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It was more than a little heartening to see Roger Corman paid tribute by Quentin Tarantino at Cannes’ closing night. By now the director-producer-mogul’s imprint on cinema is understood to eclipse, rough estimate, 99.5% of anybody who’s touched the medium, but on a night for celebrating what’s new, trend-following, and manicured it could’ve hardly been more necessary. Thus I’m further heartened seeing the Criterion Channel will host a retrospective of Corman’s Edgar Allan Poe adaptations running eight films and aptly titled “Grindhouse Gothic,” though I might save the selections for October.

Centerpiece, though, is a hip hop series including Bill Duke’s superb Deep Cover, Ghost Dog, and numerous documentaries––among them Beats, Rhymes & Life: The Travels of a Tribe Called Quest, making Michael Rapaport a Criterion-approved auteur. Ten films starring Kay Francis and 21 Eurothrillers round out series; streaming premieres include the Dardenne brothers’ Tori and Lokita,...

Rarely one finds a friend on the Criterion Channel—discounting the parasitic relationship we form with filmmakers, I mean—but it’s great seeing their March lineup give light to Sophy Romvari, the <bias>exceptionally talented</bias> filmmaker and curator whose work has perhaps earned comparisons to Agnès Varda and Chantal Akerman but charts its own path of history and reflection. It’s a good way to lead into an exceptionally strong month, featuring as it does numerous films by Pier Paolo Pasolini, the great Japanese documentarian Kazuo Hara, newfound cult classic Arrebato, and a number of Criterion editions.

On the last front we have The Age of Innocence, Bull Durham, A Raisin in the Sun, The Celebration, Merrily We Go to Hell, and Design for Living. There’s always something lingering on the watchlist, but it might have to wait a second longer—March is an opened floodgate.

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Good neighbor policy? Wartime exigencies inspired an intra-hemisphere cultural exchange, with the movies seizing on the new popularity of Latin music. Republic’s contribution gives us the great songs of Ady Barroso and a full soundtrack of his compositions — in a featherweight musical romance, of course.

Brazil

Blu-ray

Olive Films

1944 / B&W / 1:37 flat Academy / 91 min. / Street Date December 6, 2016 / available through the Olive Films website / 29.98

Starring Tito Guízar, Virginia Bruce, Edward Everett Horton, Robert Livingston, Veloz and Yolanda, Fortunio Bonanova, Richard Lane, Frank Puglia, Aurora Miranda, Billy Daniel, Dan Seymour, Roy Rogers.

Cinematography Jack A. Marta

Film Editor Fred Allen

Songs Ary Barroso, Hoagy Carmichael

Written by Frank Gill Jr., Laura Kerr, Richard English

Produced by Robert North

Directed by Joseph Santley

Reviewed by Glenn Erickson

The wartime ‘Good Neighbor Policy’ was a P.R. blitz intended to steer South America toward the U.S. and away from the Axis.

Marjorie Lord actress ca. early 1950s. Actress Marjorie Lord dead at 97: Best remembered for TV series 'Make Room for Daddy' Stage, film, and television actress Marjorie Lord, best remembered as Danny Thomas' second wife in Make Room for Daddy, died Nov. 28, '15, at her home in Beverly Hills. Lord (born Marjorie Wollenberg on July 26, 1918, in San Francisco) was 97. Marjorie Lord movies After moving with her family to New York, Marjorie Lord made her Broadway debut at age 17 in Zoe Akins' Pulitzer Prize-winning adaptation of Edith Wharton's novel The Old Maid (1935). Lord replaced Margaret Anderson in the role of Tina, played by Jane Bryan – as Bette Davis' out-of-wedlock daughter – in Warner Bros.' 1939 movie version directed by Edmund Goulding. Hollywood offers ensued, resulting in film appearances in a string of low-budget movies in the late 1930s and throughout much of the 1940s, initially (and...

Groucho Marx in 'Duck Soup.' Groucho Marx movies: 'Duck Soup,' 'The Story of Mankind' and romancing Margaret Dumont on TCM Grouch Marx, the bespectacled, (painted) mustached, cigar-chomping Marx brother, is Turner Classic Movies' “Summer Under the Stars” star today, Aug. 14, '15. Marx Brothers fans will be delighted, as TCM is presenting no less than 11 of their comedies, in addition to a brotherly reunion in the 1957 all-star fantasy The Story of Mankind. Non-Marx Brothers fans should be delighted as well – as long as they're fans of Kay Francis, Thelma Todd, Ann Miller, Lucille Ball, Eve Arden, Allan Jones, affectionate, long-tongued giraffes, and/or that great, scene-stealing dowager, Margaret Dumont. Right now, TCM is showing Robert Florey and Joseph Santley's The Cocoanuts (1929), an early talkie notable as the first movie featuring the four Marx Brothers – Groucho, Chico, Harpo, and Zeppo. Based on their hit Broadway...

Mary Boland movies: Scene-stealing actress has her ‘Summer Under the Stars’ day on TCM Turner Classic Movies will dedicate the next 24 hours, Sunday, August 4, 2013, not to Lana Turner, Lauren Bacall, Katharine Hepburn, Ginger Rogers, Esther Williams, or Bette Davis — TCM’s frequent Warner Bros., MGM, and/or Rko stars — but to the marvelous scene-stealer Mary Boland. A stage actress who was featured in a handful of movies in the 1910s, Boland came into her own as a stellar film supporting player in the early ’30s, initially at Paramount and later at most other Hollywood studios. First, the bad news: TCM’s "Summer Under the Stars" Mary Boland Day will feature only two movies from Boland’s Paramount period: the 1935 Best Picture Academy Award nominee Ruggles of Red Gap, which TCM has shown before, and one TCM premiere. So, no rarities like Secrets of a Secretary, Mama Loves Papa, Melody in Spring,...