VALUTAZIONE IMDb
7,0/10
30.590
LA TUA VALUTAZIONE
La storia di tre amici intimi alle prese con un triangolo amoroso.La storia di tre amici intimi alle prese con un triangolo amoroso.La storia di tre amici intimi alle prese con un triangolo amoroso.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 vittorie e 15 candidature
Magalie Lépine Blondeau
- Jeune femme 2
- (as Magalie Lépine-Blondeau)
Benoît McGinnis
- Baise 2
- (as Benoit McGinnis)
François-Xavier Dufour
- Baise 3
- (as François Xavier Dufour)
Trama
Lo sapevi?
- QuizDirector and fellow actor Xavier Dolan confirmed that he was inspired by Woody Allen's film Mariti e mogli (1992) for the camera framing jerks to make it feel as if it was a documentary.
- BlooperWhen Nicolas and Marie by accident run into Francis at the Vietnamese restaurant, Francis introduces Nicolas to his friend Antony. However, in the first scene of the movie you can see that Nicolas already has met Antony as they all sit at the same dinner table. There is nothing to say that either Francis didn't realize they knew each other, or that Nicolas and Antony were merely playing dumb and avoiding an awkward situation.
- Citazioni
Marie: I love to smoke. Smoking a cigarette is like... forgetting. When I hit rock bottom, it's all I have. Light up, smoke up, shut the fuck up. It hides the shit. The smoke... hides... the shit. There's menthol and vanilla. Some people like 'em. Menthol cigarette. Vanilla cigarette. Chocolate cigarette. Cigarette cigarette. Cigarettes clearly keep me from going crazy. Keeps me alive. It keeps me alive until I die.
- ConnessioniFeatured in Ebert Presents: At the Movies: Episodio #1.6 (2011)
- Colonne sonoreLe Temps est Bon
Music by Stéphane Venne
Lyrics by Stéphane Venne
Performed by Isabelle Pierre
Courtesy of Disques Mérite
Recensione in evidenza
I agree with another reviewer that love is not the real subject of the film. The characters think they're feeling love, and they're certainly looking for love, but in such a shallow and conniving way they're incapable of getting beyond mere sensuality at best. This is a film which starts out superficially, as superficial as its characters. Their lack of depth is underlined by the interviews of more interesting people that we would almost rather be following, but we're stuck with this trio of narcissists trying to impress each other through attitude, clothes, and money-- each locked within his competitive self and each masturbating in his or her own way. The director's own vanity fits in perfectly with his fetishist approach, the Wong Kar Wai-like sensual slow-motion to heighten gesture and make us take a long hard look at these high-strung game players.
The viewer must be patient and wait for the second part when the film, in dealing with the repercussions from the narcissism of the first part, takes on depth. It is during the last twenty minutes that the actor/director succeeds in dealing with real emotions, not the imitation ones of the first half. Now a new tension sets in that builds to its vociferous climax where the actors are required to go beyond what they have demonstrated up to this point. Watching these neurotic Montréalians (when they finally grow up, they can be the manic-depressive characters in a Denys Arcand film), the viewer goes through the gamut of his or her own memories of attraction and rejection, bouncing around like the ping-pong balls that the expressive actors represent in their own attraction/flirtation/appeasement fluctuations. In fact, the more the film is watched with introspection, the more relevant it becomes.
The viewer must be patient and wait for the second part when the film, in dealing with the repercussions from the narcissism of the first part, takes on depth. It is during the last twenty minutes that the actor/director succeeds in dealing with real emotions, not the imitation ones of the first half. Now a new tension sets in that builds to its vociferous climax where the actors are required to go beyond what they have demonstrated up to this point. Watching these neurotic Montréalians (when they finally grow up, they can be the manic-depressive characters in a Denys Arcand film), the viewer goes through the gamut of his or her own memories of attraction and rejection, bouncing around like the ping-pong balls that the expressive actors represent in their own attraction/flirtation/appeasement fluctuations. In fact, the more the film is watched with introspection, the more relevant it becomes.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Heartbeats
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 600.000 CA$ (previsto)
- Lordo Stati Uniti e Canada
- 68.723 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.197 USD
- 27 feb 2011
- Lordo in tutto il mondo
- 843.423 USD
- Tempo di esecuzione1 ora 41 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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