Falls in line with the style cemented in the first entry of this new series by Butler, almost aiding the search for modern camp that defines the recent works of David DeCoteau while at the same time structuring the film after the same threadbare plots from 90's Full Moon.
Butler ran out of characters he cared about and wisely constructed a shallow and skeletal storyline falling into an effective and recognizable formula. A crude sketch of a story with plain drama of little to no importance to the director but it's all sufficient when all that matters is what's grotesque and of course the unhinged imagery these movies excel at, gaining strength when put in an unremarkable and mundane location.
Deliriously schizophrenic. False to the core and transparent about it. Shoestring story and careless construction that oddly enough never let's go. Engaging contrast of American dullness cut by an array of beautifully swift kills of fine B-movie craftsmanship. Abstract approximation to officialist horror cinema that gets to be majestic while disposing the formal basics. Typical modern Full Moon.