VALUTAZIONE IMDb
5,0/10
1011
LA TUA VALUTAZIONE
Non tutti gli incubi finiscono quando ti svegli.Non tutti gli incubi finiscono quando ti svegli.Non tutti gli incubi finiscono quando ti svegli.
- Premi
- 2 candidature totali
Cédric Béguin
- Colleague
- (non citato nei titoli originali)
Gaute Børresen
- Colleague
- (non citato nei titoli originali)
Cédric Luceau
- Colleague
- (non citato nei titoli originali)
Trama
Lo sapevi?
- BlooperAksel tells Mona that it's very difficult to turn on lights in a dream, and even has her use it as a way to take control towards the end of the film. Yet she is seen turning on a lamp without issue during only her second dream sequence around 16:21 in the film.
Recensione in evidenza
... and dream of better horror films, perhaps?
Believe me, I honestly don't like writing harsh and negative things about a film like "Marerittet". I want to encourage ambitious and intelligent new horror stories, especially when they come from one of my favorite countries in the world, but unfortunately "Nightmare" is mostly dull, unremarkable, implausible, and featuring far too many phony jump-scares than tolerable.
The Brussels' Film Festival, where I saw the film, describes "Marerittet" as mixture between "Nightmare on Elm Street" and "Rosemary's Baby". That's fairly accurate plot-wise, but obviously not in terms of quality or impact. Terrible events from the lead girl's dreams manifest themselves when she wakes up, and there are demonic babies that desperately want to be born, but "Marerittet" undoubtedly won't ever be considered as genre classic like the other two. Notably the first full hour is too slow-paced and too clichéd. The final act touches upon some taboo subjects (like abortion and insights in the concept of lucid dreaming) and contains a handful of strong moments, but the overall result remains unsatisfying. The strong performance of Eili Harboe does make me want to seek out the acclaimed fantasy/thriller "Thelma", in which she plays the titular role.
Believe me, I honestly don't like writing harsh and negative things about a film like "Marerittet". I want to encourage ambitious and intelligent new horror stories, especially when they come from one of my favorite countries in the world, but unfortunately "Nightmare" is mostly dull, unremarkable, implausible, and featuring far too many phony jump-scares than tolerable.
The Brussels' Film Festival, where I saw the film, describes "Marerittet" as mixture between "Nightmare on Elm Street" and "Rosemary's Baby". That's fairly accurate plot-wise, but obviously not in terms of quality or impact. Terrible events from the lead girl's dreams manifest themselves when she wakes up, and there are demonic babies that desperately want to be born, but "Marerittet" undoubtedly won't ever be considered as genre classic like the other two. Notably the first full hour is too slow-paced and too clichéd. The final act touches upon some taboo subjects (like abortion and insights in the concept of lucid dreaming) and contains a handful of strong moments, but the overall result remains unsatisfying. The strong performance of Eili Harboe does make me want to seek out the acclaimed fantasy/thriller "Thelma", in which she plays the titular role.
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 404.585 USD
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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