Cinema Novo

A semi-documentary on the people of Rio de Janeiro. The camera follows boys from a hillside shanty town who sell peanuts at Copacabana, Sugar Loaf Mountain, and a soccer game. Various subplots, involving characters they meet along the way, are interspersed.

A talented songwriter of sambas is forced to face the social injustices of the city around him.

Despite being promised to another man, a young orphaned woman falls in love with man working at the farm she lives in , and together they escape. According tradition in Northeast Brazil, her aunt goes after them, in order to kill them for revenge.

A poor family in the Northeast of Brazil (Fabiano, the father; Sinhá Vitória, the mother; their 2 children and a dog called Baleia) wander about the barren land searching for a better place to live, with food and work. But the drought and misery destroy their hopes.

A man and a woman are laying on a chess-like patio. Both are trying to reach each other in the best way they can. However, for some odd reason they don't get on their feet, they don't talk to each other, and the only sounds heard are voices coming from a radio and strange sounds that seem to indicate something's about to happen.

In the State of Bahia, Brazil, an educated black man returns to his home fishing village to try and free people from mysticism, in particular the Candomblé religion, which he considers a factor of political and social oppression.

After killing his employer when he tries to cheat him out of his payment, a man becomes an outlaw and starts following a self-proclaimed saint.

In the fictional Latin American country Eldorado, a poet tries to effect political change by influencing powerful men.

In this sequel to "Black God, White Devil", Antonio das Mortes must return back to action after killing the last of the Cangaceiros 29 years ago, when a new outlaw appears, who will eventually reveal as an idealist and mark him profoundly.

In a castle, somewhere in the Thirld World, Diaz is delirious, dreaming of the power he had in Eldorado, while oppressing the indians, workers and peasants. He is well aware of the menace his old victims represent, while a miracle-making shepherd fascinates and frightens him. Diaz finds a countrywoman, symbol of purity, and prepares a ceremony in his castle resembling his own funeral.

Four Third-World Christs try to stop the American industrialist John Brahms in Glauber Rocha's experimental film inspired by Pier Paolo Pasolini's murder.

This film captures the criminal behavior of two young Copacabana thugs (the "cafajestes"). The two plan a blackmail coup against a rich old man, using nude pictures of a lady on a deserted beach. But things don't always happen as planned.

In an extremely poor region in the Northeast of Brazil, a group of soldiers try to stop the population from sacking a food deposit.

In the 1930's, in the South of State of Bahia, Brazil, an adventurer with no name or history, who had already been shot 7 times, gets involved in the battle for land and cacao plantations. His plan is to take the place of "Colonel" Santana, taking his wife and money. He starts a bloody conflict, in which many simple people and landowners die.

Five segments about the hardships faced by people living in slums on hills in Rio de Janeiro.

Statistics, interviews and historical information on illiteracy and inequality in land distribution in Brazil's countryside.

Woman who is obsessed with death wants a first-class burial for herself, and even buys a luxury coffin beforehand.

The story of Paulo Honório, a poor kid who becomes a rich farmer. Obsessed by his desire to get even richer, he doesn't pay much attention to his wife, Madalena, a teacher who reacts against his tyrannical ways.

Union leader's son doesn't want to engage in a strike, because his wife is pregnant, thus disregarding his father's tradition of political activism.

A few weeks before Carnival, slum boys organize huntings for stray cats, whose leather can be used in Samba percussion instruments, like the Tamborim, a small drum.

Documentary about the most famous dribbler in Brazilian Soccer (some say in Soccer's history!) at the zenith of his career, showing classic scenes of 1958 and 1962 World Cup. Garrincha was a very original and talented player, having curved legs. Women and alcohol were his passion, and the cause of his later decadence. After a glorious career, he died in financial misery, forgotten.

In a small town in Minas Gerais, the arrival of a young priest causes a commotion in the conservative atmosphere of the place, aggravated by the sudden attraction this priest feels for a beautiful girl. This forbidden love affair soon turns into an unbridled passion.

Images of Brasilia in its sixth year and interviews with different categories of people living in the capital. One question structures the documentary: could a fully planned city, created in the name of national development and the democratization of society, reproduce the inequalities and oppression that exist in other regions of the country?

Our story begins with Macunaima's miraculous birth to an old woman in a tiny jungle settlement. Born fully grown, he discovers his life's purpose which leads him and his family and followers on a journey to the Big City. More miracles occur on the way, but Macunaima still has the heart and mind of a child. In the Big City, terrorists enlist him in their revolutionary schemes. In the Big City he learns that nuts are not always food and other hilarious life lessons.

German documentary for TV about the "Cinema Novo" movement (Brazilian New Wave). Director Joaquim Pedro de Andrade focuses on six Cinema Novo filmmakers working in Rio in 1967: Leon Hirszman preparing the script with poet/writer Vinicius de Moraes for "Garota de Ipanema" (1967); Glauber Rocha shooting "Terra em Transe" (1967); Arnaldo Jabor editing "A Opinião Pública" (1967); Nelson Pereira dos Santos shooting "El Justicero" (1967); the rushes and voice-looping sessions of Domingos Oliveira's "Todas as Mulheres do Mundo" (1967); and the opening of Carlos Diegues's "A Grande Cidade" (1966).