VALUTAZIONE IMDb
5,4/10
13.765
LA TUA VALUTAZIONE
Conrad è aiutato dal suo vecchio amico Dylan, e ricambia il favore innamorandosi della fidanzata di Dylan, Beatrice.Conrad è aiutato dal suo vecchio amico Dylan, e ricambia il favore innamorandosi della fidanzata di Dylan, Beatrice.Conrad è aiutato dal suo vecchio amico Dylan, e ricambia il favore innamorandosi della fidanzata di Dylan, Beatrice.
- Premi
- 1 candidatura in totale
Seamus Davey-Fitzpatrick
- Young Conrad
- (as Seamus Fitzpatrick)
Nicole Elizabeth Berger
- Young Beatrice
- (as Nicole Berger)
Ann W. Friedman
- Beatrice's Mother
- (as Ann Friedman)
Trama
Lo sapevi?
- QuizCompleted in 2012, not released until two years later.
- BlooperWhen Conrad presses the recording button on his tape deck and speaks in the microphone, the tape is not rolling. The needles for the volume level don't move either.
- ConnessioniFeatured in Projector: The Longest Week (2014)
- Colonne sonoreAir on the G string
Taken from 3rd orchestral suite in D major, BWV 1068
Composed by Johann Sebastian Bach
Performed by Jonathan Carney, Royal Philharmonic Orchestra
Recensione in evidenza
The Longest Week (2014)
What a strangely almost good movie. It has lots of compelling elements, including Jason Bateman as the nice guy leading man (though here he plays a spoiled rich boy). It's a complex enough story, and a love story, and it's set in lovely Brooklyn (an almost Manhattan). It should work. And second leading man Billy Crudup is terrific—better than Bateman.
So enjoy it for what it is? Sure. But it will kludge along at times, and will get a bit obvious at other times. The women (girlfriends, mainly) are weakly cast (or weakly directed), which doesn't help. But mostly it's a matter of originality—which is missing.
In fact, the whole thing is alike a Woody Allen mashup wannabe. The voice-over will make you think too much of "Vicky Christina Barcelona" and some of the photography of "Manhattan" but in color. (They even cast Allen regular Tony Roberts in a role as, yes, a shrink.) But mostly it's "Annie Hall" redux. In fact, it's almost a remake—girl meets unlikely boy, they have a romance, it goes south, and then boy re-evaluates (with direct stealing of ideas like having the plot reappear as a play, or in this case as a novel). And even if you don't like "Annie Hall" (which I do), you have to admit it came first, and is wonderfully original.
To add insult to injury, the whole set design and shooting style is straight out of Wed Anderson, though toned down to the point of being dull. (Anderson is never dull, at least visually.)
So what is left? Lots of little moments—quaint remarks (skipping over the brazenly sexist stuff that is meant to be funny and is mostly embarrassing, like the soccer practice) and a generally nice flow of events. It's easy to watch even if you aren't enthralled.
Director and writer Peter Glanz is fairly new to the scene, and this movie is a seven day expansion of an earlier indie success, "A Relationship in Four Days." No wonder this one feels about three days too long. See it? Maybe, if you already know you like the cast or the genre. Or maybe just give the Allen films a second try. Worlds apart.
What a strangely almost good movie. It has lots of compelling elements, including Jason Bateman as the nice guy leading man (though here he plays a spoiled rich boy). It's a complex enough story, and a love story, and it's set in lovely Brooklyn (an almost Manhattan). It should work. And second leading man Billy Crudup is terrific—better than Bateman.
So enjoy it for what it is? Sure. But it will kludge along at times, and will get a bit obvious at other times. The women (girlfriends, mainly) are weakly cast (or weakly directed), which doesn't help. But mostly it's a matter of originality—which is missing.
In fact, the whole thing is alike a Woody Allen mashup wannabe. The voice-over will make you think too much of "Vicky Christina Barcelona" and some of the photography of "Manhattan" but in color. (They even cast Allen regular Tony Roberts in a role as, yes, a shrink.) But mostly it's "Annie Hall" redux. In fact, it's almost a remake—girl meets unlikely boy, they have a romance, it goes south, and then boy re-evaluates (with direct stealing of ideas like having the plot reappear as a play, or in this case as a novel). And even if you don't like "Annie Hall" (which I do), you have to admit it came first, and is wonderfully original.
To add insult to injury, the whole set design and shooting style is straight out of Wed Anderson, though toned down to the point of being dull. (Anderson is never dull, at least visually.)
So what is left? Lots of little moments—quaint remarks (skipping over the brazenly sexist stuff that is meant to be funny and is mostly embarrassing, like the soccer practice) and a generally nice flow of events. It's easy to watch even if you aren't enthralled.
Director and writer Peter Glanz is fairly new to the scene, and this movie is a seven day expansion of an earlier indie success, "A Relationship in Four Days." No wonder this one feels about three days too long. See it? Maybe, if you already know you like the cast or the genre. Or maybe just give the Allen films a second try. Worlds apart.
- secondtake
- 9 giu 2015
- Permalink
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- The Longest Week
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- 46.460 USD
- Tempo di esecuzione1 ora 26 minuti
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