It's a search-for-lost-love romantic drama set in 1969 London, England, and March 1980 in London and Japan, with a few scenes between those dates. Kristófer (Palmi Kormakur/Egill Ólafsson) is an elderly widower in Iceland facing increasingly fragile health just as the Covid outbreak is arriving in 2020. He leaves for London to search for a Japanese woman, Miko (Koki/Yoki Narahashi), whom he met in London in 1969 while dropping out of graduate school at the London School of Economics as a frustrated political radical.
We see Kristófer's 2020 search for Miko interspersed with scenes in 1969 when he worked initially as a dishwasher in a restaurant owned by Miko's widowed father, Takahashi-san (Masahiro Motoki). The film's 1969 scenes follow Kristófer's increasing fascination with Japanese culture, and more particularly with Miko. Their relationship grows until Takahashi-san and Miko suddenly disappear. By "Touch's" end, we learn the reasons for Miko's disappearance that stretch back to World War II.
I loved this movie, partly because I've always been a hopeless romantic. But "Touch" brings together so much from cross-cultural love, the struggle to understand never-before-seen illnesses, and the power of remembering first loves. "Touch" (a recurring visual theme between lovers) perhaps has a bit too neat an ending, but it was all very satisfying. I came close to giving it a 10.
