La storia della vita sessuale di Joe continua esplorando gli aspetti più oscuri della sua vita adulta, le sue ossessioni ed il motivo per cui si trova in cura da Seligman.La storia della vita sessuale di Joe continua esplorando gli aspetti più oscuri della sua vita adulta, le sue ossessioni ed il motivo per cui si trova in cura da Seligman.La storia della vita sessuale di Joe continua esplorando gli aspetti più oscuri della sua vita adulta, le sue ossessioni ed il motivo per cui si trova in cura da Seligman.
- Premi
- 14 vittorie e 31 candidature totali
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- QuizCharlotte Gainsbourg stated in an interview with the Washington Post that Lars von Trier personally asked her to record a version of the song "Hey Joe" for the end credits after he was unable to secure the rights to Jimi Hendrix's version, something she immediately accepted.
- BlooperIn the director's cut, during the opening of the chapter The Mirror, after Seligman explains that the top of the diamond is called a mirror in some languages and Joe mentions he has a mirror on the wall, you can clearly see the camera and crew members reflected in it. You even see the camera move as it pans right.
- Citazioni
Joe: Nobody knew his secret. Most probably not even himself. He sat there with his shame. I suppose I sucked him off, is a kind of apology.
Seligman: That's unbelievable!
Joe: Listen to me. This is a man who had succeeded in repressing his own desire, who had never before given into it right up until I forced it out. He had lived a life full of denial and had never hurt a soul. I think that's laudable.
Seligman: No matter how much I try, I can't find anything laudable in pedophilia.
Joe: That's because you think about the, perhaps 5% who actually hurt children. The remaining 95% never live out their fantasies. Think about their suffering. Sexuality is the strongest force in human beings. To be born with a forbidden sexuality must be agonizing. The pedophile who manages to get through life with the shame of his desire, while never acting on it, deserves a bloody medal.
- Curiosità sui creditiNear the very end of the credits there is this disclaimer: "None of the professional actors had penetrative sexual intercourse and all such scenes were performed by body doubles."
- Versioni alternativeThe director's cut adds roughly 57 minutes of footage, expanding some of the subplots.
- ConnessioniFeatured in Film '72: Episodio datato 19 febbraio 2014 (2014)
- Colonne sonoreThe Little Organ Book: Ich ruf zu Dir, Herr Jesu Christ
Performed by Mads Hock
Written by Johann Sebastian Bach
Arranged by Kristian Eidnes Andersen (as Kristian Selin Eidnes Andersen)
© Zentropa Music
What's missing most is the interaction between the two lead characters: sex addict Joe and her asexual rescuer Seligman. In the first part, their conversation was like ping pong: they exchanged stories and experiences - hers of a sexual nature, his about all kinds of things. The links and similarities between their seemingly different lives made the film so original and attractive.
In the second part however, it's mostly Joe who tells the stories. Seligman is reduced to a minor part, that of the patient listener. Only at a few occasions he really contributes something to the conversation, but after one of his stories, Joe remarks: 'I think this is one of your weakest digressions'. After that, he lets her do the talking.
Even more than in the first part, Von Trier explores all kinds of (sexual) taboos. There's paedophilia (on which Joe has rather original but very wise views), interracial sex, sado-masochism, and all kinds of humiliation. In between, Von Trier also gives us his unorthodox thoughts on motherhood and feminism.
At several occasions, it's clear how we hear Von Trier speak through the words of his protagonist. There's a nice exchange of arguments about political correctness between Joe and Seligman. He thinks the word Negro shouldn't be used, out of respect for a part of society. She thinks that not allowing the use of certain words, is equal to forbidding certain thoughts. Political correctness is hypocrisy, she thinks. Coming from a man like Von Trier, who has committed his life to the combat against political correctness, this is a clear statement. The same goes for the scene where Joe, after having decided to attend a self help group for sex addicts, accuses the group leader of being a member of some sort of obscenity police. This is a clear message to all narrow-minded people who described 'Nymphomaniac' as porn, before having seen one second of it.
Because Von Trier so clearly has no respect for what society considers decent or proper, I was amazed by Seligmans feminist speech at the end of the film. He comforts Joe by pointing out that her behaviour as a nymphomaniac would probably be applauded if she had been a man. That a woman cannot dedicate her life to limitless sex, is proof of society's double standards. Of course this is true, but it sounds strange after so much scenes in which women are being degraded.
After having seen Nymphomaniac part 1 and part 2, I am really curious about the director's cut. Is it just more explicit sex? I hope not, because showing genitals is clearly not what makes this film great. It's everything else that should make you want to go and see it.
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Ninfomanía (vol. 2)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 327.167 USD
- Fine settimana di apertura Stati Uniti e Canada
- 74.978 USD
- 6 apr 2014
- Lordo in tutto il mondo
- 4.934.965 USD
- Tempo di esecuzione2 ore 4 minuti
- Colore
- Proporzioni
- 2.35 : 1