The Long Road Home

We want war stories to express the paradox of war: how we hate war and how we love war; how it destroys life and affirms life's worth.

Don't look for that complexity here, though. What it offers, instead, is the conventional. If you've seen one Iraq War movie, you'll come away feeling you've already seen all this before.

These people seem incapable of doing the unexpected despite the horrific blood and violence., As they grapple with death. you get no sense of unbearable stress demolishing their façades and wrenching their guts.

It's not entirely the actors' fault, though, the way the dialogue just plods along, giving them no opening to get us inside their characters and reveal the interior.

That leaves much of the dramatic work to the annoying musical underscoring. It won't leave you alone; it's always there dictating what you're supposed to feel.

In the end, with nothing unexpected or surprising to grab you, you're left feeling you've wasted your time. .