VALUTAZIONE IMDb
8,8/10
10.291
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA disfigured musical genius, hidden away in the Paris Opera House, terrorizes the opera company for the unwitting benefit of a young protégée whom he trains and loves.A disfigured musical genius, hidden away in the Paris Opera House, terrorizes the opera company for the unwitting benefit of a young protégée whom he trains and loves.A disfigured musical genius, hidden away in the Paris Opera House, terrorizes the opera company for the unwitting benefit of a young protégée whom he trains and loves.
Stephen John Davis
- Don Attilio ("Il Muto")
- (as Stephen Davis)
Trama
Lo sapevi?
- QuizColm Wilkinson, (one of four Phantoms performing encore) was in fact the first ever Phantom, who originated this role. It happened in 1985 at Sydmonton Festival - typical place of Andrew's Webber Lloyd previews of his musicals. Wilkinson might had been first Phantom on stage, but later that year, he had chosen to be first Jean Valjean in Les Miserables, another role played by Ramin Karimloo.
- BlooperRamin Karimloo's tattoo (on his wrist) is visible in one of the close-ups during "Music of the Night".
- Citazioni
Raoul: [singing] I love her! Does that mean nothing? I love her. Show some compassion!
The Phantom: The world showed no compassion to me!
- ConnessioniFollowed by Love Never Dies (2012)
Recensione in evidenza
A fantastic show very much diminished by the amateurish and highly distracting video direction. This video production suffers from the impulse of "we paid to have all these cameras and operators on site so we better damn well use them, even if it means ruining the home viewing experience".
Director Nick Morris' shot selection was weak, the frenetic tempo of his camera-to-camera takes overshadows the stage direction. He manages to miss key actor entrances because he has a close-up on another actor. Other times he goes immediately to a close-up for what should be a subtle entrance. This is most obvious with the Phantom's entrance after Wishing You Were Here Again. Morris commits other unforgivable shot selections like fast cutting close-ups of the destruction of the chandelier rather than giving us the more awe-inspiring audience perspective.
And don't get me started on his coverage of "Masquerade". One of my favorite scenes on the show is completely ruined by Morris' quick cutting between medium and close-ups of actors, rarely showing us the stage-wide view of the choreography, which is so essential to the power of the scene.
The action on Angel of Music is almost impossible to follow, and so on. As I said, abysmal. I've seen better directing of local cable channel dramatic productions.
This is a stage play that is meant to be seen from farther away than the 6" from the Phantom's face this director felt we needed. Most certainly someone should have realized that close-ups of actors that included the LED scenic backdrop was just a bad idea. It looks terrible.
I've seen this show live 3 times but never from the most expensive seats. This video production could have given us the best seats in the house but instead chose to cut quickly between various odd angles that the audience would and should never see.
10 stars for the stage production and 3 for the video production.
Director Nick Morris' shot selection was weak, the frenetic tempo of his camera-to-camera takes overshadows the stage direction. He manages to miss key actor entrances because he has a close-up on another actor. Other times he goes immediately to a close-up for what should be a subtle entrance. This is most obvious with the Phantom's entrance after Wishing You Were Here Again. Morris commits other unforgivable shot selections like fast cutting close-ups of the destruction of the chandelier rather than giving us the more awe-inspiring audience perspective.
And don't get me started on his coverage of "Masquerade". One of my favorite scenes on the show is completely ruined by Morris' quick cutting between medium and close-ups of actors, rarely showing us the stage-wide view of the choreography, which is so essential to the power of the scene.
The action on Angel of Music is almost impossible to follow, and so on. As I said, abysmal. I've seen better directing of local cable channel dramatic productions.
This is a stage play that is meant to be seen from farther away than the 6" from the Phantom's face this director felt we needed. Most certainly someone should have realized that close-ups of actors that included the LED scenic backdrop was just a bad idea. It looks terrible.
I've seen this show live 3 times but never from the most expensive seats. This video production could have given us the best seats in the house but instead chose to cut quickly between various odd angles that the audience would and should never see.
10 stars for the stage production and 3 for the video production.
- beeblebrox-2
- 7 set 2019
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Andrew Lloyd Webber's The Phantom of the Opera at the Royal Albert Hall
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 5.263.924 USD
- Tempo di esecuzione2 ore 17 minuti
- Colore
- Proporzioni
- 1.78 : 1
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By what name was The Phantom of the Opera at the Royal Albert Hall (2011) officially released in India in English?
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