Kısa

Hatcha's husband, Suleiman, and son, Mustafa, run away from home on September 12th 1980, the day Turkish military coup happen. On the same day in the morning there outbreaks a fowl plague in the village, and Hatcha sends her daughter, Elif, along with the surviving chickens away to the neighbouring village. Hatcha stays home alone with her daughter, Özlem, sick in bed, and waits for Elif, Mustafa and Suleiman. The winter is around the corner to overtake the village. The snowfall time is about to come.

Mamma Hatcha keeps pomegranates for her son, who is kept in prison after the Military Coup 1980 September the 12, and waits for him to come back before the pomegranates are rotten. Written and Directed by Cevahir Çokbilir

In a remote village in Anatolia, Asik Hasan tries to preserve oral culture in a visual age where even written culture is dying out. This is a desolate village, abandoned by its people who left for the loneliness of the city.

Artists refer to this knowledge as "hand memory," which is triggered when they begin painting, sculpting, or drawing and is kept in the body rather than the brain. What memories are transmitted through the hands?

Sevgi and Dogan, a young couple, steal cars in the poorer districts of Istanbul and sell them to the junkyard to be pressed. One day, however, an unsettling event shakes them to the core, pushing them to face some truths about their relationship and the harsh realities of life.