Una vecchia gloria del wrestling è costretta ad abbandonare la propria carriera, ma si rende conto che la sua impresa di condurre una nuova vita al di fuori del ring sta diventando una lotta... Leggi tuttoUna vecchia gloria del wrestling è costretta ad abbandonare la propria carriera, ma si rende conto che la sua impresa di condurre una nuova vita al di fuori del ring sta diventando una lotta scoraggiante.Una vecchia gloria del wrestling è costretta ad abbandonare la propria carriera, ma si rende conto che la sua impresa di condurre una nuova vita al di fuori del ring sta diventando una lotta scoraggiante.
- Candidato a 2 Oscar
- 58 vittorie e 93 candidature totali
Dylan Keith Summers
- Necro Butcher
- (as Dylan Summers)
Trama
Lo sapevi?
- QuizDue to the film's modest budget, Axl Rose donated the use of Guns N' Roses' "Sweet Child O' Mine" free of charge for the final match.
- BlooperThe promoter mentions that Ram's match with Tommy Rotten will be for "the strap", which refers to a promotion's title belt. However, following Ram's victory over Rotten, he is not seen holding a title belt or announced as the new champion.
- Citazioni
Randy 'The Ram' Robinson: The only place I get hurt is out there. The world don't give a shit about me.
- ConnessioniFeatured in At the Movies: Summer Special 2008/09 (2008)
- Colonne sonore(Bang Your Head) Metal Health
Written by Frankie Banali, Carlos Cavazo, Tony Cavazo, and Kevin DuBrow
Performed by Quiet Riot
Courtesy of Hands On Productions, LLC
Recensione in evidenza
"The Wrestler" is a beautiful movie, but it wouldn't be half as good if Mickey Rourke hadn't given the main character a face and a heart. There's virtually no other Hollywood actor that could have embodied Randy "The Ram" Robinson as perfectly as Rourke, and it's shocking to think how the movie could have turned out had someone else, say Bruce Willis or - as originally planned - Nicolas Cage played the part. With Rourke it's not so much an actor memorizing lines and delivering them convincingly, it's like watching a guy having gone through hell and now showing his scars. Rourke's performance even lets one overlook some rather clichéd elements in the story (the exotic dancer with a golden heart, the neglected daughter, a dance in a romantic dilapidated ballroom). It's all good, because one look at Randy's face reminds us of all the hits and punches he must have taken in the past, and it all becomes real again.
So, Rourke obviously makes the movie, but that's not the only remarkable thing. Besides a very good performance by the beautiful Marisa Tomei, "The Wrestler" is also worth mentioning because it marks the first time Darren Aronofsky has made a straight forward drama that's not heavy headed or laden with too much symbolism. After the highly pretentious "The Fountain" such a movie was more than due. "The Wrestler" proves that Aronofsky is not only capable of stylistic extravaganza, but can also handle the art of "plain" storytelling.
The fine title song by Bruce Springsteen must not be forgotten, either. After "Streets Of Philadelphia" and "Dead Man Walking" this is his third soundtrack contribution that captures the feel of a movie beautifully. Props to Aronofsky for putting an emphasis on that song by letting it play over a black screen for a couple of seconds before the closing credits start to roll.
In the end, "The Wrestler" is such a huge success because Aronofsky made the right choice by insisting on Rourke to play the main role, and because Rourke more than lived up to the director's expectations. Sean Penn may have been very good in "Milk", but the character of The Wrestler is a thousand times more interesting and memorable, and considering that fact that Rourke will forever be remembered for this great performance, he would really have deserved the Oscar.
So, Rourke obviously makes the movie, but that's not the only remarkable thing. Besides a very good performance by the beautiful Marisa Tomei, "The Wrestler" is also worth mentioning because it marks the first time Darren Aronofsky has made a straight forward drama that's not heavy headed or laden with too much symbolism. After the highly pretentious "The Fountain" such a movie was more than due. "The Wrestler" proves that Aronofsky is not only capable of stylistic extravaganza, but can also handle the art of "plain" storytelling.
The fine title song by Bruce Springsteen must not be forgotten, either. After "Streets Of Philadelphia" and "Dead Man Walking" this is his third soundtrack contribution that captures the feel of a movie beautifully. Props to Aronofsky for putting an emphasis on that song by letting it play over a black screen for a couple of seconds before the closing credits start to roll.
In the end, "The Wrestler" is such a huge success because Aronofsky made the right choice by insisting on Rourke to play the main role, and because Rourke more than lived up to the director's expectations. Sean Penn may have been very good in "Milk", but the character of The Wrestler is a thousand times more interesting and memorable, and considering that fact that Rourke will forever be remembered for this great performance, he would really have deserved the Oscar.
- Superunknovvn
- 26 feb 2009
- Permalink
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Dettagli
Botteghino
- Budget
- 6.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 26.238.243 USD
- Fine settimana di apertura Stati Uniti e Canada
- 202.714 USD
- 21 dic 2008
- Lordo in tutto il mondo
- 44.734.660 USD
- Tempo di esecuzione1 ora 49 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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