Christine Brown voleva essere promossa e, per compiacere il capo, rifiuta di negoziare il credito di una donna anziana che sta per perdere la sua casa. Per vendetta, implora una maledizione ... Leggi tuttoChristine Brown voleva essere promossa e, per compiacere il capo, rifiuta di negoziare il credito di una donna anziana che sta per perdere la sua casa. Per vendetta, implora una maledizione che la trascinerà all'Inferno.Christine Brown voleva essere promossa e, per compiacere il capo, rifiuta di negoziare il credito di una donna anziana che sta per perdere la sua casa. Per vendetta, implora una maledizione che la trascinerà all'Inferno.
- Regia
- Sceneggiatura
- Star
- Premi
- 7 vittorie e 24 candidature totali
Trama
Lo sapevi?
- QuizAlison Lohman did almost all of her own stunts.
- BlooperMrs. Ganush's body gushes a large quantity of embalming fluid onto Christine's face, but in the next scene, her hair is completely dry.
- Curiosità sui creditiThe film opens with the 1963 "Van Allen belts" Universal logo.
- Versioni alternativeThe unrated director's cut DVD adds four notable extended shots/sequences:
- 1. The scene where Christine's nose squirts blood is extended, adding a shot of blood pouring out of her mouth. She covers her mouth, causing the fountain of blood to erupt from her nose.
- 2. The shot of Christine raising the knife above her cat is extended, showing Christine plunging the knife down several times, with some squirting blood.
- 3. We also see the cat's bloodied body fall into the hole in Christine and Clay's yard, just before Christine begins to shovel dirt upon it.
- 4. When Christine drops the anvil on Mrs. Ganush, Christine still gets splattered with Mrs. Ganush's eyeballs and brain matter, but now it's blood red colored.
- ConnessioniFeatured in HBO First Look: Making 'Drag Me to Hell' (2009)
- Colonne sonoreRock Ballad (Unused Theme from The Exorcist)
Written and Performed by Lalo Schifrin
Courtesy of Warner Bros. Entertainment
Played in the end credits
Recensione in evidenza
A huge disappointment in my eyes, especially after the high praise it has received from critics. Sam Raimi attempts to return to his B movie roots. Like the Evil Dead movies, it's delightfully cheesy and relentless. Unfortunately, it's also very formulaic and, much of the time, downright obnoxious. This is one film I would almost implore people not to see in theaters. At least not ones that like to turn the volume up. This movie is LOUD. I saw Terminator Salvation at the same theater, and was not nearly as deafened as I was by Drag Me to Hell. The problem: horror stings on the soundtrack. CONSTANTLY. The formula of the film is this: quiet set-up followed by sharp screech and an even louder BOO! It's the same thing over and over. I was cowering, but only because I was afraid I might not be able to hear in the morning. The story isn't bad, but it's been done before. Alison Lohman (awful) plays a loan officer who gets cursed by a gypsy after she turns her down for a loan extension. A goat demon begins to attack Lohman and, well, the rest of its intentions are included in the title of the film. Though I generally didn't like it, it's far from a bad film. In fact, I think it might play better on television (it's definitely the kind of movie that I would have caught on late night TV as a kid and loved). The séance scene near the end of the film is mostly gold. The demon itself is scary as Hell, but Raimi's way of indicating it, with sharp screeches, is what ruined the movie for me.
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Arrástrame al infierno
- Luoghi delle riprese
- 1031 Everett St, Los Angeles, California, Stati Uniti(Christine's house)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 42.100.625 USD
- Fine settimana di apertura Stati Uniti e Canada
- 15.825.480 USD
- 31 mag 2009
- Lordo in tutto il mondo
- 90.843.550 USD
- Tempo di esecuzione1 ora 39 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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