Film ambientato tra gli orrori di Auschwitz del 1944 in cui un prigioniero, costretto a bruciare i cadaveri della sua stessa gente, trova un motivo per sopravvivere cercando di salvare dalle... Leggi tuttoFilm ambientato tra gli orrori di Auschwitz del 1944 in cui un prigioniero, costretto a bruciare i cadaveri della sua stessa gente, trova un motivo per sopravvivere cercando di salvare dalle fiamme il corpo di un ragazzo che crede sia suo figlio.Film ambientato tra gli orrori di Auschwitz del 1944 in cui un prigioniero, costretto a bruciare i cadaveri della sua stessa gente, trova un motivo per sopravvivere cercando di salvare dalle fiamme il corpo di un ragazzo che crede sia suo figlio.
- Vincitore di 1 Oscar
- 65 vittorie e 61 candidature totali
Trama
Lo sapevi?
- QuizDuring the preparation, director László Nemes, cinematographer Mátyás Erdély and production designer László Rajk made a pledge to stick to certain rules, or a "dogma", which included:
- The film cannot look beautiful.
- The film cannot look appealing.
- We cannot make a horror film.
- Staying with Saul means not going beyond his own field of vision, hearing, or presence.
- The camera is his companion, it stays with him throughout this hell.
- BlooperThe short text at the beginning says, that the members of the 'Sonderkommando' were killed after 3 months, but this is a simplification of the more complicated history. While it's correct that these men were supposed to be killed and replaced after a few months, in some cases they were killed much earlier and in other rare cases they could survive for over 2 years, like Filip Müller. This depended mostly on the skills of the individual 'Sonderkommando' slave worker, who was sometimes needed by the SS to train the new 'Sonderkommando' members, but also on pure coincidence and luck.
- Citazioni
Abraham Warszawski: You failed the living for the dead.
Saul Ausländer: We are dead already.
- ConnessioniFeatured in 73rd Golden Globe Awards (2016)
- Colonne sonoreDream Faces
Written by William Marshall Hutchison
Performed by Elizabeth Spencer
To classify it as 'entertainment' would certainly be wrong because the subject matter is so uncompromisingly challenging.
I wanted to love it unreservedly for the bravery of its content but I'm afraid I was left a little cold.
The film is shot in square format (possibly 4:3) which is immediately disarming and unusual (the last time I saw this was in the very different Wes Anderson's Grand Budapest Hotel) and it's used effectively because it gives the viewer a voyeuristic look into the mayhem that is Dachau where the movie is set. It also helps the director from a budgetary point of view because it eschews the need for expensive wide shots.
The opening scenes are astonishingly harrowing as we see the "pieces" of Jewish bodies essentially processed through the factory of death with disturbing, off screen, dog barks, German soldier orders and mechanical noise. It's brutal and affecting in the extreme.
In some ways this is what I grotesquely wanted from the movie. I wanted to be horrified like no horror movie could achieve.
Forgive me for this but it didn't happen. Yes, the mood was grotesque thanks, in particular, to the extraordinary sound design, but on screen I felt it shirked its potential too much.
In the end this voyeuristic cinematography ultimately becomes both tiresome and limiting.
The fundamental weakness of the movie, in my opinion, is in the storyline. Frankly it's not that credible and doesn't stack up. The main protagonist (Saul) discovers his (illegitimate?) son as a gas chamber survivor and smuggles him out of the situation to seek a Rabbi to give him a proper Jewish burial.
This leads to a sequence of events that side stories with an undercover camp breakout in which he is also inexplicably involved.
Sorry, it's not credible.
And Géza Röhrig as the lead didn't really do it for me. And so the early wonderment of the movie, it really is very moving, starts to erode and gradually descends into incredibility.
I love what this movie stands for. I respect every iota of it.
I just didn't think it was particularly good overall.
- markgorman
- 29 apr 2016
- Permalink
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- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Son of Saul
- Luoghi delle riprese
- Mafilm, Budapest, Ungheria(Studio)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.500.000 € (previsto)
- Lordo Stati Uniti e Canada
- 1.777.043 USD
- Fine settimana di apertura Stati Uniti e Canada
- 37.930 USD
- 20 dic 2015
- Lordo in tutto il mondo
- 6.659.121 USD
- Tempo di esecuzione1 ora 47 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1