Furiosa: A Mad Max Saga

It would be folly to try and outdo Fury Road and Furiosa: A Mad Max Saga is smart enough to not even attempt that. It's a completely different film in its structure which allows it to be a prequel that tells a complete story on its own whilst still enhancing Fury Road with its world building. The fact that George Miller is still telling stories in the wasteland at this scale is a real gift.

Alyla Brown gets a lot more screen time than child versions of pre-established characters usually get and with next to no dialogue she is superb at communicating everything without words. Carrying that on for the second half, Anya Taylor-Joy does a phenomenal job and was right to fight to keep the scream in. If you need someone to act exclusively with their eyes, she is as perfect as they come.

Chris Hemsworth is clearly relishing the opportunity to play a properly mad villain with Dementus and has so many chill inducing moments. This is easily the best he's been so far, completely unhinged with just enough depth to explain everything he does. He's a complicated figure who always seeks power but is never able to truly hold onto it.

George Miller truly is a genius when it comes to exploring this franchise. Getting to see a fully realised Gas Town and Bullet Farm allows this world to cohere like never before and the action crafted here is so epic with gorgeous imagery that refuses to slow down. Just like John Seale achieved last time, Simon Duggans's cinematography can keep the action clean no matter what's thrown at it.

It makes sense that the only way Tom Holkenborg could come close to his best work on Fury Road was to return to the wasteland and his score here continues to compliment the kineticism of the action so well. The only downside is the CGI which looks pretty bad at various points and stands out further because of how well Fury Road implemented it.