughout their lives. Appearing in a number of two-reel comedies predominantly with comedian Billy Quirk, Constance drew major acclaim in the role of The Mountain Girl in D.W. Griffith's epic masterpiece Intolerance (1916). Her role was so inspiring that when Griffith re-issued her segment as a solo feature entitled The Fall of Babylon (1919), he re-shot her death scene ending so that her character would wind up living happily ever after.
Throughout the late '10s and early '20s the elegant Constance charmed audiences with a number of flapper-era comedy vehicles, many of them co-starring silent film great Harrison Ford (not related to the present-day star). These include A Pair of Silk Stockings (1918), Happiness a la Mode (1919), Romance and Arabella (1919), Wedding Bells (1921) and The Primitive Lover (1922). She grew so much in stature that she eventually formed her own production company. Constance, as did sister Norma, abruptly left films with the advent of sound. The notion that they willingly abandoned their careers while very much on top does not quite ring true. Both she and Norma's pronounced and rather squeaky Brooklyn accent did not prove all that suitable for talkies (particularly for the dramatic Norma) and it's more likely that they left Hollywood on their own terms before they were shunned.
Both sisters invested wisely in business ventures in later life. Married four times, Constance became reclusive and fell victim (as did sisters Norma and Natalie) to alcohol abuse in later years. She died of pneumonia in Los Angeles on November 23, 1973.
Born in Brooklyn in April 19, 1898 (various sources give different years ranging from 1897 to 1903), her New York City childhood was humbling and tragic. Their father Fred Talmadge was a chronic alcoholic who ultimately deserted his family, which included sister Natalie Talmadge, while all three girls were quite young. By the time Norma had become a commodity for Vitagraph Studios, Constance, in her early teens, begged to follow.
Constance's first comedy short for Vitagraph was In Bridal Attire (1914). As the two sisters were as different as night and day, professional jealousy never entered into the picture. In fact, all three sisters remained consistently loyal throughout their lives. Appearing in a number of two-reel comedies predominantly with comedian Billy Quirk, Constance drew major acclaim in the role of The Mountain Girl in D.W. Griffith's epic masterpiece Intolerance (1916). Her role was so inspiring that when Griffith re-issued her segment as a solo feature entitled The Fall of Babylon (1919), he re-shot her death scene ending so that her character would wind up living happily ever after.
Throughout the late '10s and early '20s the elegant Constance charmed audiences with a number of flapper-era comedy vehicles, many of them co-starring silent film great Harrison Ford (not related to the present-day star). These include A Pair of Silk Stockings (1918), Happiness a la Mode (1919), Romance and Arabella (1919), Wedding Bells (1921) and The Primitive Lover (1922). She grew so much in stature that she eventually formed her own production company. Constance, as did sister Norma, abruptly left films with the advent of sound. The notion that they willingly abandoned their careers while very much on top does not quite ring true. Both she and Norma's pronounced and rather squeaky Brooklyn accent did not prove all that suitable for talkies (particularly for the dramatic Norma) and it's more likely that they left Hollywood on their own terms before they were shunned.
Both sisters invested wisely in business ventures in later life. Married four times, Constance became reclusive and fell victim (as did sisters Norma and Natalie) to alcohol abuse in later years. She died of pneumonia in Los Angeles on November 23, 1973.
