Un veterano della Marina ritorna a casa dopo la guerra con poche prospettive per il futuro, fino a quando non viene coinvolto da un culto ed il suo carismatico leader.Un veterano della Marina ritorna a casa dopo la guerra con poche prospettive per il futuro, fino a quando non viene coinvolto da un culto ed il suo carismatico leader.Un veterano della Marina ritorna a casa dopo la guerra con poche prospettive per il futuro, fino a quando non viene coinvolto da un culto ed il suo carismatico leader.
- Candidato a 3 Oscar
- 75 vittorie e 187 candidature totali
Patrick Wilder
- V.A. Patient
- (as Patrick Biggs)
Trama
Lo sapevi?
- QuizDuring the jail cell scene, Joaquin Phoenix breaks a real toilet. His actions were entirely improvised. Due to the historical past of the building where the scene took place, the toilet was considered "historical." Joaquin had no intentions to break the toilet, nor did he think it was possible.
- BlooperIn the "pacing" scene, as Quell goes from wooden paneled wall to window and back, the second time he goes to he wooden paneling, he breaks out a panel when he pounds it with rage. In the numerous successive shots, the wood panel is restored.
- Citazioni
Lancaster Dodd: If you figure a way to live without serving a master, any master, then let the rest of us know, will you? For you'd be the first person in the history of the world.
- Curiosità sui creditiAfter its title, this film has no further opening credits.
- ConnessioniEdited into Conspiracy: The Hollywood Syndicate (2015)
- Colonne sonoreBaton Sparks
From '48 Reponses to Polymorphia'
Written by Jonny Greenwood
Performed by The Aukso Chamber Orchestra
Courtesy of Unreliable Ltd.
Recensione in evidenza
Paul Thomas Anderson's "The Master" is a puzzling, often bewildering film. Very few films have left me shaken and stirred and still leave me wondering, "What was that all about?" I can't say that I hated the ride. It is, quite simply, a remarkable film from one of America's best filmmakers today. This film is not for everyone, however.
The film's center plot; the one about self-described nuclear physicist, philosopher and professor Lancaster Dodd and his "organization" "The Cause" - as seen from the point of view from a shell-shocked psychotic drunk Freddie Quell. During the course of the film Lancaster and Freddie bond somewhat with Lancaster progressing his latest works.
The main performances by Joaquin Phoenix and Philip Seymour Hoffman are superb, and should warrant both of them Academy Award Nominations for Best Actor. Both of them. Phoenix is literally on fire here, his quirky mannerisms, twitching lips, unforgiving, unsettling eyes and ferocious anger and voice had me on the edge every time I see him on screen. Hoffman also is more subtle, though we see growing anger and rage whenever he feels that his work is being threatened. He can be classy, charismatic, and when threatened, loses all of that and becomes about as desperate as Freddie. Brilliant work by both actors. Watch the scene where Lancaster gets through to Freddie, or the harrowing scene where both of them are in jail cells. Special mention to Amy Adams who, while not really standing out, gives off a peculiar and somewhat sinister aura whenever she's on the screen.
Anderson's solid screenplay and his concentrated direction bring the goods. There seems to be a pattern about Anderson's last three films including this one. Both "Punch-Drunk Love" and "There Will Be Blood" featured lead characters who are extremely lonely and prone to snap to anger. "The Master" is somewhat a bit of both, where the lonely man can be both psychotic without reason and yet there are scenes which show he is, after all, a man. Some very well written lines ("If you can find peace without looking up to a master, any master...") meshed with some really great cinematography by Mihai Malaimare Jr. that brings nice color tones to the 1950 production design. Complementing all of this is Jonny Greenwood's eerie, dissonant score which makes the movie all the more odd, unsettling, and yet compelling to watch.
Eventually, both men in the movie are the masters of their own fate, and Anderson his own. It may move some and it may turn away others, but this is a fascinating watch nonetheless. "The Master" is one of 2012's very best films.
Overall: 91%
The film's center plot; the one about self-described nuclear physicist, philosopher and professor Lancaster Dodd and his "organization" "The Cause" - as seen from the point of view from a shell-shocked psychotic drunk Freddie Quell. During the course of the film Lancaster and Freddie bond somewhat with Lancaster progressing his latest works.
The main performances by Joaquin Phoenix and Philip Seymour Hoffman are superb, and should warrant both of them Academy Award Nominations for Best Actor. Both of them. Phoenix is literally on fire here, his quirky mannerisms, twitching lips, unforgiving, unsettling eyes and ferocious anger and voice had me on the edge every time I see him on screen. Hoffman also is more subtle, though we see growing anger and rage whenever he feels that his work is being threatened. He can be classy, charismatic, and when threatened, loses all of that and becomes about as desperate as Freddie. Brilliant work by both actors. Watch the scene where Lancaster gets through to Freddie, or the harrowing scene where both of them are in jail cells. Special mention to Amy Adams who, while not really standing out, gives off a peculiar and somewhat sinister aura whenever she's on the screen.
Anderson's solid screenplay and his concentrated direction bring the goods. There seems to be a pattern about Anderson's last three films including this one. Both "Punch-Drunk Love" and "There Will Be Blood" featured lead characters who are extremely lonely and prone to snap to anger. "The Master" is somewhat a bit of both, where the lonely man can be both psychotic without reason and yet there are scenes which show he is, after all, a man. Some very well written lines ("If you can find peace without looking up to a master, any master...") meshed with some really great cinematography by Mihai Malaimare Jr. that brings nice color tones to the 1950 production design. Complementing all of this is Jonny Greenwood's eerie, dissonant score which makes the movie all the more odd, unsettling, and yet compelling to watch.
Eventually, both men in the movie are the masters of their own fate, and Anderson his own. It may move some and it may turn away others, but this is a fascinating watch nonetheless. "The Master" is one of 2012's very best films.
Overall: 91%
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- The Master: Todo Hombre Necesita Un Guía
- Luoghi delle riprese
- Mare Island, Vallejo, California, Stati Uniti(as Philadelphia, Pennsylvania and various houses, a park and the docks)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 32.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 16.377.274 USD
- Fine settimana di apertura Stati Uniti e Canada
- 736.311 USD
- 16 set 2012
- Lordo in tutto il mondo
- 28.288.071 USD
- Tempo di esecuzione2 ore 18 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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