VALUTAZIONE IMDb
4,8/10
12.592
LA TUA VALUTAZIONE
In Cile, un gruppo di viaggiatori si trova in una discoteca sotterranea durante un violento terremoto che colpisce la zona. Apprendono rapidamente che raggiungere la superficie è solo l'iniz... Leggi tuttoIn Cile, un gruppo di viaggiatori si trova in una discoteca sotterranea durante un violento terremoto che colpisce la zona. Apprendono rapidamente che raggiungere la superficie è solo l'inizio del loro incubo.In Cile, un gruppo di viaggiatori si trova in una discoteca sotterranea durante un violento terremoto che colpisce la zona. Apprendono rapidamente che raggiungere la superficie è solo l'inizio del loro incubo.
- Premi
- 3 candidature
Álvaro López Álvarez
- Jesús
- (as Álvaro López)
Trama
Lo sapevi?
- QuizThe bulk of the special effects were done practically.
- BlooperThe personalized plates of Pollo's van are not allowed in Chile.
- Curiosità sui creditiPhotographs of the characters in happier times are shown in the end credits.
- ConnessioniFeatured in The Tonight Show with Jay Leno: Episodio #21.137 (2013)
- Colonne sonoreHelp Me
Written by Latin Bitman & Francisca Valenzuela
Performed by Latin Bitman feat. Francisca Valenzuela
Recensione in evidenza
A group of friends in Chili hit up the night clubs for some fun. A massive earthquake hits and destroys half the city, releasing the prisoners that end of unleashing more destruction and hell in the streets.
An interesting concept that tries to blend the disaster genre with the horror genre. The result is a mixed bag of depravity, low budget effects & set-ups and hatred for the so called characters we are suppose to engage with. Aftershock doesn't care about much, it wants to throw everything and the kitchen sink at you. This film reminds me a lot of Kevin Smith's "Red State" in that it subverts genres and goes in different directions just when you think you know what is going to happen next. While I admire Smith's pulling of the rug from under our feet, Aftershock never manages to reach the same level. Instead it is stuck in this redundant pool of lukewarm unnecessary-ness.
Eli Roth produces and stars in the film, I've always said he should stay behind the camera because his on screen talent is severely lacking. Yet he always finds himself in front of the camera, making himself seem more important than he should be. Roth has some good films under his belt, he without a doubt knows the genre of horror. He needs to stick to producing and directing. Get more unique horror films out there, stop worrying about the Roth who acts, cause no one cares.
What the film lacks in special effects in makes up for in absurdity. Here is a film that is about destruction, yet it chooses (mainly because they have to) showcase the aftermath. The scenes of chaos happen in tight close ups, shaky cam and whatever else they can think of to disorient the viewer from seeing anything. It seems they saved the budget in the special effects department for the final shot, which one can see coming once the character gets to that location, yawn.
Aftershock loves to put characters in bad situations, then kick them when they are down. It might be hard to watch for some people. The film has no problem having one character be raped twice, then shot. This is after another one has been burned alive. This is the so called twist in the film, when we stop focusing on the destruction from mother earth and are focused on human nature. These characters aren't even the prisoners though, these are random street thugs or what have you, that see the women in the streets and decide to chase after them, thus ensuring a lot of death and sorrow for the characters the film has taken so long to set up.
No, we don't get any prisoner action until the final act of the film, which takes another turn with another twist. One that will have you scratching your head in confusion, but Aftershock is too crazy and absurd, that you end up just going with it.
This isn't much of a disaster flick, nor does it seem to be good horror. It's a low budget miss- match of bad taste.
An interesting concept that tries to blend the disaster genre with the horror genre. The result is a mixed bag of depravity, low budget effects & set-ups and hatred for the so called characters we are suppose to engage with. Aftershock doesn't care about much, it wants to throw everything and the kitchen sink at you. This film reminds me a lot of Kevin Smith's "Red State" in that it subverts genres and goes in different directions just when you think you know what is going to happen next. While I admire Smith's pulling of the rug from under our feet, Aftershock never manages to reach the same level. Instead it is stuck in this redundant pool of lukewarm unnecessary-ness.
Eli Roth produces and stars in the film, I've always said he should stay behind the camera because his on screen talent is severely lacking. Yet he always finds himself in front of the camera, making himself seem more important than he should be. Roth has some good films under his belt, he without a doubt knows the genre of horror. He needs to stick to producing and directing. Get more unique horror films out there, stop worrying about the Roth who acts, cause no one cares.
What the film lacks in special effects in makes up for in absurdity. Here is a film that is about destruction, yet it chooses (mainly because they have to) showcase the aftermath. The scenes of chaos happen in tight close ups, shaky cam and whatever else they can think of to disorient the viewer from seeing anything. It seems they saved the budget in the special effects department for the final shot, which one can see coming once the character gets to that location, yawn.
Aftershock loves to put characters in bad situations, then kick them when they are down. It might be hard to watch for some people. The film has no problem having one character be raped twice, then shot. This is after another one has been burned alive. This is the so called twist in the film, when we stop focusing on the destruction from mother earth and are focused on human nature. These characters aren't even the prisoners though, these are random street thugs or what have you, that see the women in the streets and decide to chase after them, thus ensuring a lot of death and sorrow for the characters the film has taken so long to set up.
No, we don't get any prisoner action until the final act of the film, which takes another turn with another twist. One that will have you scratching your head in confusion, but Aftershock is too crazy and absurd, that you end up just going with it.
This isn't much of a disaster flick, nor does it seem to be good horror. It's a low budget miss- match of bad taste.
- Matt_Layden
- 6 set 2013
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Афтершок
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 58.510 USD
- Fine settimana di apertura Stati Uniti e Canada
- 40.179 USD
- 12 mag 2013
- Lordo in tutto il mondo
- 294.696 USD
- Tempo di esecuzione1 ora 29 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.78 : 1
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By what name was Aftershock (2012) officially released in India in English?
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