Due adolescenti, un controllore del biglietto del carrello, una coppia che si separa. Storie trasversali quotidiane in un'Atene con continue interruzioni di corrente.Due adolescenti, un controllore del biglietto del carrello, una coppia che si separa. Storie trasversali quotidiane in un'Atene con continue interruzioni di corrente.Due adolescenti, un controllore del biglietto del carrello, una coppia che si separa. Storie trasversali quotidiane in un'Atene con continue interruzioni di corrente.
- Premi
- 5 vittorie e 5 candidature totali
Prometheus Aleifer
- Job Candidate
- (as Promitheas Aliferopoulos)
Yorgos Roussakis
- Ticket Collector's Brother
- (as Yorgos Rousakis)
Konstantinos Georgopoulos
- Markos
- (as Kostas Georgopoulos)
Trama
Lo sapevi?
- QuizBest Film at 8th Romania International Film Festival Ro-IFF 2012
- Colonne sonoreBallad For The Touch Deprived
Music by 'Marilena Orfanou'
Performed by 'Berlin Brides'
Recensione in evidenza
In amongst the stereotypes of a bad soccer team, a worse economy and a tendency to cook lamb for vegetarians, the Grecian penchant for visceral cinema has largely been forgotten. One film that encapsulates this rawness is Tungsten, a cathartic, non-chronological story from writer-director-producer Giorgos Georgopoulos.
The film leads us through a day in the life of several hard-luck battlers, trying not to succeed, but merely make it through the day without failing. A middle-aged transit officer (Vangelis Mourikis) asks his brother to help him out of debt and keep his family together. Two young hoodlums (Omiros Poulakis and Promitheas Aliferopoulos) walk the streets aimlessly, scrounging for money, drugs and any stimulation at all, while a crabby middle manager (Tasos Nousias) tries in vain to balance his dead-end job and faltering abusive relationship.
The stories of this sorry but sympathetic bunch of individuals often intersect in amusing and unforeseen fashion, giving Tungsten a layered touch that seems to imply the commonality of each person's struggle, despite coming from different backgrounds and heading in different directions.
Sharp editing and a piercing soundtrack compliment the monochromatic cinematography perfectly. The script is explicit, but never offensive, instead deftly illustrating the extent to which each well-meaning character has become a by-product of his stigmatic environment.
And while Tungsten gets all the 'tangibles' right, they all serve to accommodate a film brimming with metaphors. Due to a worker's strike, the city is plagued with frequent power outages, symbolic of the intermittent false hope given to these people 'forgotten in the dark'. Even the title has meaning. Tungsten has the highest boiling point of all metals, reflecting the intense stress and pressure suffered by the subjects on display. They bend but refuse to break, until a somewhat ambiguous but extremely memorable final curtain throws down the heavy hammer of reality.
*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review. If you're looking for a writer for your movie website or other publication, I'd also love to hear from you.*
The film leads us through a day in the life of several hard-luck battlers, trying not to succeed, but merely make it through the day without failing. A middle-aged transit officer (Vangelis Mourikis) asks his brother to help him out of debt and keep his family together. Two young hoodlums (Omiros Poulakis and Promitheas Aliferopoulos) walk the streets aimlessly, scrounging for money, drugs and any stimulation at all, while a crabby middle manager (Tasos Nousias) tries in vain to balance his dead-end job and faltering abusive relationship.
The stories of this sorry but sympathetic bunch of individuals often intersect in amusing and unforeseen fashion, giving Tungsten a layered touch that seems to imply the commonality of each person's struggle, despite coming from different backgrounds and heading in different directions.
Sharp editing and a piercing soundtrack compliment the monochromatic cinematography perfectly. The script is explicit, but never offensive, instead deftly illustrating the extent to which each well-meaning character has become a by-product of his stigmatic environment.
And while Tungsten gets all the 'tangibles' right, they all serve to accommodate a film brimming with metaphors. Due to a worker's strike, the city is plagued with frequent power outages, symbolic of the intermittent false hope given to these people 'forgotten in the dark'. Even the title has meaning. Tungsten has the highest boiling point of all metals, reflecting the intense stress and pressure suffered by the subjects on display. They bend but refuse to break, until a somewhat ambiguous but extremely memorable final curtain throws down the heavy hammer of reality.
*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review. If you're looking for a writer for your movie website or other publication, I'd also love to hear from you.*
- Jonathon_Natsis
- 30 dic 2012
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