"La Proie" is a superbly tense and adrenalin-rushing thriller from Eric Valette, the director of the French horror sleeper "Malefique" and the hopelessly flopped Hollywood remake "One Missed Call". Although most unfortunate for them, I don't really mind when acclaimed European directors' debuts in Hollywood fail, because this usually means they return to their native country and strike back with a vengeance. In case of Eric Valette, he strikes back with a testosterone-packed thriller full of breathtaking stunts, convoluted plot lines, interesting characters and unexpected shock moments. Albert Dupontel profiles himself as a worthy successor of Jean-Paul Belmondo during the 70's and 80's; meaning a robust but charismatic and energetic hunk for whom you automatically develop feelings of sympathy regardless of whether he plays the hero or a villain. He plays Franck Adrien, a bank robber convicted for heist but still safekeeping the location of the loot. Within six months, he can return home to his beloved wife and daughter, but he makes the sad mistake of taking custody over his seemingly weak and vulnerable cell mate Jean-Louis Morel. Morel is wrongfully accused of child abuse and soon gets released from prison, but Franck painfully discovers that Morel is nevertheless a sadist serial killer who now knows the whereabouts of his family. Franck spectacularly escapes from prison and begins the pursue of Morel, yet meanwhile the most elite French police teams are pursuing him.
Okay, admittedly some of the action sequences are a tad bit grotesque and implausible. It's highly doubtful that anyone simply runs away at 20mph moments after he threw himself through the widow of a six-storey building onto the rooftop of a car. It's even less likely that someone walks around with a shot wound in his stomach for several days and then still goes out climbing rocks. But seriously, I couldn't care less about all the illogical stuff in "La Proie", simply because the film is so incredibly fast-paced and entertaining. Franck's continuous cat-and- mouse games with the police result in some of the best action I've seen in years, whereas the sub plot concentrating on Jean-Louis Morel generates authentic old-fashioned suspense and fear. Stéphane Debac depicts a petrifying nihilistic predator who relentlessly stalks his victims while his docile wife even assists him! The scenario contains several unpleasant (but highly efficient) surprises and remains unpredictable until the denouement. Furthermore, Eric Valette makes terrific use of the beautiful Southern France filming locations and the entire supportive cast delivers excellent work. Definitely a must-see if you dig non-stop action flicks like "The Transporter", "Crank", "Chaser", etc