- Born
- Died
- Birth nameMartin Kornhauser
- Nickname
- Marty
- Height6′ 1″ (1.85 m)
- Martin Kingsley was a successful supporting actor of stage, radio, television and screen for a relatively short period, from 1947 until 1957. Martin was born Martin Kornhauser in Jewish Hospital in Brooklyn, NY on December 14, 1925, the first born son of Harry A. (a native of Hungary) and Sadye R. Weiss Kornhauser. Martin was raised in Brooklyn. He had one sister, Edna, perhaps six years his junior. Martin entered the U.S. Army after he became of draft age, perhaps in early 1944, and served in Third Army Headquarters in France. During the closing days of the war while on active duty, Martin volunteered for an acting role, playing the gangster Trock, in the overseas G.I. production of 'Winterset,' under the Broadway director Guthrie McClintic. It was McClintic who would later provide Martin his first acting job after Martin was discharged from military service. Martin began his professional acting career in the Broadway stage production of Antony and Cleopatra (1947), directed by McClintic, playing the part of Dercetas (and later Menas) with Katharine Cornell. He next played the part of Kurtz in the Broadway stage production of Red Gloves (1948) with Charles Boyer. For the next seven years Martin played roles in more than 200 live New York television productions, including episodes in Suspense, Police Story, Robert Montgomery Presents, Cosmopolitan Theater, Colgate Theater, Philco Studio One, Campbell Soundstage, and Broadway Television Theater where Martin had a starring role as Erwin Trowbridge in "Three Men on a Horse" (1952). For a time, Martin also starred as Captain John Howard in his weekly radio drama "Sentenced" aired over the Mutual Broadcasting network. During that same period, Martin toured with summer and winter stock stage productions where he played a variety of roles opposite well known stage, TV and screen actors of that era such as José Ferrer, Mary Anderson, Brian Aherne, Peggy Ann Garner Paula Laurence, Buff Cobb Buster Keaton, Signe Hasso, Shelley Winters Sam Levene, Sylvia Sidney, Diana Barrymore, Ann Thomas, Orson Bean, Vincent Price, Maureen Stapleton, and Ruth Hussey. In 1953, Martin received second billing in his first known film for TV with James Dean in one episode of No Room (1953). In 1956, Martin was again called to Hollywood where he played supporting roles in Gunslinger (1956) with John Ireland, and in The Oklahoma Woman (1956) with Richard Denning, Mike Connors and Peggie Castle. He was also filmed in two television episodes, for 20-20 (1956) with James Arness and Dennis Weaver; and in Press Photographer (1956). In February 1956, while Martin was working in Hollywood, his father in Brooklyn developed serious medical problems and would later undergo two major surgeries. Because of this, Martin was compelled to returned to his parent's home in Brooklyn and to immediately take over the business his father had founded: "Edmark Gowns - Makers of Kornhauser Originals:" a successful high end fashion line that was marketed nationwide. On April 15, 1956 Martin wrote to his wife, Polly, from Brooklyn saying, "Seems to me my parents seem prouder of what I accomplished in the last two days than of anything I've done in the last 32 years. And this was child's play compared to what I had to do the last ten - believe me. It was more difficult for me to get one television job than to go through three months of what I accomplished there. But, at the same time, it was satisfying and I think the effect on future operations will be salutary." Martin had abandoned his acting career; and for the next sixteen years, he traveled the country from his homes in New Your and in New Jersey selling Edmark Gowns. During the mid 1970s Martin sold or closed Edmark Gowns, sold the home in Montclair, NJ that he had once shared with his wife Polly and their daughter Claudia, and relocated to Claremont, CA, 35 miles east of Hollywood. At that time, Martin and his wife were separated, and Martin was living alone. From Claremont Martin reportedly pursued roles and producer opportunities in the movie and TV industry while working part time in various sales jobs. As of August 11, 2010, nothing is known of Martin's TV and film career beyond 1956. Martin eventually lost his contacts within the industry he loved, fell into poor health and died September 30, 1997 at Montclair (near Claremont), CA at age 71.- IMDb Mini Biography By: Barton Ellison, nephew of Martin Kingsley's ex wife Pauline A. West
- SpousePauline A. West(July 23, 1952 - July 23, 1982) (divorced, 1 child)
- During World War II when Guthrie McClintic went overseas to stage the all GI production of Winterset he cast the heretofore inexperienced Martin Kingsley in the colorful gangster role of Trock. Kingsley handled his role so handsomely that the famous Broadway director promised him a role in his first production after the young GI's discharge. McClintic kept his promise, and cast Kingsley in his November 1947 Broadway stage play Antony and Cleopatra.
- Any sensible young man would be completely mad to even think about the theater. I am amazed to think I could ever make a living in this mad impossible business. But damn it, it is the only thing that will make me happy... the only thing worth the trouble.
- [on stage play Romeo and Juliet at John Drew Theater, East Hampton Long Island, New York, USA (1948)] I will play the heavy - guy name of Tybalt. The character is befitting an evil and bad tempered gent who fights three duels and is pretty hand with the rapier. The sight of Kingsley flashing his darting blade cheerfully about the stage letting the blood fall where it may - is a sight which may well cause some of the famed fencers of the past to whirl madly in their respective graves.
- [on the stage play, Three Men on a Horse] The theater itself is in the Chevy Chase Country Club, formerly the Bel-Air [in Highland Park, Illinois, USA]. It has been completely closed for the past seven years because the owner has been in the clink for that period of time. It was one of the largest gambling houses in the country, and the guy who owns it socked away about $6-million before they nailed him on income tax evasion, and he had to close up shop for a bit. They have a series of walnut paneled offices, and at a touch of the button, hidden doors spring open leading to parts unknown. The theater stage is surrounded on three sides, which makes for an interesting problem in staging and acting. We have started rehearsals and it looks as if we should have a good show], and I think I will be pretty fair myself - it is quite a big part [playing Kurtz in Three Men on a Horse].
- [on stage play Red Gloves] Arrived last evening from Baltimore. The entire Club Car was reserved for the cast. One of the boys left the show and I am taking over his part [playing Kurtz]. After one rehearsal, I went on last Saturday matinée, and it went well enough, so beginning tonight I will play it. Another good break - rather than open as scheduled in NY on the 8th right after Ann of a Thousand Days, which opens the 7th and perhaps take the starch out of our debut -- we are cutting short the last week here and opening Dec. 4th. This is a brave move on their part, as it will mean losing money by not playing those days here in Boston. But by not playing those days in Boston and if the NY critics cut us to ribbons (as I well suspect they may), we may do a slow fade - however, it is a gamble. . [Red Gloves opened 4 December 1948 with Charles Boyer at Broadway's Mansfield Theater, and closed on March 12, 1949 after 113 performances.]
- We finally got the thing [stage play Red Gloves] open last night and on the whole it is a good play. I understand they have more than $100,000 advance sales in NY, which ain't hay. I don't think I have ever seen a case of stage fright as the one that attacked Charles Boyer. His face was like gristle and he sat in his dressing room for an hour without moving a muscle or speaking a word. Once we went on, however, he gave a fine performance, and he personally has nothing to worry about. I guess about all of New York were here for the opening -- agents producers, actors. Jean Dalrymple [the Producer] gave a party in her suite, and all in all, it was quite gay.
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