Un gruppo di persone avvia una società la cui attività consiste nell'impersonare le persone da poco defunte per aiutare i clienti a elaborare il lutto.Un gruppo di persone avvia una società la cui attività consiste nell'impersonare le persone da poco defunte per aiutare i clienti a elaborare il lutto.Un gruppo di persone avvia una società la cui attività consiste nell'impersonare le persone da poco defunte per aiutare i clienti a elaborare il lutto.
- Premi
- 5 vittorie e 7 candidature
- Lamp Shop Owner
- (as Efthymis Filippou)
Trama
Lo sapevi?
- QuizEfthymis Filippou, screenwriter, had to step in as the "owner of the lighting shop" two days before shooting of the film started.
- Citazioni
Stretcher-bearer: [speaking to the nurse] We're going to do a test. I'm going to use this object. If it doesn't change colour and stays white, then it automatically means you are competent and reliable, and can stay in our group. If it changes colour, there are two possibilities. First, it might turn blue. If it turns blue, then it automatically means that you are competent, but unreliable. Therefore? There's no therefore. It doesn't really matter if it turns blue. It's just something I said. The second and worst possible outcome is for this club to turn red. Which means automatically that you are too unreliable to and too incompetent to stay with us. Let's see.
[He stares at the club for a long time. Its color does not change. Suddenly, he hits her over the head with the club]
Stretcher-bearer: It changed. It turned red. I'm afraid you'll have to go.
- ConnessioniFeatured in At the Movies: Venice Film Festival 2011 (2011)
- Colonne sonorePopcorn
Written by Gershon Kingsley
Performed by Marsheaux
Under license from Boune Co/D-Version Music Publishing Ltd & Undo Records
Throughout the entirety of "Alps", I felt I was gazing in awe at a beautiful seed sadly incapable of germination. The film barely got anywhere while maintaining an incredibly slow pace and irritating visual style consisting of incessantly restrained deep-focus cinematography. There was so much potential wasted on scenes far too peculiar and insignificant to add any depth to the story or further develop the characters. Seldom did anything rightfully earn its place in the film; the multiple sex scenes seemed to be there with the sole purpose of being extremely awkward and obscene, while all the attempts at absurd humor felt slightly forced and weren't as effective as they should have been due to the narrative's intermittent solemnity.
This brings me to the film's greatest problem, which was that— on top of struggling to find its own voice and tone in its ridiculously irrational approach— it never really figured out what message it wanted to convey to its audience. Evidently Lanthimos was trying to say something about human nature and the craziness of consumer society, but he didn't succeed in delivering his thoughts coherently this time around. I hate comparing, but I must say I found the profound social critique that seeped through the bizarre surface of "Dogtooth" to be far superior in elaboration.
The end result of "Alps" was a confused, detached (albeit well-acted, especially by Aggeliki Papoulia) jumble beyond anyone's realm of comprehension, so overwhelmingly filled with unjustified senselessness that the most I could do was simply sit and stare at the screen, patiently awaiting some real substance, only to be disappointed by sheer staleness.
I suppose I somewhat admired "Alps" for all that it could've been following its eccentric uniqueness, but I can't see how anyone in their right mind could have truly enjoyed it.
- Copyright1994
- 23 giu 2012
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Botteghino
- Budget
- 97.000 € (previsto)
- Lordo Stati Uniti e Canada
- 16.057 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2.628 USD
- 15 lug 2012
- Lordo in tutto il mondo
- 233.222 USD
- Tempo di esecuzione1 ora 33 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1