Modern Dhallywood Films

A struggling actor becomes a professional impostor, hired to impersonate people for financial gain, but as he delves deeper into his work he becomes embroiled in trouble that threatens to unravel his life.

The coffin of an expatriate worker with manipulated identity intense the identity crisis when another person's corpse is found inside.

A housemaid is killed by a local landlord's son. His servant takes the blame for the murder, to save the landlord's mentally ill son and is marooned in an island named Monpura. There the servant comes across a fisherman's daughter.

The story is about the negetive side of 'Hortal', 'Political Movement' etc which affects common people badly.

As the lives of rich and poor passengers aboard a steamship unfold, buried secrets, lustful affairs and selfish desires are exposed.

Set in the riverside Chandpur suburbs of the '90s, "Swapnajaal" at its core is the story of Opu (Yash Rohan) and Shuvra (Pori Moni), two teenagers in 'young love'. Their blooming romance take a dramatic turn south when conniving influential businessman Aynal Gazi (Fazlur Rahman Babu), with the help of his trusted aide Thandu (Iresh Zaker) tactfully oust Shuvra and her family from their home. Opu fights back to bring justice to Shuvra's family and to get back his love, but even after justice is served, there are bigger obstacles on the way to their reunion.

A story following the life of Ranu (Joya Ahsan) and her paranormal powers. She goes to psychiatrist Misir Ali (Chanchal Chowdhury) to find an answer to all her questions.

The film is about the language movement during 1952 in East Pakistan.

10-year-old Jamal loves his carefree life with his mum in rural Bangladesh, until the day his childhood friend and playmate is forced to become a child bride. Isolated and lost, Jamal finds the world a harsh reality when his hopes of getting new friends and attending school collide with his mother's past.

A story surrounding a person named Javed Hasan and about his family, love, fallout and reunion.

In a series of vignettes, a partially handicapped man lives his days in anguish as he tries to find a way to leave Dhaka.

Halda, a river in southeastern Bangladesh, is the one and only natural fish-breeding center in Asia; this film looks at the struggling lives of the fisherfolk on both sides of this river.

An anonymous criminal gang plot a series attack in Dhaka City and three young police officers work on this.

The only girl of day laborer Kafil Mia, Jasmine, committed suicide by hanging herself on the darkness of the night, because her lover Kabir betrayed her. Since self-murder is not accepted in Islam, there is no place for the funeral and grave of Jasmine's dead body in the Islam inhabited Shwapnopuri village. A mosque imam and an influential rich man of the village with the help of Badrul Talukder did not let the funeral and grave take place in the village. Kafil Mia digs his daughter's grave in the Khas land (government owned land) on the bank of the river and performs her funeral. No one from the village took part in the funeral but, a small ten year old boy Sujan did. Kafil Mia could not accept his daughters death, but he begins to search for hope and strength in the midst of this tragedy.

A drama thriller about men who run from their family responsibility and a rickshaw pedaling bounty hunter compelled to bring them to justice.

A demure medical student falls in love with a brash Bangladesh Radio deejay while listening to his World Music show during the revolutionary '70s.

As a leader of the local community, Chairman Amin bans every kind of image in his water-locked village in rural Bangladesh. He even goes on to claim that imagination is also sinful since it gives one the license to infiltrate into any prohibited territory. But change is a desperate wind that is difficult to resist by shutting the window. The tension between this traditional window and modern wind grows to such an extent that it starts to leave a ripple effect on the lives of a group of typically colorful, eccentric, and emotional people living in that village. But at the very end of the film, Television, which he hated so much, comes to the rescue and helps Chairman Amin reach a transcendental state where he and his God are unified. A new twist to the story makes him embrace IMAGE and IMAGINATION

Faisal lives happily with his daughter and his mother as a single father. He is very serious about work when it is time, and his whole life is based on his daughter. However, when a new employee named Ayitr (Srabonti) joins the company, she not only gets close to his daughter but also towards Faisal's heart.

A daring Bangladeshi teenager attempts to help her struggling family by disguising herself as a boy and driving her father's prized rickshaw for much needed extra money. Based on the acclaimed novel by Mitali Perkins.

An unprecedented terrorist attack takes place at a peaceful cafe in Dhaka, Bangladesh. The gunmen use religion to divide and kill, while the surviving hostages, all of them Muslim, try to defend their own humanistic values.

Maya is a singer in the biggest brothel of South Asian. She was trained and brought up by her Ostaad Karim Box. This movie focuses on the concept of taking consent and social struggles of a prostitute.

Irfan has been the moral political guardian to Arman the way Ahsan has been to him. Then why does a series of unfortunate events- female trafficking, drug smuggling, disappearing of a foreign journalist, a bomb blast- occur in their small town of Thanchi? Who are they that prey on the aborigines at night? Who are they, who roam around with blood-spattered faces and weapons in hand during Vaisavi? Why does Arman continuously end up as the scapegoat? Where does someone's gains lie in Arman's death? While finding answers to these questions, Arman falls into a rabbithole of ghoulish truths, making him lose his credence. Right there starts Arman's striking journey to save Pushpa, and his country. It is a story of Arman's love for Pushpa, of Ahsan and Irfan's love for their country. In some ways, it is a story of selling out your country, of Titli's life in orphanage, of Nazrul's sacrifice, and of Arman's mother's death. In hindsight, it is a story patriotism. Society has its fair share of different types of people. Some amongst them resort to using others for their benefits; sometimes putting the entire society, even his nation at stake. They wear masquerades of noblemen. But once people hit rock bottom, they possess an inevitable ability to capsize and use those masquerades as a boomerang to the imposters. 'Shapludu' is a tale of those who turn the tables; a suspense thriller based on those who give those swindlers a taste of their own medicine in order to save themselves, their loved ones, and their nation.

Bangladesh's first wildlife action thriller film based on RAB's adventures in the Sundarbans. Starring Siam, Riaz, Nusraat Faria, Shatabdi Wadud, Roshan, Taskeen, Rawnok Hasan, Manoj Paramanik, Directed by Dipankar Dipon.

Shimu fled her village as a child when her stepmother threatened to marry her off to a middle-aged man. Now 23 and living in the capital, she works grueling hours for paltry sums at a textile factory while her husband searches for work.

Eleven emerging Bangladeshi filmmakers present a collection of gritty shorts centered on the capital city and the people living in its margins.